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CONTINUED:<br />
43.<br />
GEORGE (CONT’D)<br />
(on the phone)<br />
Me I’ve eaten already. (...) I<br />
stopped at the diner and had some<br />
matzo ball soup. (...) No, no<br />
grilled cheese, I swear.<br />
INT. ELLIOT AND KATE’S APT, LIVING ROOM - NIGHT<br />
Ben is alone by the large window in the dark living room<br />
of his nephew’s apartment. All around is quiet, the whole<br />
apartment seems to be asleep - only the light from the<br />
street outside, and a quiet conversation that Ben is<br />
having over the phone.<br />
BEN<br />
(on the phone)<br />
I made beef stew tonight. (...) I<br />
think they did. They ate the whole<br />
thing, but they didn’t say<br />
anything.(...) No, they’re very<br />
nice, but sometimes when you live<br />
with people, you know them better<br />
than you care to - that’s all.<br />
(...)<br />
The large, empty and dark living room. Silence. Ben stays<br />
by the window, his profile catching the outside light.<br />
EXT. ROOFTOP ELLIOT AND KATE’S BDG - DAY<br />
Ben is behind his standing easel on this Park Slope<br />
outdoor rooftop. Around him, there are only tree tops and<br />
neighboring rooftops, the sun and a nice breeze. Ben,<br />
wearing his dirty painters’s apron, is sketching away<br />
with a thin paintbrush on a new canvas.<br />
He looks up and back down to the canvas.<br />
And in front of him, standing proud as a statue, is Vlad<br />
wearing a tank top and holding H<strong>IS</strong> SKATEBOARD, the model<br />
of Ben’s new painting.<br />
Ben uses his fingers to blur and fix a couple of lines,<br />
redrawing details on the canvas.<br />
The noisy metal door to the rooftop opens with a CLANK.<br />
Ben raises his eyes above the canvas, to see that an out<br />
of breath and very surprised Joey is standing between him<br />
and his subject Vlad.<br />
JOEY<br />
What the fuck, Vlad!<br />
(CONTINUED)