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Commentaries on Bob Cobbing - The Argotist Online

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<strong>Bob</strong> <strong>Cobbing</strong> and Eric Mottram Celebrati<strong>on</strong><br />

(18th Jan 2000)<br />

T<strong>on</strong>ight, <strong>Bob</strong> <strong>Cobbing</strong> gives the Eric Mottram Celebrati<strong>on</strong> Reading.<br />

Both men, <strong>Bob</strong> and Eric, undertook c<strong>on</strong>siderable amounts of the basic hard work involved in<br />

building the infrastructure, to slightly stretch the word, of what Mottram later called <strong>The</strong> British<br />

Poetry Revival. A major physical and emblematic manifestati<strong>on</strong> of that hard work was the gradual<br />

but steady change in the make up of <strong>The</strong> Poetry Society’s General Council, 30 years ago; the<br />

appointment of Eric Mottram as editor of Poetry Review; and changes in the activities of the<br />

Society which were spurred <strong>on</strong>, to no small degree, by the fact of Mottram’s editorship.<br />

As repeatedly-re-elected Treasurer of <strong>The</strong> Poetry Society/Nati<strong>on</strong>al Poetry Centre, <strong>Bob</strong> <strong>Cobbing</strong><br />

was involved with many of the practicalities of publishing Eric Mottram’s Poetry Review, and some<br />

of them are quite bizarre—ask him about the printer who was worried he was printing obscenity<br />

—just as he had been am<strong>on</strong>g those who made it possible for Eric to be appointed to the editorship<br />

in the first place.<br />

As an aside, anticipating future statements malicious towards Eric’s reputati<strong>on</strong>, from at least <strong>on</strong>e<br />

source, let me quote a message by Ric Caddel, dated 20th November 1998, to the British and Irish<br />

Poets List: ‘legends of a collapse-in-sales of Poetry Review in the Mottram era... have no place in a<br />

serious critical argument’. As Bill Griffiths has pointed out, the figures, such as they are, suggest<br />

an increase in sales. Sales are, of course, no indicator of quality anyway.<br />

When the Arts Council of Great Britain put the financial squeeze <strong>on</strong> all the Society’s activities, it<br />

was <strong>Cobbing</strong> primarily who got his head round the problem and came up with the soluti<strong>on</strong> we<br />

adopted, helped to found the C<strong>on</strong>sortium of L<strong>on</strong>d<strong>on</strong> Presses, and organised volunteers to set up<br />

and run the print shop which printed in-house not <strong>on</strong>ly Poetry Review but a mass of other<br />

publicati<strong>on</strong>s under a welter of existing and ad hoc imprints.<br />

<strong>Cobbing</strong>, in the form of Writers Forum, published Eric Mottram’s first book of poetry, Inside the<br />

Whale, in 1970; and he c<strong>on</strong>tinued to be <strong>on</strong>e of Mottram’s poetry publishers until and bey<strong>on</strong>d<br />

Mottram’s death with Local Movement (1973), Precipice of Fishes (1979), Seas<strong>on</strong> of M<strong>on</strong>sters:<br />

Poems 1989-1990 (1991), Inheritance: Masks Book One, Poems 1993-1994 (1994) and,<br />

posthumously, Pollock Record.<br />

Writers Forum also published Towards Design in Poetry in 1977.<br />

Eric Mottram champi<strong>on</strong>ed <strong>Bob</strong> <strong>Cobbing</strong> in print with, am<strong>on</strong>g others, A Prosthetics of Poetry: <strong>The</strong><br />

Art of <strong>Bob</strong> <strong>Cobbing</strong> in Sec<strong>on</strong>d Ae<strong>on</strong> 16-17 (1973) and Writers Forum: A Successful Campaign in<br />

Ceolfrith 26 (1974) and Introducti<strong>on</strong>s to publicati<strong>on</strong>s.<br />

Just before Eric died, I invited him to write a further appreciati<strong>on</strong> of <strong>Bob</strong>’s work for what became<br />

the tribute to <strong>Bob</strong> <strong>Cobbing</strong> secti<strong>on</strong> of And # 9 with which we marked <strong>Bob</strong>’s 75th birthday. But of<br />

course that was, to my knowledge, never even started.

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