Press Kit (August 30th/31st, 2012) - Goldmann Public Relations ...
Press Kit (August 30th/31st, 2012) - Goldmann Public Relations ...
Press Kit (August 30th/31st, 2012) - Goldmann Public Relations ...
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NEWTOPIA: The State of Human Rights<br />
Contemporary Arts Exhibition in Mechelen and Brussels<br />
01.09. – 10.12.<strong>2012</strong><br />
and graffiti exposing political repression in Egypt; and for his outspoken<br />
criticism of the Egypt’s ruling military council. His work has become one of<br />
the driving forces of political and revolutionary graffiti on Cairo's streets. For<br />
NEWTOPIA Ganzeer has created a new mural for the exhibition. In the<br />
artist’s words: “Exactly one year from Egypt’s January 25 th revolution,<br />
millions of people marched to Cairo’s Tahrir square throughout the day.<br />
Some carried flags, some donned scarves in anticipation of a governmental<br />
crackdown and others carried the portraits of our fallen martyrs. Most<br />
dominant of the martyr portraits was the face of Khaled Said, the<br />
Alexandrian kid tortured to death by local police. January 25 th was the day<br />
of revolutionary pilgrimage, Tahrir Square was revolutionary Mecca and<br />
Khaled Said was revolutionary Jesus Christ. Experiencing that day made<br />
me ponder what would become of the January 25 th mythology as time went<br />
by. Would stories of Khaled Said’s belief and lifestyle be made up and<br />
shared? Would details of his torture be passed down from one generation to<br />
the next? Would Tahrir Square become a holy shrine where millions of<br />
people went in hopes of summoning some sort of revolutionary spirit?<br />
Taking the idea further, well what if a completely fictional “prophet” was<br />
created? One that advocated a global revolution that never really<br />
happened. What if portraits of that so-called prophet adorned walls across<br />
the globe? What would be made of these surviving portraits 5 years from<br />
now? How about 10 years from now? 50? 100?”<br />
3. LEFT OVER RIGHTS (<strong>2012</strong>)<br />
NEW INSTALLATION BY NEVAN LAHART (IRELAND, 1973)<br />
ACADEMY OF FINE ARTS<br />
Nevan Lahart makes labour-intensive work in a wide variety of media<br />
creating irreverent social commentaries that are often highly politically<br />
charged but also pervaded by a biting sense of humour. The installation Left<br />
Over Rights is a new commission for NEWTOPIA. Through the use of<br />
cardboard and other lo-fi materials, Nevan Lahart has transformed the<br />
entrance of the Academy into an expansive, playful, anarchic and critical<br />
installation. His confrontational, wry approach compels us to ask questions<br />
of ourselves and of the society in which we live. As the artist himself says,<br />
“Human Rights are morphing into the Human Resources Dept. of a<br />
Transnational Corporation. The corporate west bangs its imperial drum to<br />
the tune of democracy for all, while at the same time eroding the<br />
sovereignty of the Old World Order and replacing it with a new servitude of<br />
financial serfdom. It is time we were less foolhardy and more cowardly of<br />
this Brave New World”.<br />
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