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CHESTER FRIEDMAN<br />
EDITOR<br />
HUGH E. FRAZE<br />
Associate Editor<br />
mmj<br />
SECTION<br />
PRACTICAL IDEAS FOR SELLING SEATS BY PRACTICAL SHOWMEN<br />
I<br />
APRIL AWARDS MARK FIRST<br />
ANNIVERSARY OF BONUS<br />
Ten managers and exhibitors added their<br />
names to the list of BOXOFFICE Bonus winners<br />
during April to round out the roster<br />
of showmen who qualified during the first<br />
12 months of the incentive plan.<br />
Just one year ago, in a new enferged format<br />
of the Showmandiser section, BOXOFFICE<br />
announced its unique plan to stimulate the<br />
exchange of ideas among theatremen and to<br />
recognize their efforts and achievements<br />
through monthly Bonuses and Citations of<br />
Honor.<br />
Including the April winners, 114 theatremen,<br />
representing almost every one of the<br />
48 states, the Canadian provinces and the<br />
British Isles, were among those who received<br />
one or more Bonuses. Only one of the winners<br />
was cited twice in the same month although<br />
at least six others have won Bonuses<br />
more than once.<br />
Because of the fact that outstanding ideas<br />
each month are selected on the basis of merit<br />
with allowance for the type of theatre, run,<br />
size, drawing power and local limitations,<br />
theatremen from the rural and suburban<br />
communities were as well represented among<br />
the wiimers as their colleagues in the metropolitan<br />
areas. More than half of the Bonus<br />
recipients were managers, assistant managers<br />
or publicity men connected with Independent<br />
theatres without circuit ties.<br />
Scores of letters received from subscribers<br />
during the last year attest to the value of the<br />
BOXOFFICE Bonus in stimulating their own<br />
efforts and in helping to increase their<br />
grosses through the application of ideas and<br />
suggestions of other theatremen in situations<br />
similar to theirs.<br />
An original idea, such as the one which<br />
won a Bonus during April for James Mc-<br />
Carthy, manager of the Warner Theatre in<br />
Memphis, will be picked up and used to advantage<br />
by many other showmen throughout<br />
THE APRIL WINNERS<br />
HOUSE PROGRAM;<br />
Mark Allen, manager, Austin Theatre,<br />
Kew Gardens, N. Y.<br />
LOBBY DISPLAY:<br />
William Joven, manager, Luna Theatre.<br />
Kankakee, 111.<br />
WINDOW TIEUP:<br />
W. W. Fenety. manager. Gaiety<br />
Theatre. Fredericton, N. B.<br />
THEATRE FRONT:<br />
Frank M Paul, manager, Lyric Theatre,<br />
Indianapolis.<br />
NEWSPAPER AD:<br />
Phil Keough, manager. State Theatre,<br />
Oklahoma City.<br />
BALLYHOO:<br />
Abe Ludacer. manager, Valentine<br />
Theatre, Toledo.<br />
ORIGINAL IDEA:<br />
James McCarthy, manager, Warner<br />
Theatre, Memphis.<br />
GENERAL TTEXIP:<br />
Norman Shannon, manager, Dundee<br />
Theatre. Omaha, Neb.<br />
COOPERATIVE AD:<br />
Eddie DiResta, manager, Rialto Theatre,<br />
Amsterdam, N. Y.<br />
PUBLIC RELATIONS:<br />
Max Page, manager, Browny Theatre,<br />
Brownsburg, Ind.<br />
the country during the coming months. Mc-<br />
Carthy's stunt involved a realistic rainfall<br />
effect created at the edge of his theatre<br />
marquee to exploit "April Showers." Besides<br />
earning the appreciation of the BOXOFFICE<br />
staff for his Ingenuity, McCarthy has already<br />
received commendation from many of his<br />
fellow theatre managers in letters addressed<br />
to the Showmandiser section.<br />
One of the Schine circuit managers, Eddie<br />
DiResta of the Rialto Theatre, Amsterdam,<br />
N. Y., earned preference over dozens of his<br />
colleagues in winning the April Bonus for<br />
co-op newspaper ads. DiResta averaged a<br />
full page of co-op advertising a week and<br />
was a close contender for a Bonus last<br />
month.<br />
Phil Keough, manager of the State in<br />
Oklahoma City, was awarded a Bonus for<br />
devising an unusual newspaper advertisement<br />
running in one column width down the full<br />
depth of the page. Keough arranged for<br />
the ad to nm on the right side of the page,<br />
making use of tf a white space in the page<br />
gutter to get a unique effect.<br />
An attractive series of house programs in<br />
offset printing, the handiwork of Mark AUen,<br />
manager of the Austin, Kew Gardens, N. Y.,<br />
was rewarded with a $10 check and a Citation<br />
of Honor.<br />
The most outstanding window display submitted<br />
came from W. W. Fenety. manager of<br />
the Gaiety, Fredericton, N. B., Canada. William<br />
Joven, manager of the Luna Theatre,<br />
Kankakee, HI,, demonstrated his creative<br />
skill in an illusion simulating a "Stairway<br />
to Heaven" lobby display.<br />
A Bonus was awarded to Norman Shannon<br />
of the Dundee Theatre, Omaha, for a general<br />
tieup. Max Page, manager of the Browny<br />
Theatre, Brownsburg, Ind., received the public<br />
relations Bonus for his quick action in staging<br />
a benefit show for neighbors made homeless<br />
by the recent floods.<br />
Frank Paul, manager of the Lyric, Indianapolis,<br />
and Abe Ludacer of the Valentine, Toledo,<br />
received Bonuses for theatre front and<br />
ballyhoo promotions.<br />
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Jrend<br />
According to a report published last week in the New York<br />
Times, the motion picture industry will not be alone in its<br />
efforts to rekindle public interest in its services. .\n entire<br />
crop of educational and public relations campaigns are planned<br />
for the immediate future by many national advertisers which<br />
will move competitive promotion into the background.<br />
The new trend is designed to "inform" the public on a variety<br />
of topics. The indirect approach will accentuate the "tell"<br />
method of promotion rather than the "sell" method. Many<br />
such promotions have already been planned, according to the<br />
Times report. They include savings banks and a church<br />
denomination. Pictures such as "\ Remember Mama" and "The<br />
Bishop's Wife" can probably do more for banks and churches<br />
in regaining the interest of the public than any other method.<br />
At the same time, it is reassuring to see that theatremen<br />
and exploiteers do not lose sight of the opportunities these pictures<br />
offer for cooperative tieups.<br />
Banks and churches are two of our great national institutions.<br />
So is the local theatre. Understanding each other's problems<br />
and working together promise greater mutual benefits.