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L Defining rel<strong>at</strong>ive clauses<br />

Defining rel<strong>at</strong>ive clauses tell us some<br />

essential inform<strong>at</strong>ion about the things or<br />

people they refer <strong>to</strong>:<br />

The picture th<strong>at</strong> hangs nefr <strong>to</strong> Marg<strong>are</strong>t's<br />

portrait is the one I liLee best.<br />

If we remove the words th<strong>at</strong> hangs next <strong>to</strong><br />

Marg<strong>are</strong>t's portait we don't know which<br />

picture Jasper is talking about.<br />

Defining rel<strong>at</strong>ive clauses:<br />

. may begin with the rel<strong>at</strong>ive pronouns uho<br />

(for people), which (for things) , th<strong>at</strong> (for<br />

things and people).<br />

I may have who, which or th<strong>at</strong> as the subject<br />

or object of the rel<strong>at</strong>ive clause:<br />

... the picture which / th@t hangs next <strong>to</strong><br />

Marg<strong>are</strong>t's portait ... (which/ th<strong>at</strong> is the<br />

subiect of the rel<strong>at</strong>ive clause)<br />

... the woman who / th<strong>at</strong> he mamied ...<br />

(who /th<strong>at</strong> is the obiect of the rel<strong>at</strong>ive<br />

clause, and he is the subject)<br />

t very often omit the rel<strong>at</strong>ive pronoun when<br />

it is the object of the rel<strong>at</strong>ive clause:<br />

The painting we're <strong>look</strong>ing <strong>at</strong> now ... or The<br />

painting which / th<strong>at</strong> we're looleing et now ...<br />

a <strong>are</strong> never separ<strong>at</strong>ed from the rest of the<br />

sentence by commas.<br />

i <strong>are</strong> used in writing and speaking.<br />

2 Non-defininEl rel<strong>at</strong>ive clauses<br />

Non-defining rel<strong>at</strong>ive clauses tell us some<br />

extra inform<strong>at</strong>ion about the things or<br />

people they refer <strong>to</strong>:<br />

The next painting shows Edmund's wife<br />

Marg<strong>are</strong>t, who he manieil in 1605.<br />

If we remove the words who he married in<br />

'L605, we still know who jasper is talking<br />

about. It is Edmund's wife, Marg<strong>are</strong>t.<br />

Non-defining rel<strong>at</strong>ive clauses:<br />

c always begin with the rel<strong>at</strong>ive pronouns<br />

who (for people) andwhich (for things).<br />

i may have who or which @ut never th<strong>at</strong>)<br />

as the subject or object of the rel<strong>at</strong>ive<br />

clause:<br />

The building, whi.ch is uery old, costs a lot<br />

of money <strong>to</strong> repair. (not t@d)<br />

The castle's owner, who we'ue just seen,<br />

enj oys meeting uisi<strong>to</strong>r s. (not tWte<br />

jas+seeft)<br />

t never omit the rel<strong>at</strong>ive pronoun.<br />

a must be separ<strong>at</strong>ed from the rest of the<br />

sentence by commas.<br />

a <strong>are</strong> more common in writing than<br />

in speaking.<br />

A We always omit the object pronoun (her, him, it, etc.) when we make a<br />

rel<strong>at</strong>ive clause:<br />

We know little about the woman th<strong>at</strong> he manieil. (not th*woman*a+4r<br />

m#ried+er)<br />

The next painting shows Edmund's wife Marg<strong>are</strong>t, who he mamieil in 1605.<br />

(not@<br />

201,

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