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RED BOAT TROUPES AND CANTONESE ... - University of Georgia

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Theater manager said that four male troupes were not as good as one female troupe [from a<br />

business point <strong>of</strong> view]. 140<br />

My grandmother was a good source <strong>of</strong> information regarding social issues. Like many<br />

other people who left China, my grandmother came to Hong Kong to attend a wedding in 1949<br />

and did not return until after President Nixon went to China in 1972. 141 Grandma loved to tell<br />

stories when I was in bed. The stories, as I later found out, were all from opera; she loves opera.<br />

She said that her family would buy a zong (bed), meaning packaged tickets for a few people to<br />

sit on. I later found out that it is a gua fei zong (concubine bed) that can accommodate about<br />

four to five people. It is a bench like a Western day-bed, which has only one longer side open<br />

without a frame. Well-to-do foot-bound ladies were carried on backs <strong>of</strong> servants to the<br />

performance halls (poor women did not have their feet bound). Relatives, serfs, and servants sat<br />

on the “bed” to watch opera performance when Troupes came to the otherwise quiet town. My<br />

father saw the Red Boats when he was a child. He still called the red boats that park at the docks<br />

dai hung sun (big red boats). Father said that a make-shift big hall in his village was built on the<br />

part <strong>of</strong> the beach normally used for drying fish and laying out fishing nets. I could imagine<br />

140 Ibid., 372.<br />

141 My paternal grandmother was born in the estuary in 1892 during the Qing Dynasty. She received three months <strong>of</strong><br />

formal education, but she was able to read newspaper and letters sent to her by relatives. In those days, there was a<br />

saying, “women without talent are good women.” A good wife should not receive much education. My<br />

grandmother learned to read through mok yu shu (wooden fish books), a popular narrative song genre in her days.<br />

Volumes <strong>of</strong> printed poems may be read and recite s<strong>of</strong>tly in certain melodic and rhythmic contour. When she was a<br />

teenager, she was once travelled with girl friends and girl cousins by foot. They went into a tea house for dim sum<br />

when they got tired, only to be seen by an older male cousin. The girls were admonished by the family when they<br />

returned home. Girls in the Qing Dynasty were not supposed to go to public places.<br />

She was married to my grandfather at the age <strong>of</strong> nineteen in the year the Chinese Republic was established.<br />

Grandfather had his braid cut. Grandma had ceased the foot-bounding turmoil long before that, about the age <strong>of</strong><br />

seven. She told me that it was Dr Sun Yat Sen who advocated stopping the inhumane practice and ‘released’ her<br />

feet; otherwise the front part <strong>of</strong> her feet would be bent. Unlike the older ladies who had “successfully” gone through<br />

the entire foot bounding process, her feet look normal, except for the size. They grew to the size <strong>of</strong> an eight-yearold.<br />

With a tradition to wear a new pair <strong>of</strong> shoes on New Year day to “step on the bad people,” I remember<br />

accompanying her into numerous shoe-stores on Nathan Road before New Year in Hong Kong looking for adult<br />

style that fitted her, a non-Mary-Jane type that did not look like a pair <strong>of</strong> child shoes. It was challenging.<br />

65

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