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Commentaries on Bob Cobbing - The Argotist Online

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so. [1] It would be pleasant to reissue all four in <strong>on</strong>e go; but the work involved is c<strong>on</strong>siderable and<br />

a little painstaking. Rather than hold up what is available, we are starting with issue two.<br />

Here it is. It is entirely printed by <strong>Bob</strong> <strong>Cobbing</strong>. My work has been to locate the remains, [2] a few<br />

here and a few there; to sort them, weeding out the pages that were too damaged; to fold them; to<br />

collate them; and to staple them.<br />

From the first the magazine was to be, in the words of its editor, Houédard, in the introducti<strong>on</strong> to<br />

Kroklok # 1, the Writers Forum anthology of sound poetry.<br />

That is, poetry <strong>on</strong> the page which is identified as sound poetry.<br />

And this is differentiated from “visual poetry”.<br />

To me, now, these seem odd separati<strong>on</strong>s, not least in the light of the work of <strong>Bob</strong> <strong>Cobbing</strong> himself.<br />

Nevertheless, it might be remembered that during what we might call the Kroklok period, the<br />

Writers Forum workshop met according to a schedule c<strong>on</strong>centrating by turns <strong>on</strong> sound poetry,<br />

visual poetry and performance of poetry. Or so I remember. Others may correct me; but it was<br />

something like that.<br />

I am not going to worry too much about it; and I point these things out because it may help you<br />

read these magazines.<br />

In the introducti<strong>on</strong> to #1, Houédard expresses the hope that it will be possible to publish<br />

recordings al<strong>on</strong>g with the texts. That never happened, but how much more ambitious <strong>on</strong>e would<br />

have to be now to include the wide variety of soundwork, not least the material made possible by<br />

new media.<br />

Retrospectively, it all seems very ambitious; but it indicates something of the mood of the times.

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