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Boxoffice-July.1999

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j<br />

THEORETICRL "H" CURUE<br />

Note: For purposes of<br />

illustration only, I have<br />

included the "X" curve<br />

display shown in Figure 1<br />

in Figures 2 and 3. Because<br />

the center channel is off<br />

when setting the subwoofer<br />

levels, the analyzer<br />

will obviously show only<br />

the frequencies of the subwoofer.<br />

The subwoofer<br />

frequencies are indicated<br />

by the blue-yellow bars.<br />

3. Place the processor in<br />

the optical format. Now<br />

adjust the optical subwoofer<br />

level so that the<br />

subwoofer frequencies are<br />

even with the reference<br />

line established by the center<br />

channel. See Figure 3.<br />

4. It should go without<br />

saying that listening tests<br />

should be done with familiar<br />

material, but not trailers.<br />

It might be necessary to reduce the<br />

optical subwoofer level if the three main<br />

screen speakers are providing enough<br />

bass (or almost enough) on their own.<br />

Maybe. But not far enough, I think. ]<br />

practice, I have found this to be err(<br />

neous, no matter what kind of sound sy<br />

tern is involved. For one thing, there is ri<br />

such thing as a "far field" in a good su^<br />

round array. The microphone should geij<br />

erally see a fairly flat near-field respon:?<br />

when walked around the area bound^j<br />

by the surround speakers. To place tl<br />

measurement microphone off cent<br />

could result in the two surround channe<br />

playing out of balance even though the<br />

measurements were equal. If one wan<br />

the surround channels to play in equ<br />

balance, they must be measured equall}<br />

A symmetrical microphone placemei<br />

is also beneficial for the screen speakei<br />

258 588 1888 2888 4888 8888 16888<br />

So I would recommend that techniciai<br />

Frequencies on octaue centers<br />

set sound levels with the measuremei<br />

microphone simply placed in the cent'<br />

Figure 1<br />

of the seatir<br />

area. Try<br />

DIGITRL SUBWOOFER RESPONSE SUPERIMPOSED OUER THE THEORETICRL "K" CURUE and see if tl<br />

balance isr<br />

I i I i li 1; t! tlEr^::<br />

63 125 258<br />

I<br />

588 1888<br />

I !<br />

2888 4888 8888 16088<br />

Frequencies on octaue centers<br />

Figure 2<br />

better.<br />

©1999 Jo)<br />

F. Allen, a<br />

Rights Reserve<br />

John F. All<br />

\<br />

is the found<br />

and president<br />

High Perforr\<br />

once Stereo I<br />

Newton, Mai<br />

He is also r.<br />

inventor of f.<br />

HPS-4000 cirl<br />

ma sound 5>j<br />

tern and in 19<<br />

was the first<br />

bring dii^ii<br />

sound to tn<br />

cinema.<br />

OPTICRL SUBUJOOFER RESPONSE SUPERIMPOSED OUER THE THEORETICRL "K" CURUE<br />

For<br />

future reference, one may<br />

record the resulting subwoofer's<br />

SPL meter readings in both formats.<br />

Only using these recorded levels,<br />

as referenced to an analyzer, would an<br />

SPL meter be useful for checking subwoofer<br />

levels at some future time.<br />

The RP200 recommended practice<br />

covers the adjustment of sound levels in<br />

all the channels of multi-channel motion<br />

picture sound systems. It specifies that<br />

the measurement microphone be located<br />

about two-thirds back from the screen<br />

and one-third the width of the theatre<br />

away from a side wall. In other words,<br />

off center. The argument goes that the<br />

microphone is in the far field and thus<br />

258 58B 1888 2888 4888 8888 16888<br />

Frequencies an octane centers<br />

Figure 9<br />

36 BOXOFFICE

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