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Boxoffice-September.1997

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stars, calling it "a boy's coming-of-age story<br />

on the order of '400 Blows'" and crediting<br />

Sexton with "a powerful authenticity that<br />

shines through in a complex performance."<br />

Freeman tells BOXOFFICE he wants to see this<br />

at New York's Angelika, and indeed "Hurricane<br />

Streets" will likely play best at such<br />

art-house venues, though its "Romeo and Juliet"<br />

element could draw mainstream youths.<br />

Swept From the Sea<br />

Aka "Amy Foster"<br />

and "To Love and Be<br />

Loved," this romantic drama is adapted from<br />

a Joseph Conrad novella. Vincent Perez ("The<br />

The Twilight of the Golds<br />

In this drama, pregnant mother Suzanne<br />

(Jennifer Beals), father Rob (John Tenney),<br />

grandparents-to-be Walter (Carry Marshall)<br />

and Phyllis (Faye Dunaway) and brother<br />

David (Brendan Eraser) learn the son Suzanne<br />

is carrying has a gene present in almost all gay<br />

men. Though the liberal folks have adjusted<br />

to David's homosexuality, the news throws all<br />

into turmoil. Ross Marks ("Homage") directs;<br />

apparent H.L. Mencken fan Jonathan Tolins<br />

and Seth Bass adapt Tolins' play. (CFP, 1 0/24)<br />

Exploitips: Although "The Twilight of the<br />

Colds" isn't a studio release, the subject matter<br />

could generate extra media attention, and<br />

both heterosexual and homosexual audiences<br />

could find this a specialized draw.<br />

Time" grossed barely $8 million, and his four<br />

films before that averaged just $26 million.<br />

Key plus: This is the date's only studio opener.<br />

OCTOBER UNDATED<br />

Critical Care<br />

In this satirical drama, director Sidney Lumet<br />

("Night Falls on Manhattan") takes a darkly<br />

Crow: City of Angels") stars as a Ukrainian<br />

emigrant trapped in England who falls for a<br />

young woman ("Chain Reaction's" Rachel<br />

Weisz) and is helped by a local doctor ("Richard<br />

Ill's" Ian McKellen). Kathy Bates ("Dolores<br />

Claiborne") co-stars. Beeban Kidron ("To<br />

Wong Foo, Thanks for Everything, Julie Newmar")<br />

directs; Tim Willocks scripts; Polly Tapson,<br />

Charles Steel and Beeban Kidron<br />

produce for Phoenix. (TriStar, 10/24 ltd)<br />

Exploitips: If lacking A-list stars, this has the<br />

feel of a prestige production (TriStar is billing<br />

it as an "epic drama"); its best demo is literate<br />

females who like a romantic story and would<br />

know the Conrad name. A bookstore tie-in<br />

thus would help this one not be a "Foster"<br />

freeze, and the platformed release could let<br />

word-of-mouth build wider interest.<br />

Deconstructing Harry<br />

In this Woody Allen comedy set in New<br />

York (now there's a change), Kirstie Alley,<br />

Richard Benjamin, Billy Crystal, Judy Davis<br />

("Husbands and Wives"), Mariel Hemingway<br />

("Manhattan"), Amy Irving, Julie Kavner<br />

("Shadows and Fog"), Julia Louis-Dreyfus,<br />

Demi Moore, Elisabeth Shue, Stanley. Tucci<br />

and Robin Williams star along with the Woodman,<br />

who plays a writer experiencing eroticlife<br />

turmoil (now there's a change). Allen<br />

directs and scripts; Jean Doumanian produces.<br />

(Fine Line, 10/24 NY/LA, 10/31 exp)<br />

Although Miramax handled<br />

Exploitips:<br />

Allen's last three films, Fine Line acquired<br />

North American rights to this at Cannes, with<br />

part of the $10.5 million pact being that the<br />

distributor would release Barbara Kopple's<br />

documentary about Allen's jazz band's European<br />

tour. In the '90s, Allen 's seven films have<br />

averaged just $8.75 million domestically, but<br />

Fine Line is likely to toil extra hard here.<br />

Eve's Bayou<br />

A 1 0-year-old tells the tale of her eccentric<br />

family in Louisiana in this drama. Samuel L.<br />

Jackson ("A Time to Kill") and Lynn Whitfield<br />

("A Thin Line Between Love and Hate") star.<br />

Actress Kasi Lemmons ("Fear of a Black Hat")<br />

directs and scripts; Samuel L. Jackson produces<br />

with Caldecot Chubb ("The Crow").<br />

(Trimark, 10/24 NY/LA, 1 1/7 exp)<br />

Exploitips: Although with "Meet Wally<br />

Sparks" and "Chairman ofthe Board" it's now<br />

a wide-release player, Trimark continues to<br />

handle specialized fare, and this one sounds<br />

promising. Expect the Jackson and Whitfield<br />

names to attract black auds, and (rating allowing)<br />

even urban families might give this a try.<br />

OCTOBER 31<br />

Incognito<br />

An art forger decides to make one final copy<br />

and then go straight. When his associates<br />

frame him for stealing the "original" artwork,<br />

he must flee for his life. Jason Patric ("Speed 2:<br />

Cruise Control"), Irene Jacob ("Othello") and<br />

Rod Steiger star. John Badham directs; Jeannie<br />

Dominy (Warner's coming "Courtesan")<br />

scripts; Morgan Creek's James G. Robinson<br />

produces. (Warner Bros., 10/31 wide)<br />

Exploitips: "Incognito" has better ticket potential<br />

than last Halloween's Morgan Creek<br />

effort, "Bad Moon. " Still, though it's a genre<br />

Morgan Creek likes ("White Sands, " "Trial by<br />

jury," "Diabolique"), it's one it hasn't<br />

cracked. Despite recent casting missteps,<br />

Patric and Jacob can deliver onscreen; the<br />

question is, can Badham f His 1 1/95 "Nick of<br />

comic look at the state of the health-care<br />

industry. James Spader, Kyra Sedgwick, Helen<br />

Mirren, Anne Bancroft and Albert Brooks star.<br />

Steven Schwartz scripts, and he produces<br />

with Lumet. (Live, Oct. wide undated)<br />

Exploitips: New distributor Live has advanced<br />

this from November, perhaps a good<br />

move to avoid the holiday crush. The cast is<br />

promising and should attract audience interest;<br />

given Lumet's recent track record—<br />

his four films in the '90s have<br />

averaged only a $14 million gross—<br />

highlight the Spader and Brooks names<br />

and this release's audience-friendly comedic<br />

underpinnings.<br />

Year of the Horse<br />

This rockumentary chronicles the life<br />

and music of rocker Neil Young and his<br />

band. Crazy Horse. Live performances,<br />

behind-the-scenes footage and interviews<br />

from 1 996's Europe and LJ.S. four<br />

are featured. Jim Jarmusch ("Dead<br />

Man") directs; L.A. Johnson produces.<br />

(0( tobor Films, Oct. undated)<br />

Exploitips: New Universal subsidiary<br />

October acquired worldwide rights to this at<br />

Cannes and plans to show the film at several<br />

fests before it opens in theatres. That exploitable<br />

strategy gives stateside reviewers time to<br />

come on board, so look for positive notices.<br />

To pull Young fans, hold a drawing for a set<br />

of Young's recordings with Crazy Horse.<br />

Tokyo Fist<br />

In this sweaty and kinetic Japanese-language<br />

actioner, a corporate executive<br />

("Tetsuo: The Ironman" filmmaker Shinya

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