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Commentaries on Bob Cobbing - The Argotist Online

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Sub Voicive Poetry <strong>Bob</strong> <strong>Cobbing</strong> Celebrati<strong>on</strong> Opening Remarks at Camden<br />

People’s <strong>The</strong>atre<br />

(14th March 2005)<br />

Those of you who were at the Boat Ting Celebrati<strong>on</strong> of <strong>Bob</strong> <strong>Cobbing</strong> may remember a few words I<br />

spoke. It was to do with alcohol, in part; and <strong>Bob</strong>’s liking for good whiskey. But more importantly it<br />

was to do with the kind of artist that <strong>Bob</strong> was.<br />

I’d looked at the bill and realised that some<strong>on</strong>e attending who didn’t know <strong>Bob</strong>’s work might have<br />

assumed that he was a musician.<br />

And I’m not saying he wasn’t a musician.<br />

I quoted then his reply to a questi<strong>on</strong> as to whether or not he was a poet or a musician; and he<br />

replied that it depended who was paying. A fine answer.<br />

<strong>The</strong> same problems might be said to arise if we view <strong>Bob</strong> as a graphic artist. It doesn’t quite fit.<br />

And yet he certainly was.<br />

This is not <strong>Bob</strong>’s fault. It derives from the frequent narrowness of the vocabulary and behaviour of<br />

public curati<strong>on</strong>, a word cognate with the noun “curare”, which I believe paralyses and kills those at<br />

whom it is targeted.<br />

At Boat Ting, I asserted <strong>Bob</strong>’s “poetness” whilst acknowledging his indebtedness elsewhere. I<br />

meant it, but I also advanced it that way as a debating point. Unfortunately, five minutes after, I<br />

d<strong>on</strong>’t know if any<strong>on</strong>e there could have repeated what I said or been sure I hadn’t d<strong>on</strong>e c<strong>on</strong>juring<br />

tricks.<br />

T<strong>on</strong>ight, at alertly freedom-loving Sub Voicive, where we are able to exercise choice, we celebrate<br />

without categorising <strong>Bob</strong> with three creative artists with whom he was happy to be associated,<br />

who are, between them, practiti<strong>on</strong>ers in graphics, poetry and music.<br />

<strong>The</strong>y may or may not speak of <strong>Bob</strong>. I leave that to them.<br />

I have nothing more prepared to say about <strong>Bob</strong> now, though I am more than half way through an<br />

extended piece of commentary which I hope to bring to the light of your day shortly.

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