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Nuts & Volts

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VideoDigitizerChoices<br />

for an edit to re-render back to disk.<br />

The MPEG converter allows you<br />

to read in AVI, DV-AVI, MPEG-1/2,<br />

ASF, WMF, DivX, and DAT files. The<br />

converter can output in seven MPEG-<br />

2 formats and seven MPEG-1 formats,<br />

each with customizable parameters,<br />

including variable bit rates.<br />

The PVR-Plus CD and DVD burning<br />

program is functional, but weak on<br />

features. For instance, it does no autoconversion,<br />

expecting only one type of<br />

file for each of the formats: DVD, SVCD,<br />

or VCD. You must record everything in<br />

the right format, or use the convert<br />

program first. It can generate menus<br />

for DVDs, but not for VCD or SVCD.<br />

PHOTO 5. The smaller control window can bring up any of four separate<br />

programs. Video editing is shown here as the second program.<br />

with even more options than the<br />

capture software. I particularly liked<br />

the DivX plug-in’s option to specify a<br />

file size, and let it choose the bit rate to<br />

match. At times, the PVR-Plus editor<br />

added a few extra frames to the beginning<br />

or end of a cut, which was<br />

frustrating after waiting many minutes<br />

Forced to Choose —<br />

Resolution or Bit Rate<br />

Power Producer 2 has only three<br />

DVD qualities (HQ, SP, LP), and specific<br />

parameters are fixed. Resolution of the<br />

SP setting is 352 x 240, and I initially<br />

Table 1 shows a number of video<br />

data stream formats. This list is not comprehensive,<br />

but rather reflects what I<br />

found from multiple manufacturers as I<br />

shopped for video capture hardware.<br />

Notice there are several standard resolutions,<br />

encoding schemes, and bit rates<br />

that keep showing up, but also notice<br />

that some names mean different things<br />

when used in context of different companies’<br />

products.<br />

I included a number of Plextor formats<br />

in the table even though I didn’t use<br />

their hardware because they offer free<br />

sample video clips for comparison, available<br />

at www.plextor.com/english/prod<br />

ucts/ConvertX2advancedtechspec.htm<br />

Language Glossary<br />

Identifying exactly which format<br />

you’re talking about sometimes gets blurry.<br />

If you refer to a “DVD format,” 99% of<br />

the time you’re implying MPEG-2 encoding.<br />

(There is room in the official specification<br />

for MPEG-1.) The reverse isn’t true:<br />

only some combinations of MPEG-2 play<br />

successfully on DVD players. You can go<br />

up to about 9 Mbps and still be “legal” for<br />

DVD players, but if you average much<br />

above 5 Mbps, a standard length movie<br />

won’t fit on a single DVD disk. Some<br />

MPEG-2 resolutions are optimized for<br />

computer display, such as the 640 x 480<br />

resolution listed in the table. If you’d like<br />

64 April 2006<br />

VIDEO FORMATS<br />

a technical overload of what each term<br />

means, there’s a comprehensive glossary<br />

at www.afterdawn.com/glossary<br />

TV Presentation vs.<br />

Computer Screens<br />

Standardized resolutions for movie<br />

viewing are SIF (352 x 240), F-D1 (720 x<br />

480), and 1/2-D1 (352 x 480). For comparison,<br />

all NTSC televisions are (... x<br />

525), with horizontal resolution specified<br />

at several hundred up to a thousand<br />

dots per line. The horizontal resolution<br />

isn’t an exact number, but rather more of<br />

an analog bandwidth of how fast the<br />

electron gun can be modulated.<br />

Unlike computer screens, the pixel<br />

resolution of a video format doesn’t imply<br />

the aspect ratio. You can think of it this<br />

way: Video formats often use non-square<br />

pixels. What’s really going on is that analog<br />

TV video for each line isn’t naturally<br />

pixels — it’s just a changing voltage that<br />

can be digitized at fast rates to get many<br />

horizontal pixels, or slower rates to get<br />

less horizontal pixels. On the other hand,<br />

the number of lines in each TV frame is<br />

unambiguous. A digitized video file can<br />

declare internally what aspect ratio is to<br />

be displayed, or your video player makes<br />

the choice. Common ones are 4:3 for TV,<br />

and 16:9 for DVDs. I found a decent technical<br />

tutorial at http://members.aol.<br />

com/ajaynejr/vidres.htm<br />

Audio tracks are pretty standardized<br />

on MPG-1 Level 2 encoding at 44.1<br />

kHz or 48 kHz sample rate, although<br />

older stand-alone DVD players may<br />

require LPCM compression. Valid audio<br />

bit rates for non-PC play maxes out at<br />

448 kbps on the DVD format, but most<br />

optical disk video uses less.<br />

Disk Sizes<br />

Lastly, standard disk sizes set some<br />

of the norms. For example, fitting 120<br />

minutes on a 4,700 MB DVD requires 39<br />

MB/min or less, so most commercial<br />

DVD MPEG-2 recordings use this range.<br />

SVCD and VCD formats mimic DVD<br />

behavior (menus, chapter), although the<br />

“legal” combination of video parameters<br />

gives you slightly lower quality for these<br />

formats. Run times are about 30-40 minutes<br />

for SVCDs and 60 minutes for VCD.<br />

Stand-alone DVD players are typically<br />

able to play any of the three formats,<br />

but you can’t mix them. In other<br />

words, storing high quality DVD on a CD<br />

won’t let you store much, but there are<br />

times when I wish I could do this for<br />

short clips. DVD quality on a CD will<br />

play in my computer, but not on my<br />

stand-alone DVD player. If you’d like to<br />

adventure off and try non-standard<br />

combinations of video and/or audio,<br />

www.afterdawn.com/guides will help<br />

get you started.

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