View full issue in PDF - The Mindfulness Bell
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sangha PRACTICE<br />
<strong>The</strong> Sound of the <strong>Bell</strong><br />
by Susan Hadler<br />
It’s Sunday afternoon <strong>in</strong> mid-<br />
August and still hot when I arrive<br />
at Carolyn’s for the bell tra<strong>in</strong><strong>in</strong>g.<br />
Eric is stand<strong>in</strong>g at the end of the<br />
upstairs hallway, smil<strong>in</strong>g and bow<strong>in</strong>g,<br />
show<strong>in</strong>g the way to Carolyn’s<br />
door. <strong>The</strong> first th<strong>in</strong>g I see is the<br />
big bell sitt<strong>in</strong>g on its red and gold<br />
cushion <strong>in</strong> the middle of the room.<br />
It seems to belong here, surrounded<br />
by Buddhas sitt<strong>in</strong>g, Buddhas stand<strong>in</strong>g,<br />
pictures of Thay and the Dalai<br />
Lama, angels and sa<strong>in</strong>ts and green<br />
grow<strong>in</strong>g plants. Carolyn offers us<br />
cool water and grapes fresh from<br />
her neighbor’s arbor.<br />
We sit on cushions circl<strong>in</strong>g<br />
the bell. Mary arrives and Carolyn<br />
beg<strong>in</strong>s, “<strong>The</strong> bell master holds and<br />
protects the space for everyone.”<br />
Yes, that is how I’ve felt with the<br />
Sunday Night Sangha. Held. Safely and quietly. No need to worry<br />
about appearances or <strong>in</strong>trusions. Space to calm down and open up to<br />
myself, to br<strong>in</strong>g my body, emotions, and thoughts together <strong>in</strong> one place,<br />
one time, a little island <strong>in</strong> a calm sea surrounded by little islands. A<br />
gift beyond measure.<br />
I remember Thay sitt<strong>in</strong>g so peace<strong>full</strong>y <strong>in</strong> front of the meditation<br />
hall <strong>in</strong> Plum Village, monks and nuns beh<strong>in</strong>d him, laypeople <strong>in</strong> front.<br />
Thay sat <strong>in</strong> silence and I sat <strong>in</strong> silence lett<strong>in</strong>g anxiety about what would<br />
happen next disappear like steam ris<strong>in</strong>g from a cup of tea. Thay didn’t<br />
seem to worry about time or schedule. He was completely present. His<br />
presence helped me be with myself <strong>in</strong> that peaceful moment.<br />
Carolyn tells us she <strong>in</strong>vites the bell with her heart. Her heart.<br />
Not her thoughts about when to <strong>in</strong>vite the bell or how it should sound.<br />
Her heart knows. Carolyn trusts her heart. <strong>The</strong>n she teaches us the<br />
gatha that is recited, most often silently, by the bell <strong>in</strong>viter before<br />
<strong>in</strong>vit<strong>in</strong>g the bell,<br />
Body, speech, and m<strong>in</strong>d <strong>in</strong><br />
perfect oneness,<br />
I send my heart along with the<br />
sound of the bell.<br />
May the hearers awaken from<br />
forgetfulness<br />
and transcend all anxiety and<br />
sorrow.<br />
I love this gatha. It’s an <strong>in</strong>vitation<br />
to unload all the stuff I usually<br />
carry around with me—self-consciousness,<br />
defensive pride, phony<br />
cheer, preoccupations and plans,<br />
leftover conversations. <strong>The</strong> gatha<br />
is a door open<strong>in</strong>g to a place of<br />
freedom.<br />
“Now we can practice <strong>in</strong>vit<strong>in</strong>g<br />
photo by Emily Whittle<br />
the bell.” Carolyn hands the <strong>in</strong>viter<br />
to Eric, who smiles and recites the<br />
gatha. <strong>The</strong> bell’s pure deep voice reverberates <strong>in</strong>side the room, <strong>in</strong>side<br />
me. Eric practices <strong>in</strong>vit<strong>in</strong>g the bell a few more times and hands the<br />
<strong>in</strong>viter to Mary. Mary recites the gatha slowly and softly wakes the<br />
bell. She waits a bit and then the rich and lovely sound surrounds us.<br />
Mary practices <strong>in</strong>vit<strong>in</strong>g the bell from the side, and the bell r<strong>in</strong>gs out<br />
clear and strong.<br />
She passes the <strong>in</strong>viter to me. Hold<strong>in</strong>g it, I remember see<strong>in</strong>g a<br />
nun <strong>in</strong> the Lower Hamlet stand<strong>in</strong>g <strong>in</strong> the grass <strong>in</strong> front of the big<br />
bell. It was ra<strong>in</strong><strong>in</strong>g. She held the <strong>in</strong>viter <strong>in</strong> her hand and stood for<br />
what seemed to me a long time. She stood <strong>in</strong> reverent silence before<br />
she <strong>in</strong>vited the bell. I admired her patience, her ability to be<br />
with herself alone with the bell. She wasn’t <strong>in</strong> a hurry to get out of<br />
the ra<strong>in</strong>. It didn’t seem like a task for her, someth<strong>in</strong>g to accomplish<br />
or f<strong>in</strong>ish, but rather an act with mean<strong>in</strong>g, as if the existence of the<br />
bell, the <strong>in</strong>viter, and herself deserved her whole attention. I saw<br />
this <strong>in</strong> the nun’s silent stance and the slow steady sw<strong>in</strong>g of her arm.<br />
40 Summer 2004