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PREVIEWS<br />

Show Time<br />

Upcoming Performing Arts <strong>Event</strong>s | by Natasha Chilingerian, Suzanne Hamlin & Heather Wisner<br />

Private Eyes<br />

2Boards Productions – Private<br />

Eyes<br />

Theater! Theatre!<br />

Thru Aug 12, Thurs–Sat 8pm & Sun 4pm<br />

Theater should always be somewhat suspect, said<br />

David Mamet, and with Private Eyes, it seems playwright<br />

Steven Dietz took that suggestion to heart.<br />

In this comedic relationship thriller, deception is<br />

the name of the game, and what you think you know<br />

will likely be proved wrong again and again. The<br />

problem is this: The plot turns on actors rehearsing<br />

a drama. There are relationships between husband<br />

and wife, between woman and man, and between<br />

actor and director, so it’s not always clear to the<br />

characters—and by extension, the viewers—what’s<br />

real life and what’s just theater. Additional characters<br />

include a therapist treating one of the men,<br />

which expands the possibilities that the relationship<br />

tension is all in his head, and maybe in ours. And<br />

then there’s a private investigator who lurks about<br />

the periphery, a kind of dramatic device ostensibly<br />

meant to reveal the truth, although whether she<br />

actually does remains subject to debate. “Simply<br />

designed and richly performed” works are 2Boards<br />

artistic director and president Jamie Lynne Powell-<br />

Hervold’s vision for the seven-member company,<br />

now entering its second season. Meanwhile, Dietz,<br />

a Denver native and award-winning playwright,<br />

seems to have an affinity for emotional arguments;<br />

his best-known works include the fundamentalistcentered<br />

drama God’s Country and Fiction, a drama<br />

about married writers who swap journals. If his<br />

artistic temperament takes some cues from his<br />

immediate surroundings (i.e. gloomy weather),<br />

Portland viewers will surely understand. He’s lately<br />

been working out of Seattle: “If you can’t write a<br />

play in Seattle in the winter,” he once told St. Louis<br />

Dispatch critic Judith Newmark, “you can’t do it at<br />

all.” —HW<br />

photo: Jeff <strong>For</strong>bes<br />

Portland Festival Symphony<br />

Various Portland parks<br />

August 2, 5, 6, 12 & 13, 6pm<br />

Free classical concerts in Portland are few and far<br />

between. And outdoor concerts are usually summer<br />

fare. Here’s a chance to get outside, enjoy some<br />

music and not spend a dime. Dare we say it? That’s<br />

music to our ears! The Portland Festival Symphony<br />

has been presenting free concerts in neighborhood<br />

parks around the city for 26 summers. Lajos Balogh,<br />

founder and music director (and also conductor of<br />

the Metropolitan Youth Symphony), wanted to bring<br />

Portland some European flavor (ourdoor concerts<br />

are common across the Atlantic) and so founded<br />

the Symphony, which is made up of musicians<br />

from the Oregon Symphony and the Portland Opera<br />

Orchestra. It began with the idea to celebrate his<br />

European citizenship and has turned into a local<br />

summer tradition. The Symphony highlights a<br />

variety of performers playing alongside the orchestra<br />

in music ranging from classical favorites, pop<br />

arrangements and works by local composers to new<br />

twists like this year’s jazzy take on Scheherezade.<br />

August finds trombonist Kevin Allen, the MYSfits<br />

String Ensemble (from the Metropolitan Youth Symphony),<br />

vocalist Julianne R. Johnson and violinist<br />

Esther Shim performing. The last concert features<br />

chamber group 3 Leg Torso and the Scheherjazz Big<br />

Band Symphony. Bring a picnic and the whole family—children<br />

are welcome. The tradition of inviting<br />

kids to play toy instruments with the orchestra in<br />

Haydn’s “Toy” Symphony will once again happen<br />

every night. —SH<br />

Fourth Annual Richard <strong>For</strong>eman<br />

Mini-Festival<br />

Performance Works NorthWest<br />

August 11 & 12, 8:30pm<br />

If you attend the Fourth Annual Richard <strong>For</strong>eman<br />

Mini-Festival, you’re in for a unique slant on play<br />

production. In Performance Works NorthWest’s<br />

annual fundraiser, all sorts of performers are given<br />

ten days, and a four- to eight-minute time slot,<br />

to create a play out of an excerpt from <strong>For</strong>eman’s<br />

online notebooks. Playwright <strong>For</strong>eman, founder and<br />

artistic director of the Ontological-Hysteric Theater,<br />

placed the notebooks online, which are free to use.<br />

They contain his own raw material from the past<br />

fifteen years—bits and pieces of dialogue not linked<br />

to specific characters. He draws from them himself<br />

when creating a new play. This year, Linda Austin,<br />

who founded of Performance Works NorthWest in<br />

1999 with Jeff <strong>For</strong>bes, has instructed the performers<br />

to draw from an assigned text and incorporate a<br />

“mystery suitcase” of objects. Each night will feature<br />

different performances, so both nights hold more<br />

than a few suitcases worth of surprises. —SH<br />

PWNW’s Mini-Fest<br />

Northwest Professional<br />

Dance Project<br />

Northwest Professional Dance<br />

Project – Gala Show & Backstage<br />

Soirée / Showing By Dance Makers<br />

Lincoln Hall, Portland State University<br />

August 11, 7pm & August 12, 8pm<br />

Blossoming talent and legendary choreography<br />

will take the stage at the Northwest Professional<br />

Dance Project’s (NWPDP) two-show summer event,<br />

where you can watch cutting-edge works and then<br />

meet the people behind them. The NWPDP has<br />

been giving aspiring professional dancers the tools<br />

they need to pursue successful dance careers since<br />

2004, and these two shows are sure to showcase the<br />

motivation, natural talent and enthusiasm of young<br />

ballet and modern dancers eager to “make it.” The<br />

Gala Show and Backstage Soirée (Fri 7pm, $45, $8<br />

Gala Show only) begins with new works by local<br />

choreographers Mary Oslund, Josie Moseley and<br />

NWPDP Co-Director Steve Gonzales, followed by a<br />

showing of NWPDP Co-Director Sarah Slipper’s “A<br />

Fine Balance,” which was recently nominated for an<br />

international choreography award and performed<br />

in Moscow. After the performance, hop on stage<br />

for appetizers, cocktails and live cello music by<br />

Skip vonKuske with the show’s young dancers and<br />

established choreographers. Showing By Dance Makers<br />

(Sat 8pm, $17-$20) then premieres new works by<br />

internationally-acclaimed choreographers: Oregon<br />

Ballet Theatre founding Director James Canfield,<br />

Nashville Ballet Director Paul Vasterling, Ballet<br />

Austin Director Stephen Mills, Hubbard Street<br />

Dance Chicago’s Lucas Crandall, and more. NWPDP<br />

prepares selected professional dancers-in-training<br />

for the real world through a three-week summer<br />

intensive program, company performance opportunities,<br />

an apprentice program and scholarships; the<br />

organization’s two August shows are truly presentations<br />

of legends in the making. —NC<br />

photo: Blaine Truitt Covert<br />

40 PDXmagazine.com / August 2006

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