Press Kit (August 30th/31st, 2012) - Goldmann Public Relations ...
Press Kit (August 30th/31st, 2012) - Goldmann Public Relations ...
Press Kit (August 30th/31st, 2012) - Goldmann Public Relations ...
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NEWTOPIA: The State of Human Rights<br />
Contemporary Arts Exhibition in Mechelen and Brussels<br />
01.09. – 10.12.<strong>2012</strong><br />
and works in Paris, France.<br />
Esther Shalev-Gerz investigates the nature of democracy, citizenship,<br />
cultural memory and spatial politics. Her works challenge the notion and<br />
practice of portraiture and consider how its qualities may contribute to<br />
contemporary discourse about the politics of representation. Her<br />
installations, photography, video and public sculpture are developed<br />
through active dialogue, consultation and negotiation with people and the<br />
institutions they are affiliated with.<br />
Recent solo exhibitions include: Der letzte Klick, Museum for Photography,<br />
Brunswick (2010/1); Ton Image Me Regarde!?, Jeu de Paume, Paris<br />
(2010); Still/Film, Galerija Akademija, Vilnius (2009); Sound Machine, Art<br />
Museum and Holmbron Bridge, Norrköping (2008); Portraits of Stories, The<br />
<strong>Public</strong>, West Bromwich (2008); Echoes in Memory, the Queen’s House,<br />
London (2007/8). Recent group exhibitions include:<br />
VANCOUVER/VANCOUVER, Gallery 1965, Vancouver (2011); The<br />
Moderna Exhibition 2010, Moderna Museet, Stockholm (2010); Fran plats<br />
till plats, Skissernas Museum, Lund University, Lund (2009); Zur Tektonik<br />
der Geschichte, ISCP, New York, and Motorenhalle, Dresden (2008/9);<br />
Augenblicke, Kunstiftung Poll, Berlin (2008/9); Être présent au monde,<br />
MAC/VAL, Vitry-sur-Seine (2007). www.shalev-gerz.net<br />
TARYN SIMON was born in 1975 in New York, USA. She lives and works<br />
in New York.<br />
Taryn Simon’s works are the result of a long-term process of research and<br />
investigation. Her photographs and writing underscore the invisible space<br />
between language and the visual – a space in which translation and<br />
disorientation continually occur. Stylistically, Taryn Simon works on the<br />
borderline between fine art and documentary photography. Frequently<br />
relying on text to avoid any ambiguities in content, she creates carefully<br />
staged photographic tableaux that gain their force from the friction between<br />
their visual perfection and the unsettling subject matter which revolves<br />
around social and political issues and contested, marginalized or<br />
suppressed narratives.<br />
Recent solo exhibitions include: A Living Man Declared Dead and Other<br />
Chapters, MoMA, New York, Tate Modern, London, and Neue<br />
Nationalgalerie, Berlin (2011/2); Taryn Simon, Milwaukee Art Museum,<br />
Milwaukee, Multimedia Art Musuem, Moscow, and Helsinki Art Museum,<br />
Helsinki (2011/2); Taryn Simon: An American Index of the Hidden and<br />
Unfamiliar, Centre for Contemporary Photography, Melbourne, Institute of<br />
Modern Art, Brisbane, Fotografiemuseum, Amsterdam, Museum für<br />
Moderne Kunst, Frankfurt, and The Whitney Museum of American Art, New<br />
York (2007/10). Recent group exhibitions include: Remote Control: Art, TV<br />
and mass consumerism, Institute of Contemporary Arts, London (<strong>2012</strong>);<br />
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