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MINING IN MEXICO S - ProMéxico

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interview lynn fainchtein<br />

—You have also produced films. Would<br />

you do it again<br />

I produced ¿Y tú Cuánto Cuestas [So,<br />

what’s your price Olallo Rubio, 2007]. Now<br />

I’m working in the production of a film with<br />

cartoons by Jis and Trino [Mexican cartoonists].<br />

We’re about to start.<br />

—Do you like any genre of music in<br />

particular<br />

I really like cumbia, black music, R&B, regional<br />

Mexican music. I’m a big fan of tambora<br />

music [a musical genre from northern<br />

Mexico], groups like K Paz de la Sierra and<br />

Horóscopos de Durango. I’m also a big fan<br />

of bolero. I like music generally, except<br />

country.<br />

—How much music do you have on your<br />

computer<br />

About 85,000 tracks… Not that much.<br />

—Do you have an MP3 player<br />

Yes. I make a playlist every month. I listen to<br />

music from that playlist as I walk every day.<br />

I never fill up my MP3 player as I also use it<br />

for work and to carry around the playlists for<br />

films I’m working on.<br />

—Do you still buy records<br />

Yes, of course, especially box sets of things I<br />

like. I’ve just bought a box set of The Beatles<br />

and one of Andrés Calamaro. I also buy records<br />

that I really like after listening to them<br />

on the net.<br />

—What record do you listen to the most<br />

I always listen to Ryuichi Sakamoto when<br />

The Dynamic Duo<br />

I’m traveling. It’s now the music I always<br />

take with me. I listen to Sakamoto when I<br />

want to feel the music rather than think or<br />

work with it.<br />

—How many records do you have<br />

I don’t know, because I gave away lots of LPs.<br />

Sometimes it hurts getting rid of them. I also<br />

tend to accumulate stuff that I don’t listen to. n<br />

Jis (José Ignacio Solórzano) and Trino (José Trinidad Camacho) are both<br />

from Guadalajara, Jalisco. They joined the local avant-garde punk/performance/<br />

visual art scene of the 1980s before starting professional careers as cartoonists<br />

with the weekly fully page strip El Santos contra la Tetona Mendoza in the Mexico<br />

City daily La Jornada, in 1989. The strip –now collected in three volumes from<br />

Editorial La Jornada– ended in 1997 but has been followed by others made both<br />

by the team and by each one individually. These new strips have appeared in<br />

several Mexican newspapers and humor magazines, as well as in new collections<br />

of their work. Trino’s animated cartoons and videos have also appeared on<br />

television.<br />

Jis and Trino became famous due to their character “El Santos,” their very<br />

own unrefined and cynical version of “El Santo,” one of the most famous<br />

Mexican luchadores (wrestlers).<br />

Lynn Fainchtein is currently producing a film based on this “dynamic duo’s”<br />

creations.<br />

Good Selection<br />

Lynn Fainchtein has been musical supervisor for several<br />

internationally awarded films. Among them:<br />

Director<br />

2009<br />

2008<br />

2008<br />

I Just Want to Walk<br />

Agustín Díaz Yanes<br />

2007<br />

Precious<br />

Lee Daniels<br />

Don’t Let Me Drown<br />

Cruz Angeles<br />

Without Name<br />

Cary Fukunaga<br />

Tear Up My Life<br />

Roberto Sneider<br />

I’m Gonna Explode<br />

Gerardo Naranjo<br />

Cochochi<br />

Israel Cárdenas<br />

Under The Same Moon<br />

Patricia Riggen<br />

2006<br />

Babel<br />

Alejandro González Iñárritu<br />

2004<br />

Maria Full of Grace<br />

Joshua Marston<br />

Paraiso Travel<br />

Simon Brand<br />

Sleep Dealer<br />

Alex Rivera<br />

2000<br />

Love Dogs<br />

Alejandro González Iñárritu

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