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RED BOAT TROUPES AND CANTONESE ... - University of Georgia

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Figure 13. Mr. C. Chan at the Qing Wan Music Association in Vancouver.<br />

There seemed to be two groups <strong>of</strong> amateur singers in Vancouver: those who went to<br />

Vancouver before the 1980s were working class immigrants who sung old repertoire and boun<br />

huang and those who came after the 1980s were upper middle class and left Hong Kong because<br />

<strong>of</strong> the 1997’s political uncertainties. Many husbands <strong>of</strong> the newer immigrant families returned to<br />

Hong Kong to work, leaving their wives and children in Vancouver. Women <strong>of</strong> this class<br />

enjoyed singing from the newer repertoire, such as siu kuk from Tong Dik Sung’s operas.<br />

An Interview with Mr Wong Toa<br />

In the summer <strong>of</strong> 2007, various members from Qing Wan Cantonese Opera Association<br />

<strong>of</strong> Vancouver directed me to Mr Wong Toa. He was a retired pr<strong>of</strong>essional instrumentalist, a<br />

prolific writer who had published articles on Chinese opera for the Singtao Newspaper for<br />

several years, and a teacher <strong>of</strong> opera singing for seventy years. Many pr<strong>of</strong>essional singers<br />

(including Bruce Lee) were his students. In 1961, Mr Wong became the first Cantonese Opera<br />

musician to receive permission to immigrate to Canada on the basis <strong>of</strong> his trade. 157 Having<br />

glanced through the publications he donated to the Chinese Library in Vancouver, I was excited<br />

157 Conversation with Wong Toa<br />

80

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