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PREVIEWS<br />

SET LIST<br />

Upcoming Live Music<br />

music that shaped their lives wash away amongst a<br />

sea of substandard rock revival acts. An astonishing<br />

live show is sure to deliver. —KR<br />

A Silver Mt. Zion, Carla Bozulich<br />

Doug Fir<br />

August 19, 9pm<br />

Possessing one of the sweetest, most alluring—and<br />

at times most erratic—voices in the music world,<br />

Carla Bozulich falls into the realm of the “must<br />

see.” She’s become known for her sexy, fiery<br />

performances that either leaves an audience pleasantly<br />

stunned or scratching their collective heads.<br />

With Montreal’s A Silver Mt. Zion (which features<br />

members of Godspeed You! Black Emperor) this<br />

time around, expect to see Bozulich’s less appealing<br />

tendencies reigned in. The former’s swelling mix of<br />

noise and melody leaves the theatrics of Godspeed<br />

behind and focuses more on tight, rhythmic structure.<br />

And for Bozulich, this is a coup. Having made<br />

is beautiful, compelling and capable of communicating<br />

the entire spectrum of human emotions: happiness,<br />

sadness, anger, nostalgia, optimism, etc.<br />

All of this is readily evident on the band’s excellent<br />

new self-recorded and self-released debut album,<br />

48 Minutes, 07 Seconds, Then the Open Air (available at<br />

jackpotrecords.com), which features seven extended<br />

jams. The album’s standout track—the melancholic<br />

“When I Destroy An Animal”—repeats itself slowly<br />

and quietly at first, tension building at every moment.<br />

Restraint gives way to excess at the six-minute<br />

mark, however, when the song hits a crescendo and<br />

implodes under waves of guitar hiss and distortion,<br />

each note of squalling feedback falling off the guitar<br />

like a dealer flipping cards at a poker game. As if<br />

you needed extra incentive, tonight’s performance<br />

jumpstarts a five-week national tour for WFJ, one<br />

that will see them gigging from sea to shining sea.<br />

This is your chance to help send them off in style.<br />

—TG<br />

with discounted tickets for kids. The serious party<br />

starts at 9:30pm when the Lions, in full-force and<br />

costume, will be joined by musicians from Rio de<br />

Janeiro like Bateria Mestre Jorge Alabe. According to<br />

Brian Davis, co-founder of the Lions, a “‘bateria’ is<br />

a person who is respected as a master of all instruments<br />

and aspects of a Brazilian music and drum<br />

ensemble.” Alabe has recorded with Pink Martini<br />

in the past. More info on the other musicians and<br />

tickets can be found at lionsofbatucada.com.<br />

But first, just what is “batucada,” and how<br />

did this magical troupe come to be? Davis, also a<br />

member of Pink Martini, explains, “It came to be<br />

from someone calling John Brodie, the manager of<br />

Pink Martini, and asking if someone in his group<br />

could put a samba thing together for the [Portland]<br />

Oregon Visitors Association.” POVA wanted to<br />

name the band and link it to the sponsor for the<br />

event, Red Lion Inns. “‘Batucada’ means samba<br />

on percussion,” Davis adds. “It was just on a spur<br />

of the moment. We had, like, a ten-foot tall Lion<br />

Carla Bozulich Comets on Fire Lions of Batucada<br />

a name with the Geraldine Fibbers, kicked around<br />

like a bad ass cowgirl with Nels Cline, opened for<br />

Wilco and covered an entire Willie Nelson LP, Bozulich<br />

is finally getting her due. Go pay your respects.<br />

—BS<br />

We’re From Japan, Aristela<br />

Doug Fir<br />

August 30, 9pm<br />

The truth, we’re afraid, must be revealed: Instrumetal<br />

aesthetes We’re From Japan (hereafter WFJ)<br />

actually formed here in Portland circa 2003/4, having<br />

no real direct connect to the land of the rising<br />

sun. This misnomer aside, we can’t much fault the<br />

local quartet or their terrific brand of epic, sprawling,<br />

vocal-less songs that sport dramatic swings in<br />

tempo, texture and volume. Influenced by the work<br />

of other like-minded instrumental shape-shifters<br />

like the Dirty Three, Mogwai and Explosions in the<br />

Sky, WFJ understands the importance of pacing,<br />

restraint and patience, fashioning songs from<br />

guitar loops, cul-de-sacs and other found-sound<br />

fragments to realize an ebb-and-flow dynamic that<br />

Lions of Batucada<br />

Wonder Ballroom<br />

August 12, 2pm & 9:30pm<br />

Has it already been ten years since we were first<br />

shocked and awed by the sight of 20–40 drummers<br />

blasting out infectious syncopation along with<br />

gorgeous dancers in full<br />

Brazilian costume, coming<br />

around the corner at<br />

us and instantly making<br />

our rumps shake? Yes,<br />

The Lions Of Batucada,<br />

Portland’s own Brazilian<br />

marching band, is ten<br />

years old and will be celebrating<br />

their birthday<br />

in typical fashion with<br />

a day-long party at the<br />

Wonder Ballroom this<br />

month. The day starts<br />

with a family matinée<br />

performance and<br />

Brazilian lunch at 2pm<br />

in tails and top hat with us on the very first gig.” A<br />

few years ago, the Portland police put a stop to the<br />

Lions’ popular impromptu street marching, so if<br />

you want to dive into the sauce of the samba, and of<br />

Brazil, the Wonder Ballroom tenth anniversary party<br />

is a delicious way to do it. —TD<br />

August 2006 / PDXmagazine.com 45

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