RED BOAT TROUPES AND CANTONESE ... - University of Georgia
RED BOAT TROUPES AND CANTONESE ... - University of Georgia
RED BOAT TROUPES AND CANTONESE ... - University of Georgia
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Chinese is a comprehensive reference on the music <strong>of</strong> Cantonese opera. 20 His other book on<br />
theory and discussion cover many facets <strong>of</strong> performance including recitative, music, movement,<br />
and communication. 21<br />
B: Red Boat Troupes<br />
No extensive research on the topic has been found in the English language. Many facts<br />
on Red Boat Troupe are contained in the series <strong>of</strong> seminars arranged by Lai Kin in the 1980s. 22<br />
Pamphlets written by Wong Toa, 23 as well as scattered articles in newspapers, magazines, books,<br />
and television interviews were the basis for further research. Talks by researchers and<br />
performers at a symposium sponsored by the Center <strong>of</strong> Asian Studies at the <strong>University</strong> <strong>of</strong> Hong<br />
Kong in the 1980s were also helpful. The 2007 Global Symposium on Cantonese Opera<br />
arranged by the Opera Information Center, which I had attended, elucidated facts and provided<br />
current information. The amount <strong>of</strong> literary work on Chinese operas is very scarce compared to<br />
the extensive history, literature, and the performing practice <strong>of</strong> the genre. In view <strong>of</strong> the<br />
impending loss <strong>of</strong> the historical information <strong>of</strong> Cantonese opera due to wars, political instability,<br />
and lack <strong>of</strong> academic interest for the genre, in the 1980s, Lai Kin invited aging performers and<br />
managers to account for life in the troupes during the 1920s, 30s, and 40s. Most <strong>of</strong> the guests<br />
were old enough to have lived on the red boats. They recounted the life, society, and<br />
performance <strong>of</strong> the Red Boat Troupe. Lai also gathered information from other people, including<br />
responses from questionnaires he had designed. Some <strong>of</strong> the talks were included in a<br />
proceedings volume. 24 I was delighted to be introduced to Mr. Lai’s niece at the seminar given<br />
20<br />
Sau Y Chan, Yuet kek yum gnok di tam to [Investigation into the Music <strong>of</strong> Cantonese Opera] (Hong Kong: The<br />
Chinese <strong>University</strong> Music Department Research Program, 2001).<br />
21<br />
Sau Y Chan, Hong Kong yuet kek do lun [Theory and discussion on Hong Kong Yuet Kek] (Hong Kong: The<br />
Chinese <strong>University</strong> Music Department Research Program, 1999).<br />
22<br />
Lai, Hong Kong Yuet Kek hou shek si.<br />
23<br />
Toa Wong, Hung sun time bai.<br />
24<br />
Lai, Hong Kong Yuet Kek hou shek si.<br />
12