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PREVIEWS<br />
SET LIST<br />
Upcoming Live Music<br />
music that shaped their lives wash away amongst a<br />
sea of substandard rock revival acts. An astonishing<br />
live show is sure to deliver. —KR<br />
A Silver Mt. Zion, Carla Bozulich<br />
Doug Fir<br />
August 19, 9pm<br />
Possessing one of the sweetest, most alluring—and<br />
at times most erratic—voices in the music world,<br />
Carla Bozulich falls into the realm of the “must<br />
see.” She’s become known for her sexy, fiery<br />
performances that either leaves an audience pleasantly<br />
stunned or scratching their collective heads.<br />
With Montreal’s A Silver Mt. Zion (which features<br />
members of Godspeed You! Black Emperor) this<br />
time around, expect to see Bozulich’s less appealing<br />
tendencies reigned in. The former’s swelling mix of<br />
noise and melody leaves the theatrics of Godspeed<br />
behind and focuses more on tight, rhythmic structure.<br />
And for Bozulich, this is a coup. Having made<br />
is beautiful, compelling and capable of communicating<br />
the entire spectrum of human emotions: happiness,<br />
sadness, anger, nostalgia, optimism, etc.<br />
All of this is readily evident on the band’s excellent<br />
new self-recorded and self-released debut album,<br />
48 Minutes, 07 Seconds, Then the Open Air (available at<br />
jackpotrecords.com), which features seven extended<br />
jams. The album’s standout track—the melancholic<br />
“When I Destroy An Animal”—repeats itself slowly<br />
and quietly at first, tension building at every moment.<br />
Restraint gives way to excess at the six-minute<br />
mark, however, when the song hits a crescendo and<br />
implodes under waves of guitar hiss and distortion,<br />
each note of squalling feedback falling off the guitar<br />
like a dealer flipping cards at a poker game. As if<br />
you needed extra incentive, tonight’s performance<br />
jumpstarts a five-week national tour for WFJ, one<br />
that will see them gigging from sea to shining sea.<br />
This is your chance to help send them off in style.<br />
—TG<br />
with discounted tickets for kids. The serious party<br />
starts at 9:30pm when the Lions, in full-force and<br />
costume, will be joined by musicians from Rio de<br />
Janeiro like Bateria Mestre Jorge Alabe. According to<br />
Brian Davis, co-founder of the Lions, a “‘bateria’ is<br />
a person who is respected as a master of all instruments<br />
and aspects of a Brazilian music and drum<br />
ensemble.” Alabe has recorded with Pink Martini<br />
in the past. More info on the other musicians and<br />
tickets can be found at lionsofbatucada.com.<br />
But first, just what is “batucada,” and how<br />
did this magical troupe come to be? Davis, also a<br />
member of Pink Martini, explains, “It came to be<br />
from someone calling John Brodie, the manager of<br />
Pink Martini, and asking if someone in his group<br />
could put a samba thing together for the [Portland]<br />
Oregon Visitors Association.” POVA wanted to<br />
name the band and link it to the sponsor for the<br />
event, Red Lion Inns. “‘Batucada’ means samba<br />
on percussion,” Davis adds. “It was just on a spur<br />
of the moment. We had, like, a ten-foot tall Lion<br />
Carla Bozulich Comets on Fire Lions of Batucada<br />
a name with the Geraldine Fibbers, kicked around<br />
like a bad ass cowgirl with Nels Cline, opened for<br />
Wilco and covered an entire Willie Nelson LP, Bozulich<br />
is finally getting her due. Go pay your respects.<br />
—BS<br />
We’re From Japan, Aristela<br />
Doug Fir<br />
August 30, 9pm<br />
The truth, we’re afraid, must be revealed: Instrumetal<br />
aesthetes We’re From Japan (hereafter WFJ)<br />
actually formed here in Portland circa 2003/4, having<br />
no real direct connect to the land of the rising<br />
sun. This misnomer aside, we can’t much fault the<br />
local quartet or their terrific brand of epic, sprawling,<br />
vocal-less songs that sport dramatic swings in<br />
tempo, texture and volume. Influenced by the work<br />
of other like-minded instrumental shape-shifters<br />
like the Dirty Three, Mogwai and Explosions in the<br />
Sky, WFJ understands the importance of pacing,<br />
restraint and patience, fashioning songs from<br />
guitar loops, cul-de-sacs and other found-sound<br />
fragments to realize an ebb-and-flow dynamic that<br />
Lions of Batucada<br />
Wonder Ballroom<br />
August 12, 2pm & 9:30pm<br />
Has it already been ten years since we were first<br />
shocked and awed by the sight of 20–40 drummers<br />
blasting out infectious syncopation along with<br />
gorgeous dancers in full<br />
Brazilian costume, coming<br />
around the corner at<br />
us and instantly making<br />
our rumps shake? Yes,<br />
The Lions Of Batucada,<br />
Portland’s own Brazilian<br />
marching band, is ten<br />
years old and will be celebrating<br />
their birthday<br />
in typical fashion with<br />
a day-long party at the<br />
Wonder Ballroom this<br />
month. The day starts<br />
with a family matinée<br />
performance and<br />
Brazilian lunch at 2pm<br />
in tails and top hat with us on the very first gig.” A<br />
few years ago, the Portland police put a stop to the<br />
Lions’ popular impromptu street marching, so if<br />
you want to dive into the sauce of the samba, and of<br />
Brazil, the Wonder Ballroom tenth anniversary party<br />
is a delicious way to do it. —TD<br />
August 2006 / PDXmagazine.com 45