RED BOAT TROUPES AND CANTONESE ... - University of Georgia

Cantonese opera is not static; it is rather dynamic. I recently heard from Mr Liu about a
Cantonese Opera script accompanied by an orchestra and voice with harmony—Symphonic
Cantonese Opera—and an aria called “The Aftermath of Lehman Brother Mini Bond.” Another
playlet that I would like to watch is “Symphonic Goon Waih.” 159 Cantonese and Cantonese
opera are certainly dynamic. In my last phone call to Mr. Liu, I asked what he would like to see
in the future development of Cantonese opera. His answer was the same as what Mr. Yuen Siu
Fai said—the respect and understanding of the art. His statement applies to all vernacular opera
genres all over the world.
One day, I would like to stay in the same hotel in Saa Min. When I look down from the
balcony, I will see three smart looking “dragon head phoenix tail” Red Boats moving along the
Pearl River. Actors practice their moves, cooks busily prepare a meal, many props, costumes,
and red ji coengs are visible, performers practice singing with the accompaniment of the
orchestra, and the sound of goh wu, gongs, drums, and clappers—fill the air. It is a re-enactment
in the Red Boat Troupe Museum!
159 Conversation with Liu Hon Wo.
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