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lightfair international - Illuminating Engineering Society

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LIGHTFAIR INTERNATIONAL<br />

SEMINAR PREVIEW<br />

MR11 lamps placed in the footrests. The<br />

back half of the bar top is underlighted<br />

by amber-gelled fluorescents, giving it a<br />

warmer tone than the front half of the<br />

bar top. This creates a nice delineating<br />

line down the center of the glass bar top.<br />

The light also punches through the glass<br />

Channeling<br />

an owner’s<br />

feelings<br />

about a<br />

restaurant<br />

into the<br />

atmosphere<br />

of the space<br />

is the<br />

first step<br />

to success<br />

the extraordinary mosaic and marble<br />

ceiling; they are hidden within a custombuilt<br />

box, hidden on the second floor<br />

balcony.<br />

Le Cirque 2000 is truly a successful<br />

marriage of landmark architecture and<br />

innovative interior design, held together<br />

by light.<br />

The same basic design approaches are<br />

implemented on other projects, with<br />

results as stunningly unique as the owners<br />

are different.<br />

Missouri Loves Company<br />

Another recent successful restaurant<br />

opened recently in Kansas City: Lidia’s,<br />

created by Lidia Bafgianich of Felidia’s in<br />

New York, with architecture and interior<br />

design by David Rockwell.<br />

In Lidia’s, the same design principles<br />

were employed, but in quite different<br />

ways. Here, the challenge was to create<br />

the comfortable atmosphere of an Italian<br />

country home inside a Kansas City<br />

freight house. The designers and archi-<br />

internally lit by a cluster of torpedo<br />

lamps, and externally accented by colored<br />

MR16 track fixtures with snoots to<br />

reduce glare. To simplify maintenance,<br />

all lamps are 50 W MR16 spots. Spread<br />

lenses are used if required.<br />

Repeating pilasters along each side<br />

wall are accented by two PAR30 bullets<br />

from above and two PAR20 lamps integrated<br />

within each base. Glowing art<br />

glass sconces on the walls are lighted<br />

from within. The hanging wine displays<br />

are lighted by a single framing projector,<br />

providing a crisp image of the bottles on<br />

the scrim-like backing of the display.<br />

Here the dining tables are lighted softly<br />

by PAR38 downlights suspended from<br />

the ceiling. The 120 W lamps are<br />

dimmed below 50 percent, providing<br />

increased lamp life and a warm glow.<br />

Two-circuit track mounted to the sides of<br />

roof trusses allows for flexibility while<br />

providing multiple locations from which<br />

to highlight architectural features, displays,<br />

and art.<br />

bar top in the two colors, creating a<br />

beautiful mixture of theatrical uplight on<br />

the faces of the patrons. The shelves at<br />

the back bar are frontlit from above with<br />

small halogen sources, adding dimension<br />

and sparkle to the bottles and glassware.<br />

In the Madison Room, the primary<br />

sources of ambient light are uplighting<br />

on the ornate ceiling and backlighting on<br />

the sandblasted glass panels at the doorways<br />

and throughout the room. The<br />

clean and elegant aqua light complements<br />

the gold detail in this room, which<br />

is in turn accented by uplighting on the<br />

marble columns.<br />

Table lighting is enhanced by fixtures<br />

attached to the banquettes, arching over<br />

the seated patrons. The windows in this<br />

room mandated that the lighting on the<br />

ceiling and walls be bright during the<br />

day to keep the ambient level up and the<br />

contrast ratio acceptable.<br />

The Great Hall best showcases the<br />

contrast between the historic architecture<br />

and the colorful, contemporary interior<br />

design. Twenty pin spots highlight<br />

Lidia’s in Kansas City has the feel of a comfortable Italian home. The blown glass chandeliers<br />

add a strong colorful and visual charm and are internally lighted by a cluster of torpedo lamps and<br />

externally accented by MR16 track fixtures.<br />

tects worked together to highlight a<br />

series of icons that conveyed Lidia’s passion<br />

for Italian food, wine, and culture.<br />

The first look as the viewer enters the<br />

space is a dramatic one—-looking down<br />

the length of the space at internally lighted<br />

round “cask” wine displays at the end<br />

wall. Blown glass “grappa bottle” chandeliers<br />

are a strong and colorful visual<br />

element as well. The chandeliers are<br />

Accentuating these elements while<br />

providing general warmth throughout<br />

the space, a welcoming environment is<br />

created for both patron and client.<br />

Other restaurant projects which will<br />

be discussed at the Restaurant Lighting<br />

seminar include the Samba Grill at the<br />

Mirage Hotel and Casino in Las Vegas,<br />

and Ruby Foo’s Pan-Asian Restaurant<br />

and Nobu Next Door in New York City.<br />

56 LD+A/April 1999

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