MINING IN MEXICO S - ProMéxico
MINING IN MEXICO S - ProMéxico
MINING IN MEXICO S - ProMéxico
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interview lynn fainchtein<br />
—You have also produced films. Would<br />
you do it again<br />
I produced ¿Y tú Cuánto Cuestas [So,<br />
what’s your price Olallo Rubio, 2007]. Now<br />
I’m working in the production of a film with<br />
cartoons by Jis and Trino [Mexican cartoonists].<br />
We’re about to start.<br />
—Do you like any genre of music in<br />
particular<br />
I really like cumbia, black music, R&B, regional<br />
Mexican music. I’m a big fan of tambora<br />
music [a musical genre from northern<br />
Mexico], groups like K Paz de la Sierra and<br />
Horóscopos de Durango. I’m also a big fan<br />
of bolero. I like music generally, except<br />
country.<br />
—How much music do you have on your<br />
computer<br />
About 85,000 tracks… Not that much.<br />
—Do you have an MP3 player<br />
Yes. I make a playlist every month. I listen to<br />
music from that playlist as I walk every day.<br />
I never fill up my MP3 player as I also use it<br />
for work and to carry around the playlists for<br />
films I’m working on.<br />
—Do you still buy records<br />
Yes, of course, especially box sets of things I<br />
like. I’ve just bought a box set of The Beatles<br />
and one of Andrés Calamaro. I also buy records<br />
that I really like after listening to them<br />
on the net.<br />
—What record do you listen to the most<br />
I always listen to Ryuichi Sakamoto when<br />
The Dynamic Duo<br />
I’m traveling. It’s now the music I always<br />
take with me. I listen to Sakamoto when I<br />
want to feel the music rather than think or<br />
work with it.<br />
—How many records do you have<br />
I don’t know, because I gave away lots of LPs.<br />
Sometimes it hurts getting rid of them. I also<br />
tend to accumulate stuff that I don’t listen to. n<br />
Jis (José Ignacio Solórzano) and Trino (José Trinidad Camacho) are both<br />
from Guadalajara, Jalisco. They joined the local avant-garde punk/performance/<br />
visual art scene of the 1980s before starting professional careers as cartoonists<br />
with the weekly fully page strip El Santos contra la Tetona Mendoza in the Mexico<br />
City daily La Jornada, in 1989. The strip –now collected in three volumes from<br />
Editorial La Jornada– ended in 1997 but has been followed by others made both<br />
by the team and by each one individually. These new strips have appeared in<br />
several Mexican newspapers and humor magazines, as well as in new collections<br />
of their work. Trino’s animated cartoons and videos have also appeared on<br />
television.<br />
Jis and Trino became famous due to their character “El Santos,” their very<br />
own unrefined and cynical version of “El Santo,” one of the most famous<br />
Mexican luchadores (wrestlers).<br />
Lynn Fainchtein is currently producing a film based on this “dynamic duo’s”<br />
creations.<br />
Good Selection<br />
Lynn Fainchtein has been musical supervisor for several<br />
internationally awarded films. Among them:<br />
Director<br />
2009<br />
2008<br />
2008<br />
I Just Want to Walk<br />
Agustín Díaz Yanes<br />
2007<br />
Precious<br />
Lee Daniels<br />
Don’t Let Me Drown<br />
Cruz Angeles<br />
Without Name<br />
Cary Fukunaga<br />
Tear Up My Life<br />
Roberto Sneider<br />
I’m Gonna Explode<br />
Gerardo Naranjo<br />
Cochochi<br />
Israel Cárdenas<br />
Under The Same Moon<br />
Patricia Riggen<br />
2006<br />
Babel<br />
Alejandro González Iñárritu<br />
2004<br />
Maria Full of Grace<br />
Joshua Marston<br />
Paraiso Travel<br />
Simon Brand<br />
Sleep Dealer<br />
Alex Rivera<br />
2000<br />
Love Dogs<br />
Alejandro González Iñárritu