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The Secret Doctrine Volume 3.pdf

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an octave below C’, and above C.” Writing these three octaves in line, and multiplying<br />

by seven we obtain a nearly exact correspondence with our table of vibration for the<br />

fourth sense.<br />

MUSICAL TABLE<br />

Fourth<br />

Sense<br />

Scale Ratio<br />

Product<br />

28 4 x 7 = 28 E<br />

56 8 x 7 = 56 F<br />

84 12 x 7 = 84 G<br />

112 16 x 7 = 112 A<br />

140 20 x 7 = 140 B<br />

168 24 x 7 = 168 C<br />

196 27 x 7 = 189 D<br />

... 30 x 7 = 210 E<br />

224 32 x 7 = 224 F<br />

252 36 x 7 = 252 G<br />

280 40 x 7 = 280 A<br />

308 45 x 7 = 315 B<br />

336 48 x 7 = 336 C<br />

364 54 x 7 = 378 D<br />

392<br />

420 60 x 7 = 420 E<br />

448 64 x 7 = 448 F<br />

476<br />

504 72 x 7 = 504 G<br />

532<br />

560 80 x 7 = 560 A<br />

588<br />

616 90 x 7 = 630 B<br />

644<br />

672 96 x 7 = 672 C<br />

H.C.<br />

NOTES ON SOME ORAL TEACHINGS<br />

<strong>The</strong> Three Vital Airs<br />

(Page 537) IT is the pure Ãkâsha that passes up Sushumnâ: its two aspects flow in Idâ<br />

and Pingalâ. <strong>The</strong>se are the three vital airs, and are symbolized by the Brâhmanical<br />

thread. <strong>The</strong>y are ruled by the Will. Will and Desire are the higher and lower aspects<br />

of one and the same thing. Hence the importance of the purity of the canals; for if<br />

407

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