LOVE IS STRANGE_SHOOTING_SCRIPT

64.
INT. ST. GRACE’S SCHOOL/HALLWAY - DAY
Students in the hallways, at their lockers, some running,
while others confering with a teacher, and with each
other.
GEORGE (V.O., CONT.)
Above all, I urge you to take this
opportunity to have a conversation
with your children about whether
or not justice was served here.
INT. ST. GRACE’S SCHOOL/GYMNASIUM - DAY
A basketball court; the boys sweating, playing,
competitive.
INT. ST. GRACE’S SCHOOL/AUDITORIUM - DAY
Students get ready for a dress rehearsal. They put on
their gowns, and walk up the steps of the chorus.
GEORGE (V.O., CONT)
The last thing I want them to take
from this is that they should hide
who they are, or what they think,
if they believe it will get them
into trouble. Life has its
obstacles, but I’ve learned early
on that they will always be
lessened if faced with honesty.
The students arrange themselves on the steps, playfully
at first, but gradually become solemn and organized, as
the new CONDUCTOR seems ready to start the music.
INT. CORRIDOR OF BEN AND GEORGE’S APT - NIGHT
George walks the same corridor of his old apartment,
towards Roberto’s door.
GEORGE (V.O., CONT’D)
I believe the world is a better
place if people aren't lying.
In the words of the apostle Paul
to the Corinthians: “Love does not
delight in injustice, but rejoices
with the truth.” Yours sincerely,
George Garea.
The Chopin Prelude ends as George opens the door, and
goes inside.
(CONTINUED)