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University of Botswana Law Journal - PULP

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170 UNIVERSITY OF BOTSWANA LAW JOURNAL DECEMBER 2010<br />

The raison d’être for such an exception is that an infringing use<br />

which by allowing will cause greater public benefit than by denying it, must<br />

be allowed. 11 Such an exception therefore is included so as to allow members<br />

<strong>of</strong> the public to use copyrighted work fairly without the requirement <strong>of</strong> a<br />

consent or licence from the copyright-holder. In very broad terms, therefore,<br />

the exception seeks to allow fair use <strong>of</strong> copyrighted material because curbing<br />

it would mean impinging on the fundamental right to freedom <strong>of</strong> speech and<br />

expression. In other words, this exception is to balance two competing<br />

interests – on the one hand, the monopoly <strong>of</strong> authors which acts as an<br />

incentive to create, and on the other, that such a monopoly must not come in<br />

the way <strong>of</strong> creative ability <strong>of</strong> others or the right <strong>of</strong> the public to build upon<br />

previous works. 12<br />

2. “FAIR USE” AND “FAIR DEALING” COMPARED<br />

As already stated, fair dealing <strong>of</strong> copyrighted work does not amount to an<br />

infringement under the Copyright Act. Although it has been generally assumed<br />

that fair dealing is roughly equivalent to its American counterpart <strong>of</strong> fair use,<br />

the latter has a wider scope in that it is not restricted to specific purposes. 13<br />

According to Section 107 <strong>of</strong> the US Copyright Act, 1976, there are four factors<br />

for determining ‘fair use’, viz., (i) purpose and character <strong>of</strong> work; (ii) nature <strong>of</strong><br />

copyrighted work; (iii) amount and substantiality <strong>of</strong> the portion used; (iv)<br />

effect on market value <strong>of</strong> the original. 14 On the other hand, fair dealing is<br />

restricted to only the purposes allowed in the Act, viz., ‘private use including<br />

research’; criticism and review; and reporting current events.<br />

The American concept <strong>of</strong> fair use has been contested on the ground<br />

that it is not in line with the TRIPS requirement 15 confining the limitations or<br />

exceptions to the Berne three-step test, 16 which is that reproduction is<br />

permissible only in certain special cases and that it must not conflict with the<br />

normal exploitation <strong>of</strong> the work and must not unreasonably prejudice the<br />

legitimate interests <strong>of</strong> the copyright-holder. Now, the charge leveled against<br />

11 Newby, T.G., “What’s Fair Here is Not Fair Everywhere: Does the American Fair Use Doctrine Violate<br />

International Copyright <strong>Law</strong>?” 51 Stan. L. Rev. 1633 (1999). See also: Sony Corporation v Universal<br />

Studios, 464 US 417, 479-480 (1984). There are jurists who have justified the fair use doctrine in a<br />

Lockean framework. See: Damstedt, B.J., “Limiting Locke: A Natural <strong>Law</strong> Justification for the Fair Use<br />

Doctrine”, 112 Yale L.J. 1179 (2003). Some authors also argue that fair use doctrine does not in any way<br />

protect freedom <strong>of</strong> speech, see: Lockridge, W., “The Myth <strong>of</strong> Copyright’s Fair Use Doctrine As a<br />

Protector <strong>of</strong> Free Speech”, 24 Santa Clara Computer & High Tech. L.J. 31 (2007).<br />

12 Kartar Singh v Ladha Singh, AIR 1934 Lah 777; Eastern Book Co. v Navin Desai, AIR 2001 Del 185.<br />

13 Griffiths, J., “Preserving Judicial Freedom <strong>of</strong> Movement–Interpreting Fair Dealing in Copyright <strong>Law</strong>”,<br />

[2000] IPQ 164. See also: Copinger and Skone, J., Copyright, Volume I (Sweet & Maxwell, London: 15 th<br />

edition, 2005) 481.<br />

14 For a good analysis <strong>of</strong> American law on fair use, see: Fisher III, W.W., “Reconstructing the Fair Use<br />

Doctrine”, 101 Harv. L. Rev. 1659 (1988).<br />

15 Article 13, TRIPS (Marrakesh Agreement), 1994.<br />

16 Article 9(2), Berne Convention for the Protection <strong>of</strong> Literary and Artistic Works. See: Heide, T., “The<br />

Berne Three-Step Test and the Proposed Copyright Directive”, 21(3) EIPR 105 (1999).

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