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LOVE IS STRANGE_SHOOTING_SCRIPT

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CONTINUED: (2)<br />

70.<br />

BEN<br />

On the jet skis<br />

JOEY<br />

Yeah. I saw her looking at me.<br />

BEN<br />

Do you know her name<br />

A long pause. The silence is intimate between them.<br />

JOEY<br />

No. We never said hello to each<br />

other.<br />

Oh.<br />

BEN<br />

JOEY<br />

But I think we’ll see each other<br />

again. They’re from New York City.<br />

BEN<br />

And if you do, would you say hello<br />

to her this time<br />

I don’t know.<br />

JOEY<br />

BEN<br />

I think you should.<br />

Ben turns his reading light off. All is quiet, the room<br />

is dark.<br />

EXT. ROOFTOP ELLIOT AND KATE’S BDG - DAY<br />

On a used palette, full of different colored spots, some<br />

green paint is mixed with a little brown. The result is a<br />

dark green, so the brush adds a little cream, and the mix<br />

become the perfect color for the Park Slope outdoors.<br />

Ben sits on his portable stool, painting the canvas on<br />

his easel.<br />

The painter starts to fill up the contours of his picture<br />

with green and blue.<br />

It is a breezy, quiet afternoon.<br />

The Skateboarder at the center of the painting seems to<br />

be done, and the trees, rooftops and sky around him start<br />

to gain life with brush strokes of color.

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