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PREVIEWS<br />
Show Time<br />
Upcoming Performing Arts <strong>Event</strong>s | by Natasha Chilingerian, Suzanne Hamlin & Heather Wisner<br />
Private Eyes<br />
2Boards Productions – Private<br />
Eyes<br />
Theater! Theatre!<br />
Thru Aug 12, Thurs–Sat 8pm & Sun 4pm<br />
Theater should always be somewhat suspect, said<br />
David Mamet, and with Private Eyes, it seems playwright<br />
Steven Dietz took that suggestion to heart.<br />
In this comedic relationship thriller, deception is<br />
the name of the game, and what you think you know<br />
will likely be proved wrong again and again. The<br />
problem is this: The plot turns on actors rehearsing<br />
a drama. There are relationships between husband<br />
and wife, between woman and man, and between<br />
actor and director, so it’s not always clear to the<br />
characters—and by extension, the viewers—what’s<br />
real life and what’s just theater. Additional characters<br />
include a therapist treating one of the men,<br />
which expands the possibilities that the relationship<br />
tension is all in his head, and maybe in ours. And<br />
then there’s a private investigator who lurks about<br />
the periphery, a kind of dramatic device ostensibly<br />
meant to reveal the truth, although whether she<br />
actually does remains subject to debate. “Simply<br />
designed and richly performed” works are 2Boards<br />
artistic director and president Jamie Lynne Powell-<br />
Hervold’s vision for the seven-member company,<br />
now entering its second season. Meanwhile, Dietz,<br />
a Denver native and award-winning playwright,<br />
seems to have an affinity for emotional arguments;<br />
his best-known works include the fundamentalistcentered<br />
drama God’s Country and Fiction, a drama<br />
about married writers who swap journals. If his<br />
artistic temperament takes some cues from his<br />
immediate surroundings (i.e. gloomy weather),<br />
Portland viewers will surely understand. He’s lately<br />
been working out of Seattle: “If you can’t write a<br />
play in Seattle in the winter,” he once told St. Louis<br />
Dispatch critic Judith Newmark, “you can’t do it at<br />
all.” —HW<br />
photo: Jeff <strong>For</strong>bes<br />
Portland Festival Symphony<br />
Various Portland parks<br />
August 2, 5, 6, 12 & 13, 6pm<br />
Free classical concerts in Portland are few and far<br />
between. And outdoor concerts are usually summer<br />
fare. Here’s a chance to get outside, enjoy some<br />
music and not spend a dime. Dare we say it? That’s<br />
music to our ears! The Portland Festival Symphony<br />
has been presenting free concerts in neighborhood<br />
parks around the city for 26 summers. Lajos Balogh,<br />
founder and music director (and also conductor of<br />
the Metropolitan Youth Symphony), wanted to bring<br />
Portland some European flavor (ourdoor concerts<br />
are common across the Atlantic) and so founded<br />
the Symphony, which is made up of musicians<br />
from the Oregon Symphony and the Portland Opera<br />
Orchestra. It began with the idea to celebrate his<br />
European citizenship and has turned into a local<br />
summer tradition. The Symphony highlights a<br />
variety of performers playing alongside the orchestra<br />
in music ranging from classical favorites, pop<br />
arrangements and works by local composers to new<br />
twists like this year’s jazzy take on Scheherezade.<br />
August finds trombonist Kevin Allen, the MYSfits<br />
String Ensemble (from the Metropolitan Youth Symphony),<br />
vocalist Julianne R. Johnson and violinist<br />
Esther Shim performing. The last concert features<br />
chamber group 3 Leg Torso and the Scheherjazz Big<br />
Band Symphony. Bring a picnic and the whole family—children<br />
are welcome. The tradition of inviting<br />
kids to play toy instruments with the orchestra in<br />
Haydn’s “Toy” Symphony will once again happen<br />
every night. —SH<br />
Fourth Annual Richard <strong>For</strong>eman<br />
Mini-Festival<br />
Performance Works NorthWest<br />
August 11 & 12, 8:30pm<br />
If you attend the Fourth Annual Richard <strong>For</strong>eman<br />
Mini-Festival, you’re in for a unique slant on play<br />
production. In Performance Works NorthWest’s<br />
annual fundraiser, all sorts of performers are given<br />
ten days, and a four- to eight-minute time slot,<br />
to create a play out of an excerpt from <strong>For</strong>eman’s<br />
online notebooks. Playwright <strong>For</strong>eman, founder and<br />
artistic director of the Ontological-Hysteric Theater,<br />
placed the notebooks online, which are free to use.<br />
They contain his own raw material from the past<br />
fifteen years—bits and pieces of dialogue not linked<br />
to specific characters. He draws from them himself<br />
when creating a new play. This year, Linda Austin,<br />
who founded of Performance Works NorthWest in<br />
1999 with Jeff <strong>For</strong>bes, has instructed the performers<br />
to draw from an assigned text and incorporate a<br />
“mystery suitcase” of objects. Each night will feature<br />
different performances, so both nights hold more<br />
than a few suitcases worth of surprises. —SH<br />
PWNW’s Mini-Fest<br />
Northwest Professional<br />
Dance Project<br />
Northwest Professional Dance<br />
Project – Gala Show & Backstage<br />
Soirée / Showing By Dance Makers<br />
Lincoln Hall, Portland State University<br />
August 11, 7pm & August 12, 8pm<br />
Blossoming talent and legendary choreography<br />
will take the stage at the Northwest Professional<br />
Dance Project’s (NWPDP) two-show summer event,<br />
where you can watch cutting-edge works and then<br />
meet the people behind them. The NWPDP has<br />
been giving aspiring professional dancers the tools<br />
they need to pursue successful dance careers since<br />
2004, and these two shows are sure to showcase the<br />
motivation, natural talent and enthusiasm of young<br />
ballet and modern dancers eager to “make it.” The<br />
Gala Show and Backstage Soirée (Fri 7pm, $45, $8<br />
Gala Show only) begins with new works by local<br />
choreographers Mary Oslund, Josie Moseley and<br />
NWPDP Co-Director Steve Gonzales, followed by a<br />
showing of NWPDP Co-Director Sarah Slipper’s “A<br />
Fine Balance,” which was recently nominated for an<br />
international choreography award and performed<br />
in Moscow. After the performance, hop on stage<br />
for appetizers, cocktails and live cello music by<br />
Skip vonKuske with the show’s young dancers and<br />
established choreographers. Showing By Dance Makers<br />
(Sat 8pm, $17-$20) then premieres new works by<br />
internationally-acclaimed choreographers: Oregon<br />
Ballet Theatre founding Director James Canfield,<br />
Nashville Ballet Director Paul Vasterling, Ballet<br />
Austin Director Stephen Mills, Hubbard Street<br />
Dance Chicago’s Lucas Crandall, and more. NWPDP<br />
prepares selected professional dancers-in-training<br />
for the real world through a three-week summer<br />
intensive program, company performance opportunities,<br />
an apprentice program and scholarships; the<br />
organization’s two August shows are truly presentations<br />
of legends in the making. —NC<br />
photo: Blaine Truitt Covert<br />
40 PDXmagazine.com / August 2006