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CHESTER FRIEDMAN<br />

EDITOR<br />

HUGH E. FRAZE<br />

Associate Editor<br />

mmj<br />

SECTION<br />

PRACTICAL IDEAS FOR SELLING SEATS BY PRACTICAL SHOWMEN<br />

I<br />

APRIL AWARDS MARK FIRST<br />

ANNIVERSARY OF BONUS<br />

Ten managers and exhibitors added their<br />

names to the list of BOXOFFICE Bonus winners<br />

during April to round out the roster<br />

of showmen who qualified during the first<br />

12 months of the incentive plan.<br />

Just one year ago, in a new enferged format<br />

of the Showmandiser section, BOXOFFICE<br />

announced its unique plan to stimulate the<br />

exchange of ideas among theatremen and to<br />

recognize their efforts and achievements<br />

through monthly Bonuses and Citations of<br />

Honor.<br />

Including the April winners, 114 theatremen,<br />

representing almost every one of the<br />

48 states, the Canadian provinces and the<br />

British Isles, were among those who received<br />

one or more Bonuses. Only one of the winners<br />

was cited twice in the same month although<br />

at least six others have won Bonuses<br />

more than once.<br />

Because of the fact that outstanding ideas<br />

each month are selected on the basis of merit<br />

with allowance for the type of theatre, run,<br />

size, drawing power and local limitations,<br />

theatremen from the rural and suburban<br />

communities were as well represented among<br />

the wiimers as their colleagues in the metropolitan<br />

areas. More than half of the Bonus<br />

recipients were managers, assistant managers<br />

or publicity men connected with Independent<br />

theatres without circuit ties.<br />

Scores of letters received from subscribers<br />

during the last year attest to the value of the<br />

BOXOFFICE Bonus in stimulating their own<br />

efforts and in helping to increase their<br />

grosses through the application of ideas and<br />

suggestions of other theatremen in situations<br />

similar to theirs.<br />

An original idea, such as the one which<br />

won a Bonus during April for James Mc-<br />

Carthy, manager of the Warner Theatre in<br />

Memphis, will be picked up and used to advantage<br />

by many other showmen throughout<br />

THE APRIL WINNERS<br />

HOUSE PROGRAM;<br />

Mark Allen, manager, Austin Theatre,<br />

Kew Gardens, N. Y.<br />

LOBBY DISPLAY:<br />

William Joven, manager, Luna Theatre.<br />

Kankakee, 111.<br />

WINDOW TIEUP:<br />

W. W. Fenety. manager. Gaiety<br />

Theatre. Fredericton, N. B.<br />

THEATRE FRONT:<br />

Frank M Paul, manager, Lyric Theatre,<br />

Indianapolis.<br />

NEWSPAPER AD:<br />

Phil Keough, manager. State Theatre,<br />

Oklahoma City.<br />

BALLYHOO:<br />

Abe Ludacer. manager, Valentine<br />

Theatre, Toledo.<br />

ORIGINAL IDEA:<br />

James McCarthy, manager, Warner<br />

Theatre, Memphis.<br />

GENERAL TTEXIP:<br />

Norman Shannon, manager, Dundee<br />

Theatre. Omaha, Neb.<br />

COOPERATIVE AD:<br />

Eddie DiResta, manager, Rialto Theatre,<br />

Amsterdam, N. Y.<br />

PUBLIC RELATIONS:<br />

Max Page, manager, Browny Theatre,<br />

Brownsburg, Ind.<br />

the country during the coming months. Mc-<br />

Carthy's stunt involved a realistic rainfall<br />

effect created at the edge of his theatre<br />

marquee to exploit "April Showers." Besides<br />

earning the appreciation of the BOXOFFICE<br />

staff for his Ingenuity, McCarthy has already<br />

received commendation from many of his<br />

fellow theatre managers in letters addressed<br />

to the Showmandiser section.<br />

One of the Schine circuit managers, Eddie<br />

DiResta of the Rialto Theatre, Amsterdam,<br />

N. Y., earned preference over dozens of his<br />

colleagues in winning the April Bonus for<br />

co-op newspaper ads. DiResta averaged a<br />

full page of co-op advertising a week and<br />

was a close contender for a Bonus last<br />

month.<br />

Phil Keough, manager of the State in<br />

Oklahoma City, was awarded a Bonus for<br />

devising an unusual newspaper advertisement<br />

running in one column width down the full<br />

depth of the page. Keough arranged for<br />

the ad to nm on the right side of the page,<br />

making use of tf a white space in the page<br />

gutter to get a unique effect.<br />

An attractive series of house programs in<br />

offset printing, the handiwork of Mark AUen,<br />

manager of the Austin, Kew Gardens, N. Y.,<br />

was rewarded with a $10 check and a Citation<br />

of Honor.<br />

The most outstanding window display submitted<br />

came from W. W. Fenety. manager of<br />

the Gaiety, Fredericton, N. B., Canada. William<br />

Joven, manager of the Luna Theatre,<br />

Kankakee, HI,, demonstrated his creative<br />

skill in an illusion simulating a "Stairway<br />

to Heaven" lobby display.<br />

A Bonus was awarded to Norman Shannon<br />

of the Dundee Theatre, Omaha, for a general<br />

tieup. Max Page, manager of the Browny<br />

Theatre, Brownsburg, Ind., received the public<br />

relations Bonus for his quick action in staging<br />

a benefit show for neighbors made homeless<br />

by the recent floods.<br />

Frank Paul, manager of the Lyric, Indianapolis,<br />

and Abe Ludacer of the Valentine, Toledo,<br />

received Bonuses for theatre front and<br />

ballyhoo promotions.<br />

>^ X ^S¥;^::WW:<br />

^ndtitutionai<br />

Jrend<br />

According to a report published last week in the New York<br />

Times, the motion picture industry will not be alone in its<br />

efforts to rekindle public interest in its services. .\n entire<br />

crop of educational and public relations campaigns are planned<br />

for the immediate future by many national advertisers which<br />

will move competitive promotion into the background.<br />

The new trend is designed to "inform" the public on a variety<br />

of topics. The indirect approach will accentuate the "tell"<br />

method of promotion rather than the "sell" method. Many<br />

such promotions have already been planned, according to the<br />

Times report. They include savings banks and a church<br />

denomination. Pictures such as "\ Remember Mama" and "The<br />

Bishop's Wife" can probably do more for banks and churches<br />

in regaining the interest of the public than any other method.<br />

At the same time, it is reassuring to see that theatremen<br />

and exploiteers do not lose sight of the opportunities these pictures<br />

offer for cooperative tieups.<br />

Banks and churches are two of our great national institutions.<br />

So is the local theatre. Understanding each other's problems<br />

and working together promise greater mutual benefits.

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