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RED BOAT TROUPES AND CANTONESE ... - University of Georgia

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two). 115 The new instrument, called the goh hu (goh means high), has a louder sound than the<br />

conventional silk string er hu. Pitches are extended an octave higher. The goh hu plays the<br />

melodic line. 116 Liu also used metal strings for the yangqin to give this instrument a larger<br />

volume.<br />

During the 1930s, Western instruments such as the violin, saxophone, cello, banjo, and<br />

jazz drums were introduced to support the orchestra. Traditional orchestras lack instruments in<br />

the low register for support. The cello serves the purpose. Some traditional instruments such as<br />

the yanqin and the pipa have found their way back to the performance stages since the 1960s.<br />

Following the adoption <strong>of</strong> Western instruments <strong>of</strong> this period, equal temperament was achieved<br />

in Cantonese opera music.<br />

Cantonese instrumental music became entertainment in Guangdong and Shanghai starting<br />

in the 1920s. The Cantonese were active in the department store business during the two<br />

decades <strong>of</strong> booming trade in Shanghai. During the 1920s and 1930s, the ro<strong>of</strong> gardens <strong>of</strong> Four<br />

Large Companies [sei daai gung si] near Nanking Road in Shanghai were venues where<br />

Cantonese workers played Cantonese music. Most these stores were run by returned Cantonese<br />

emigrants from Australia and North America. Cantonese musician Liu Man Xing, who lived in<br />

Shanghai, led orchestras that played on the ro<strong>of</strong>tops <strong>of</strong> department stores. He arranged old<br />

Cantonese and Chinese tunes that became Guangdong yum ngok (Cantonese instrumental<br />

music), a light instrumental music genre now played in some Chinese restaurants in North<br />

America. Melodies <strong>of</strong> this genre entered Cantonese opera in the form <strong>of</strong> siu kuk. Liu received a<br />

warm welcome in his native Guangdong Province. He later came to Hong Kong and helped with<br />

Cantonese Opera troupes during the Sit-Ma Competition era in the 1920s and 1930s. He was the<br />

115 Yum gnok guai suk[music studio] “Patzak enjoying music with you,” Oi gnok yan gia sai fong [music lover<br />

going to places], http://www.bh2000.net/special/patzak/detail.php?id=2579 (access April 9, 2010)<br />

116 Usually the tau gaa plays this instrument.<br />

50

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