Commentaries on Bob Cobbing - The Argotist Online
Commentaries on Bob Cobbing - The Argotist Online
Commentaries on Bob Cobbing - The Argotist Online
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And now as poetry more and more becomes product in the eyes of many, c<strong>on</strong>temporary<br />
mediocrities <strong>on</strong>ly pretend to be like what they would <strong>on</strong>ce have emulated.<br />
<strong>The</strong>y fake a label, like “traditi<strong>on</strong> of <strong>Bob</strong> <strong>Cobbing</strong>”, or “traditi<strong>on</strong> of Writers Forum” as if they are<br />
selling fake designer clothes—in a way, they are.<br />
It can be a sociological study. Earlier today I was served by email a do-it-yourself analysis of<br />
<strong>Cobbing</strong> and Writers Forum, claiming to identify their best traditi<strong>on</strong>s—a meta discourse in place of<br />
a descriptive statement when it is the descriptive statement which is needed.<br />
By this method, you exchange denotati<strong>on</strong> with a general statement of aspirati<strong>on</strong>; declare that you<br />
share that aspirati<strong>on</strong>; and c<strong>on</strong>clude that you speak for the forgotten original. <strong>The</strong> same thing<br />
works in politics: I am the General Will. Nowadays, and in poetry, mediocrities make smaller<br />
claims; but they make them.<br />
And so they lose the ability to understand even as they are penning their own What is to be d<strong>on</strong>e?<br />
because they do not really know what they are doing and forget completely when they try to juggle<br />
falsehoods as well; they d<strong>on</strong>’t put in the work. It is daydreaming, like wanting to be an astr<strong>on</strong>aut.<br />
An unfulfillable desire backed up by ruthlessness.<br />
If you look at their behaviour, you see they do not understand what is needed. <strong>The</strong>y do not even see<br />
the ethical drive of, for example, <strong>Cobbing</strong>’s work.<br />
If you look at the poetry which they claim is in the traditi<strong>on</strong> of <strong>Cobbing</strong>, you will see they do not<br />
understand.<br />
Yes, they may get doctorates out of it; not being a fake is not an academic criteri<strong>on</strong>; but they have<br />
no inner necessity to do anything. So they fake it. <strong>The</strong>y have appetite but no educable desire. Watch<br />
young pigs at feeding time.<br />
And so, about fifty years after <strong>Cobbing</strong> and others declared Writers Forum, we have its wayward<br />
pupils disparaging some poetry because they d<strong>on</strong>’t describe it as linguistically innovative, a term<br />
with no particular meaning, where, before, other poetries were disregarded because they didn’t<br />
doff their caps to Larkin or Hughes etc.<br />
It is not just lack of understanding but, as always it seems, desire for c<strong>on</strong>trol. In all cases, we have<br />
people, usually mediocre in their pers<strong>on</strong>al achievement but perhaps lauded, telling others what<br />
Poetry should be with the diligence of fundamentalist jobsworths; and they cannot usefully be<br />
corrected because they know they are right—as fundamentalist jobsworths always do.<br />
Poetic ability in their schemes is rated below Public Relati<strong>on</strong>s Technique. Perhaps it always was by<br />
some. <strong>The</strong> perpetrators are ambitious for themselves seen as poets rather than for poetry.<br />
I am most c<strong>on</strong>cerned with the ignorant misrepresentati<strong>on</strong> of <strong>Bob</strong> <strong>Cobbing</strong> and the willful<br />
misrepresentati<strong>on</strong> of Writers Forum; but it is everywhere. As even Norman Mailer remarked: ‘<strong>The</strong><br />
shits have got us’.