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RED BOAT TROUPES AND CANTONESE ... - University of Georgia

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violin, the koh hu, and he also trains singers. The institution was on the second floor <strong>of</strong> a small<br />

shopping center. The two rooms in the institution included a reception area with many chairs for<br />

people to wait and watch the singing activities inside the performance room with an elevated<br />

stage. A glass door and glass wall separated the two rooms. One blind musician played dizis <strong>of</strong><br />

different ranges, and another pr<strong>of</strong>essional musician played the yangqin. The owner <strong>of</strong> the<br />

institution played the violin on the day I visited. A percussionist played in a semi-separate area.<br />

Cantonese opera songs were passions for Cantonese people, especially those new<br />

immigrants who were adjusting to life in a foreign country. On a regular afternoon, people<br />

wishing to sing signed up and waited in the reception room. Depending on whether a person<br />

wanted instruction or not, the institute charged singers different rates. The rates were also based<br />

on the length <strong>of</strong> the song in minutes. I attended a performance by students <strong>of</strong> this institution a<br />

few evenings later. They performed arias from different operas. I was told that a non-<br />

pr<strong>of</strong>essional (usually a lady) spent a lot <strong>of</strong> money in order to perform. She had to pay a portion<br />

<strong>of</strong> the rental expense <strong>of</strong> the performance hall, pay for her costume, and sometimes she had to pay<br />

for a pr<strong>of</strong>essional to accompany her in singing a duet. The performance style <strong>of</strong> the singers<br />

perhaps could be considered a modern practice <strong>of</strong> Cantonese opera.<br />

On a Sunday afternoon I also visited a club established by people <strong>of</strong> a common last name<br />

–Chan. The Chan Club was a non-pr<strong>of</strong>it institution established in the 1930s. It was situated on a<br />

second floor on the busy Pander Street <strong>of</strong> Chinatown. Most musicians who attended were non-<br />

pr<strong>of</strong>essionals and majority <strong>of</strong> them were over 55 years old. Those who wished to sing signed up<br />

when they arrived. The activities ended at 5:00 p.m. sharp, and those who were not able to sing<br />

were disappointed. Each singer paid five Canadian dollars to sing (singers prefer longer songs).<br />

The money was used for snacks. These people were mostly working class and many <strong>of</strong> them had<br />

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