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Antique Arms, Armour & Militaria - Thomas Del Mar

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<strong>Armour</strong><br />

233<br />

A COMPOSITE GERMAN FLUTED FIELD ARMOUR IN THE<br />

SO-CALLED MAXIMILIAN FASHION, CIRCA 1515-1530<br />

comprising close helmet formed of a rounded one-piece<br />

skull rising to a boldly cabled medial comb and cut away at<br />

the nape to to receive a neck-guard (missing), bellows visor<br />

and bevor attached by later common pivots, the former<br />

pierced with a centrally-divided vision-slit and ten<br />

horizontal ventilation-slits, the latter formed with a<br />

pronounced chin, flanged outwards at the base to form a<br />

short front neck-guard, fitted at the right side with a springcatch<br />

to engage the visor and secured to the skull at the<br />

right of the neck by a hook and pierced stud, collar of four<br />

lames front and rear, the top lames boldly roped, the<br />

lowest front plate stamped on the outside with the quality<br />

control mark of the city of Nuremberg, and on the inside<br />

with the pearled N mark of the same city, globose<br />

breastplate struck at the neck with the former mark and<br />

pierced at the right of the chest with two later holes for a<br />

lance-rest, movable gussets at the arm-openings, waistlame,<br />

and fauld of four lames (the lowest three restored),<br />

and tassets each of four lames, matching backplate formed<br />

of a main plate (one small hole), fitted with a pair of side<br />

plates and a waist-lame flanged outwards to receive a short<br />

culet of three lames, the main plate struck at its upper edge<br />

with the quality-control mark of the city of Nuremberg,<br />

large assymetrical pauldrons (partly restored) each of<br />

seven lames overlapping outwards from the third, which<br />

bears an haute-piece, articulated vambraces (the right<br />

restored) formed of a tubular upper and lower cannons, the<br />

former fitted at its upper end with a turner and at the inside<br />

of the elbow with a narrow lame, and a couter of three<br />

lames, the central lame projecting inwards at the front as a<br />

large flat centrally-puckered oval wing, mitten gauntlets<br />

each formed of a short straight-ended cuff, four<br />

metacarpal-plates, two finger-plates and hinged thumbdefences<br />

terminating in a pair of scales (the entire right<br />

gauntlet and the finger lames of the left restored), cuisses<br />

each formed of a gutter-shaped main plate fitted at its<br />

lower edge with a winged poleyn of six lames (the right<br />

restored), a pair of tubular full-length greaves each cut with<br />

a slot at the heel to accommodate a spur and an arch at the<br />

front to accommodate a sabaton of eight lames attached to<br />

it by a turning-pin at each side (the right greave and<br />

sabaton with patched repairs), the armour decorated<br />

throughout with boldly fluted ornament emphasised by<br />

pairs of incised lines, and at its main edges with boldly<br />

roped inward turns accompanied by recessed borders<br />

(areas of pitting and wear throughout): on a wooden stand<br />

applied with an early collection label<br />

PROVENANCE<br />

Alphons Meyer, Zürich 1930<br />

The Renne Collection, Constance<br />

The same combination of marks is shown on two<br />

Nuremberg armours in the Royal <strong>Armour</strong>ies Leeds, dating<br />

to 1510 and 1530 respectively. See A. R. Dufty and W. Reid<br />

1968, pl. XVI and XVII.<br />

‡ £40000-60000<br />

100

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