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Commentaries on Bob Cobbing - The Argotist Online

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And now as poetry more and more becomes product in the eyes of many, c<strong>on</strong>temporary<br />

mediocrities <strong>on</strong>ly pretend to be like what they would <strong>on</strong>ce have emulated.<br />

<strong>The</strong>y fake a label, like “traditi<strong>on</strong> of <strong>Bob</strong> <strong>Cobbing</strong>”, or “traditi<strong>on</strong> of Writers Forum” as if they are<br />

selling fake designer clothes—in a way, they are.<br />

It can be a sociological study. Earlier today I was served by email a do-it-yourself analysis of<br />

<strong>Cobbing</strong> and Writers Forum, claiming to identify their best traditi<strong>on</strong>s—a meta discourse in place of<br />

a descriptive statement when it is the descriptive statement which is needed.<br />

By this method, you exchange denotati<strong>on</strong> with a general statement of aspirati<strong>on</strong>; declare that you<br />

share that aspirati<strong>on</strong>; and c<strong>on</strong>clude that you speak for the forgotten original. <strong>The</strong> same thing<br />

works in politics: I am the General Will. Nowadays, and in poetry, mediocrities make smaller<br />

claims; but they make them.<br />

And so they lose the ability to understand even as they are penning their own What is to be d<strong>on</strong>e?<br />

because they do not really know what they are doing and forget completely when they try to juggle<br />

falsehoods as well; they d<strong>on</strong>’t put in the work. It is daydreaming, like wanting to be an astr<strong>on</strong>aut.<br />

An unfulfillable desire backed up by ruthlessness.<br />

If you look at their behaviour, you see they do not understand what is needed. <strong>The</strong>y do not even see<br />

the ethical drive of, for example, <strong>Cobbing</strong>’s work.<br />

If you look at the poetry which they claim is in the traditi<strong>on</strong> of <strong>Cobbing</strong>, you will see they do not<br />

understand.<br />

Yes, they may get doctorates out of it; not being a fake is not an academic criteri<strong>on</strong>; but they have<br />

no inner necessity to do anything. So they fake it. <strong>The</strong>y have appetite but no educable desire. Watch<br />

young pigs at feeding time.<br />

And so, about fifty years after <strong>Cobbing</strong> and others declared Writers Forum, we have its wayward<br />

pupils disparaging some poetry because they d<strong>on</strong>’t describe it as linguistically innovative, a term<br />

with no particular meaning, where, before, other poetries were disregarded because they didn’t<br />

doff their caps to Larkin or Hughes etc.<br />

It is not just lack of understanding but, as always it seems, desire for c<strong>on</strong>trol. In all cases, we have<br />

people, usually mediocre in their pers<strong>on</strong>al achievement but perhaps lauded, telling others what<br />

Poetry should be with the diligence of fundamentalist jobsworths; and they cannot usefully be<br />

corrected because they know they are right—as fundamentalist jobsworths always do.<br />

Poetic ability in their schemes is rated below Public Relati<strong>on</strong>s Technique. Perhaps it always was by<br />

some. <strong>The</strong> perpetrators are ambitious for themselves seen as poets rather than for poetry.<br />

I am most c<strong>on</strong>cerned with the ignorant misrepresentati<strong>on</strong> of <strong>Bob</strong> <strong>Cobbing</strong> and the willful<br />

misrepresentati<strong>on</strong> of Writers Forum; but it is everywhere. As even Norman Mailer remarked: ‘<strong>The</strong><br />

shits have got us’.

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