Press Kit (August 30th/31st, 2012) - Goldmann Public Relations ...
Press Kit (August 30th/31st, 2012) - Goldmann Public Relations ...
Press Kit (August 30th/31st, 2012) - Goldmann Public Relations ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
NEWTOPIA: The State of Human Rights<br />
Contemporary Arts Exhibition in Mechelen and Brussels<br />
01.09. – 10.12.<strong>2012</strong><br />
in Contemporary Drawing, MoMA, New York (2011); The School, The Work,<br />
The Family, Gallery Nova, Zagreb (2009); What Keeps Mankind Alive? 11 th<br />
Istanbul Biennial, Istanbul (2009); Made in Turkey, Ernst Barlach Museum,<br />
Wedel (2009); ...With All Due Intent, Manifesta 5, San Sebastian (2004).<br />
ALEJANDRO CESARCO was born in 1975 in Montevideo, Uruguay. He<br />
lives and works in New York, USA.<br />
The work of Alejandro Cesarco operates within the borders of conceptual<br />
art, as a research project that questions the very idea of narration, the origin<br />
of the conditions that enable a text and the mechanisms of the process by<br />
which it generates meanings. The focus of Cesarco’s work is the question<br />
of the autonomy of the text and the modality of the relationship between<br />
work and spectator, between the written word and the reader. The act of<br />
artistic production itself is for the artist often grounded in the act of reading,<br />
and all of his work revolves around problems of hermeneutics and<br />
translation, as these can be observed from the privileged perspective of<br />
literature.<br />
Recent solo and duo exhibitions include: A Common Ground: Alejandro<br />
Cesarco & Magela Ferrero, Uruguayan Pavilion, 54 th Venice Biennale<br />
(2011); Art Statements, Basel (2011); Activating the Collection: One Without<br />
the Other, Museo Tamayo, Mexico City (2011); Present Memory, Tate<br />
Modern, London (2010); Turning Some Pages, MoMA, New York (2010).<br />
Recent group exhibitions include: Nine Screens, MoMA, New York<br />
(2010); Desire, The Blanton Museum of Art, Austin (2010); Subjective<br />
Projections, Bielefelder Kunstverein, Bielefeld (2009); 2 nd Trienal<br />
Poli/Gráfica de San Juan, Puerto Rico (2009); The Archeology of Longings,<br />
Kadist Art Foundation, Paris (2008); Adquisiciones, donaciones y<br />
comodatos 2007, Museo de Arte Latinoamericano de Buenos Aires,<br />
Buenos Aires (2007). www.cesarco.info<br />
OLGA CHERNYSHEVA was born in 1962 in Moscow, Russia. She lives<br />
and works in Moscow.<br />
In her poignant films and photographs, Olga Chernysheva explores the<br />
current economic climate in Russia and often documents the debris of the<br />
Soviet world, human as well as material. From such a position one usually<br />
expects crude evidence of an end - tragic even if historically necessary. But<br />
Chernysheva’s attitude is very different. In her work the idea of communism,<br />
the social state and its utopian dimensions are still present as a spectral<br />
reminder, even if these are now forgotten and discredited; thus, the idealism<br />
of much of her work contrasts violently with the new post-Soviet order and<br />
the neo-liberal ideology which has left behind a large segment of its<br />
citizens, once protected by the communist state.<br />
29