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MINING IN MEXICO S - ProMéxico

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FEEDBACK Xochipilli-Xochiquétzal<br />

It is easier said than done but it implies<br />

very hard work. Only three full time employees<br />

are in charge of coordinating, visiting,<br />

promoting and planning the logistics to ship<br />

the goods, which must travel from the rural<br />

communities to their final destinations.<br />

Also, in its 20 years of operating, Xochipilli-<br />

Xochiquétzal has supported itself with its<br />

own resources obtained through<br />

its intermediary work and helped<br />

by clients from abroad, who occasionally<br />

request and partially<br />

fund special workshops and seminars<br />

for specific craftsmanship.<br />

Future Plans<br />

Xochipilli-Xochiquétzal have managed<br />

to preserve the traditions of<br />

the artisans in the communities<br />

where they work and have also optimized<br />

their production and quality skills. They<br />

have also been able to implement additional<br />

small changes in these indigenous and rural<br />

communities of Mexico.<br />

Traditionally, in many of these places<br />

women have no access to work or any other<br />

type of opportunities. Even though women<br />

are typically the creators of most of the<br />

handicrafts, the local ways have always allowed<br />

them to produce them for use solely<br />

in their own dwellings.<br />

In Cuentepec, Morelos, for instance,<br />

women were the ones typically working the<br />

clay, making their own household products,<br />

only occasionally available for retail sale. In<br />

this community, only women were allowed<br />

to go to the clay mines but now the men help<br />

in some of the gathering work, as much as<br />

their tradition allows them.<br />

Today, some 26 women from Cuentepec<br />

are able to produce 1,000 pieces a week and<br />

Since 1991, these two organizations have<br />

helped craftsmen from various sites in<br />

Mexico ship their products to countries such<br />

as France, Italy, Germany, Austria, the US<br />

and Canada.<br />

when they are not sold to international clients<br />

through Xochipilli-Xochiquétzal, they<br />

can be sold in other markets.<br />

When Xochipilli-Xochiquétzal has given<br />

indigenous women the opportunity to work<br />

for a certain wage, the whole family contributes<br />

to the work, exponentially improving<br />

the quality of life of the community.<br />

“The money the women obtain through<br />

their work is usually well invested in improving<br />

the nurturing and education of their<br />

families or in house improvements. Giving<br />

them access to an additional source of income<br />

makes them feel better about them-<br />

selves,” says Inez Villaseñor.<br />

At the moment, the international handicrafts<br />

market is hardly going through a<br />

boom period, so Xochipilli-Xochiquétzal plan<br />

to concentrate their work in the 18 workshops<br />

they operate in five states.<br />

In the future, their plans are to begin a campaign<br />

amongst its beneficiaries, promoting increased<br />

contact between the craftsmen<br />

and the Fair Trade mission.<br />

“In the fair trade philosophy,<br />

the salaries must be competitive<br />

and you have to take responsibility<br />

for the men and women<br />

involved in the processes of production,<br />

as well as for the environment,<br />

complying with all the<br />

required standards. The working<br />

conditions must be optimized and<br />

the commercial relations must benefit the clients,<br />

traders and manufacturers equally and<br />

as much as possible,” claims Inez Villaseñor.<br />

These two organizations have not only<br />

managed to stay afloat but also in 20 years<br />

have implemented important structural and<br />

economic changes without undermining<br />

the traditional ways of making handicrafts<br />

in Mexico. They have also achieved international<br />

recognition and appreciation for these<br />

100% typical Mexican products. Undeniably,<br />

in a cult for the gods that inspired their<br />

names, they have become true modern patrons<br />

for Mexican artisans. n

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