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1<br />

Picture Records at the Nation's Boxoffices<br />

GROSSES<br />

Vhe iUIA<br />

55 Features in "Hit" Class<br />

Scoring 120% or<br />

More<br />

llpEATURE releases for 1950-51 and the box-<br />

•"l office records made by them are challenging<br />

to those who have pictured motion<br />

pictures as on their way out of the public entertainment<br />

field. Not only were 371 features<br />

released the past season in comparison with<br />

359 for 1949-50, but of these releases, 168 are<br />

shown to have done average business (100<br />

per cent) or better in theatre first runs and 55<br />

of them were top hits—playing to 120 per cent<br />

or over. Last season there were 53 in the top<br />

hit class and 136 did average business or better.<br />

A study of the report shows that 45 per cent,<br />

nearly half, were average grossers; and better<br />

than 10 per cent of the whole became top hits.<br />

Tell that to the gloom-spreaders!<br />

While figures for the average base percentage<br />

gross must be changed every few<br />

months, the economy is naturally geared for<br />

making a reasonable profit. The top grosser,<br />

"David and Bathsheba" scored 211 for the<br />

1950-51 season as compared with "Samson<br />

and Delilah" which ran up to 221 per cent for<br />

1949-50. There were still two features for the<br />

present season that did more than 200 per cent<br />

of average business, and eight did more than<br />

150 per cent. This is, not as many in that<br />

bracket as last season's figures, which show<br />

13 with 150 per cent business or better. Also,<br />

last season seven did more than 140 per cent<br />

and only six came that high this season. Going<br />

further, 14 .did 130 per cent or more last year<br />

and only ten this year. However, 31 came<br />

over the top at 120 per cent or more this year<br />

compared with 19 in that bracket last year. So<br />

the picture as a whole is still good from the<br />

boxoffice standpoint.<br />

This year 12 of the top hits were winners of<br />

the BOXOFFICE Blue Ribbon Award compared<br />

to 1 1 last year—which means that all of the pictures<br />

selected by the National Screen Council<br />

for their family entertainment this year were<br />

top money-makers. This is a wholesome note<br />

on the public's taste in screenfare,<br />

Metro-Goldwyn-Mayer again had the most<br />

releases which were top grossers, producing 1<br />

hits. The runnerup was 20th Century-Fox, with<br />

ten hits. The other companies were represented<br />

by the following, in the order of the number<br />

produced Warner Bros, had seven. Paramount<br />

and RKO tied with six each. United<br />

Artists, five Universal-International, four; Republic,<br />

two; Lopert, one.<br />

(These Scored Ratings of 150°o or More)<br />

DAVID AND BATHSHEBA (20th-Fox)<br />

SHOW BOAT (MGM)<br />

THAT'S MY BOY (Para)<br />

TALES OF HOFFMANN (Loperl)<br />

WKING SOLOMON'S MINES (MGM)<br />

RIVER, THE (UA)<br />

IJGREAT CARUSO. THE (MGM)<br />

4>ALICE IN<br />

WONDERLAND (RKO)<br />

211<br />

201<br />

179<br />

.168<br />

176<br />

170<br />

1S7<br />

157<br />

(These Scored Ratings of 140% or More)<br />

BORN YESTERDAY (Col) 149<br />

AT WAR WITH THE ARMY (Para) 148<br />

WKIM (MGM) 146<br />

CYRANO DE BERGERAC (UA) 146<br />

OCAPTAIN HORATIO HOHNBLOWER (WB) 142<br />

^FATHER'S LITTLE DIVIDEND (MGM) 142<br />

These Scored Ratings of 130% or More)<br />

HALLS OF MONTEZUMA (20th-Fox) 138<br />

UHARVEY (U-I) 138<br />

^.'ROYAL WEDDING (MGM) 138<br />

DALLAS (WB) 137<br />

OUR VERY OWN (RKO) 137<br />

THING FROM ANOTHER WORLD, THE (RKO) 137<br />

OPERATION PACIFIC (WB) 135<br />

MR. MUSIC (Para) 133<br />

KON-TIKI (RKO) 131<br />

WON THE RIVIERA (20lh-Fox) 130<br />

ij'Winners of Blue Ribbon Award<br />

38<br />

BAROMETER Section

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