Nuts & Volts
Nuts & Volts
Nuts & Volts
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
VideoDigitizerChoices<br />
for an edit to re-render back to disk.<br />
The MPEG converter allows you<br />
to read in AVI, DV-AVI, MPEG-1/2,<br />
ASF, WMF, DivX, and DAT files. The<br />
converter can output in seven MPEG-<br />
2 formats and seven MPEG-1 formats,<br />
each with customizable parameters,<br />
including variable bit rates.<br />
The PVR-Plus CD and DVD burning<br />
program is functional, but weak on<br />
features. For instance, it does no autoconversion,<br />
expecting only one type of<br />
file for each of the formats: DVD, SVCD,<br />
or VCD. You must record everything in<br />
the right format, or use the convert<br />
program first. It can generate menus<br />
for DVDs, but not for VCD or SVCD.<br />
PHOTO 5. The smaller control window can bring up any of four separate<br />
programs. Video editing is shown here as the second program.<br />
with even more options than the<br />
capture software. I particularly liked<br />
the DivX plug-in’s option to specify a<br />
file size, and let it choose the bit rate to<br />
match. At times, the PVR-Plus editor<br />
added a few extra frames to the beginning<br />
or end of a cut, which was<br />
frustrating after waiting many minutes<br />
Forced to Choose —<br />
Resolution or Bit Rate<br />
Power Producer 2 has only three<br />
DVD qualities (HQ, SP, LP), and specific<br />
parameters are fixed. Resolution of the<br />
SP setting is 352 x 240, and I initially<br />
Table 1 shows a number of video<br />
data stream formats. This list is not comprehensive,<br />
but rather reflects what I<br />
found from multiple manufacturers as I<br />
shopped for video capture hardware.<br />
Notice there are several standard resolutions,<br />
encoding schemes, and bit rates<br />
that keep showing up, but also notice<br />
that some names mean different things<br />
when used in context of different companies’<br />
products.<br />
I included a number of Plextor formats<br />
in the table even though I didn’t use<br />
their hardware because they offer free<br />
sample video clips for comparison, available<br />
at www.plextor.com/english/prod<br />
ucts/ConvertX2advancedtechspec.htm<br />
Language Glossary<br />
Identifying exactly which format<br />
you’re talking about sometimes gets blurry.<br />
If you refer to a “DVD format,” 99% of<br />
the time you’re implying MPEG-2 encoding.<br />
(There is room in the official specification<br />
for MPEG-1.) The reverse isn’t true:<br />
only some combinations of MPEG-2 play<br />
successfully on DVD players. You can go<br />
up to about 9 Mbps and still be “legal” for<br />
DVD players, but if you average much<br />
above 5 Mbps, a standard length movie<br />
won’t fit on a single DVD disk. Some<br />
MPEG-2 resolutions are optimized for<br />
computer display, such as the 640 x 480<br />
resolution listed in the table. If you’d like<br />
64 April 2006<br />
VIDEO FORMATS<br />
a technical overload of what each term<br />
means, there’s a comprehensive glossary<br />
at www.afterdawn.com/glossary<br />
TV Presentation vs.<br />
Computer Screens<br />
Standardized resolutions for movie<br />
viewing are SIF (352 x 240), F-D1 (720 x<br />
480), and 1/2-D1 (352 x 480). For comparison,<br />
all NTSC televisions are (... x<br />
525), with horizontal resolution specified<br />
at several hundred up to a thousand<br />
dots per line. The horizontal resolution<br />
isn’t an exact number, but rather more of<br />
an analog bandwidth of how fast the<br />
electron gun can be modulated.<br />
Unlike computer screens, the pixel<br />
resolution of a video format doesn’t imply<br />
the aspect ratio. You can think of it this<br />
way: Video formats often use non-square<br />
pixels. What’s really going on is that analog<br />
TV video for each line isn’t naturally<br />
pixels — it’s just a changing voltage that<br />
can be digitized at fast rates to get many<br />
horizontal pixels, or slower rates to get<br />
less horizontal pixels. On the other hand,<br />
the number of lines in each TV frame is<br />
unambiguous. A digitized video file can<br />
declare internally what aspect ratio is to<br />
be displayed, or your video player makes<br />
the choice. Common ones are 4:3 for TV,<br />
and 16:9 for DVDs. I found a decent technical<br />
tutorial at http://members.aol.<br />
com/ajaynejr/vidres.htm<br />
Audio tracks are pretty standardized<br />
on MPG-1 Level 2 encoding at 44.1<br />
kHz or 48 kHz sample rate, although<br />
older stand-alone DVD players may<br />
require LPCM compression. Valid audio<br />
bit rates for non-PC play maxes out at<br />
448 kbps on the DVD format, but most<br />
optical disk video uses less.<br />
Disk Sizes<br />
Lastly, standard disk sizes set some<br />
of the norms. For example, fitting 120<br />
minutes on a 4,700 MB DVD requires 39<br />
MB/min or less, so most commercial<br />
DVD MPEG-2 recordings use this range.<br />
SVCD and VCD formats mimic DVD<br />
behavior (menus, chapter), although the<br />
“legal” combination of video parameters<br />
gives you slightly lower quality for these<br />
formats. Run times are about 30-40 minutes<br />
for SVCDs and 60 minutes for VCD.<br />
Stand-alone DVD players are typically<br />
able to play any of the three formats,<br />
but you can’t mix them. In other<br />
words, storing high quality DVD on a CD<br />
won’t let you store much, but there are<br />
times when I wish I could do this for<br />
short clips. DVD quality on a CD will<br />
play in my computer, but not on my<br />
stand-alone DVD player. If you’d like to<br />
adventure off and try non-standard<br />
combinations of video and/or audio,<br />
www.afterdawn.com/guides will help<br />
get you started.