Commentaries on Bob Cobbing - The Argotist Online
Commentaries on Bob Cobbing - The Argotist Online
Commentaries on Bob Cobbing - The Argotist Online
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Sub Voicive Poetry <strong>Bob</strong> <strong>Cobbing</strong> Celebrati<strong>on</strong> Opening Remarks at Camden<br />
People’s <strong>The</strong>atre<br />
(14th March 2005)<br />
Those of you who were at the Boat Ting Celebrati<strong>on</strong> of <strong>Bob</strong> <strong>Cobbing</strong> may remember a few words I<br />
spoke. It was to do with alcohol, in part; and <strong>Bob</strong>’s liking for good whiskey. But more importantly it<br />
was to do with the kind of artist that <strong>Bob</strong> was.<br />
I’d looked at the bill and realised that some<strong>on</strong>e attending who didn’t know <strong>Bob</strong>’s work might have<br />
assumed that he was a musician.<br />
And I’m not saying he wasn’t a musician.<br />
I quoted then his reply to a questi<strong>on</strong> as to whether or not he was a poet or a musician; and he<br />
replied that it depended who was paying. A fine answer.<br />
<strong>The</strong> same problems might be said to arise if we view <strong>Bob</strong> as a graphic artist. It doesn’t quite fit.<br />
And yet he certainly was.<br />
This is not <strong>Bob</strong>’s fault. It derives from the frequent narrowness of the vocabulary and behaviour of<br />
public curati<strong>on</strong>, a word cognate with the noun “curare”, which I believe paralyses and kills those at<br />
whom it is targeted.<br />
At Boat Ting, I asserted <strong>Bob</strong>’s “poetness” whilst acknowledging his indebtedness elsewhere. I<br />
meant it, but I also advanced it that way as a debating point. Unfortunately, five minutes after, I<br />
d<strong>on</strong>’t know if any<strong>on</strong>e there could have repeated what I said or been sure I hadn’t d<strong>on</strong>e c<strong>on</strong>juring<br />
tricks.<br />
T<strong>on</strong>ight, at alertly freedom-loving Sub Voicive, where we are able to exercise choice, we celebrate<br />
without categorising <strong>Bob</strong> with three creative artists with whom he was happy to be associated,<br />
who are, between them, practiti<strong>on</strong>ers in graphics, poetry and music.<br />
<strong>The</strong>y may or may not speak of <strong>Bob</strong>. I leave that to them.<br />
I have nothing more prepared to say about <strong>Bob</strong> now, though I am more than half way through an<br />
extended piece of commentary which I hope to bring to the light of your day shortly.