March 2011 - World Association for Symphonic Bands and Ensembles
March 2011 - World Association for Symphonic Bands and Ensembles
March 2011 - World Association for Symphonic Bands and Ensembles
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Vision Statement<br />
General aspects of the functioning of WASBE in 32 years of existence:<br />
• Open the communication between composers, b<strong>and</strong> directors <strong>and</strong><br />
institutions.<br />
• Promote international Wind B<strong>and</strong> repertoire more than any other<br />
organization in the world.<br />
• Emphasize the need <strong>for</strong> high artistic level on the repertoire of Wind<br />
B<strong>and</strong>.<br />
Using an organizational <strong>for</strong>mat that worked well at the beginning,<br />
WASBE has lost drastically number of members. WASBE should work<br />
now to reverse this tendency, so that the organization will have<br />
conditions to keep its activity.<br />
It reflects the need <strong>for</strong> innovation, to be able to react to the current<br />
Wind B<strong>and</strong> world, offering more than written material about music,<br />
events <strong>and</strong> etc.<br />
Proposals:<br />
• Establish partnership with strong institutions around the world: The<br />
Americas – North <strong>and</strong> Latin, Europe – West <strong>and</strong> East, Asia, Middle<br />
East <strong>and</strong> Africa, which may become WASBE “houses”.<br />
• Change the WASBE annual board meeting from Chicago to one of<br />
those “houses” of the world, so that the board also has the chance<br />
to learn about the regional situation of the Wind <strong>B<strong>and</strong>s</strong> <strong>and</strong> also use<br />
the expertise of WASBE board member of the region. The Midwest<br />
Clinic is a wonderful conference, but WASBE board needs more<br />
than one day to define bureaucratic matters.<br />
• Establish partnership with publishing companies: special prices <strong>for</strong><br />
members.<br />
• Establish a WASBE publication of the repertoire not commercially<br />
published on digital <strong>for</strong>mat, still respecting international<br />
copywriters.<br />
• Establish regional conferences amidst the big international one.<br />
• WASBE needs to “sell” more the expertise of the Board to several<br />
regions of the world in order to have the Board members doing<br />
what they do better: teaching music <strong>and</strong> learning about the local<br />
needs, in conjunction with the “houses”.<br />
• Through regional conferences enable members’ active participation.<br />
• Participations on the conferences: free <strong>for</strong> members.<br />
• Recruiting process: what WASBE can offer distinctively the member<br />
can find on the internet or other national associations.<br />
• Evaluate what WASBE has offered to the regions of the world that<br />
have the number of Wind <strong>B<strong>and</strong>s</strong> increasing more: Latin America<br />
<strong>and</strong> Asia.<br />
CANDIDATES FOR THE WASBE BOARD<br />
Serge Bubisutti<br />
I started to play the trumpet at<br />
the age of nine, <strong>and</strong> two years<br />
later joined the Conservatory of<br />
Music in Mulhouse (Alsace,<br />
France). During this period, I took<br />
lessons simultaneously in Paris with<br />
Andre Presle, <strong>and</strong> completed my<br />
degree in Mulhouse after a decade<br />
of study.<br />
I also trained as a conductor at<br />
the CDMC (where I work now),<br />
<strong>and</strong> led three b<strong>and</strong>s <strong>for</strong> twelve<br />
years. Today, I am dedicated to my instrument again <strong>and</strong> play in<br />
various organizations in my area regularly.<br />
Vision Statement<br />
For 40 years now, our association, the CDMC (Conseil Departemental<br />
pour la Musique et la Culture de Haute-Alsace) has actively<br />
promoted Wind <strong>B<strong>and</strong>s</strong>.<br />
In 2001 we created the multimedia library, in which there are now<br />
over 100 000 references, scores <strong>and</strong> recordings, about Wind <strong>B<strong>and</strong>s</strong>.<br />
Today, I want to enter the WASBE Board to extend this work <strong>for</strong><br />
Wind B<strong>and</strong> literature, but also to manage funds that we have been<br />
bequeathed by composers <strong>and</strong> international federations, as well as to<br />
catalog <strong>and</strong> manage the funds <strong>and</strong> records of WASBE, which will<br />
come to Guebwiller very soon.<br />
I will also be available to translate in<strong>for</strong>mation <strong>for</strong> the website <strong>and</strong><br />
documents issued by the WASBE into French.<br />
Aware of the WASBE’s major role, particularly regarding contacts<br />
between members, it seems to me that I could be an important link<br />
with regard to the directory, <strong>and</strong> networking with potential libraries.<br />
Peter Bucher<br />
Highly experienced musician <strong>and</strong><br />
conductor from Lucerne who<br />
studied in Switzerl<strong>and</strong> <strong>and</strong> the<br />
USA, awarded with first prices at<br />
solo competitions in Basel <strong>and</strong><br />
Riddes. With his b<strong>and</strong>s he won<br />
several first <strong>and</strong> second prices at<br />
national <strong>and</strong> regional b<strong>and</strong> competitions,<br />
his own Wind <strong>Ensembles</strong><br />
“Kantonales Jugendblasorchester<br />
Luzern” <strong>and</strong> “Festival Wind B<strong>and</strong>”<br />
gave more than 30 Swiss first<br />
per<strong>for</strong>mances, Peter Bucher is WASBE no 44 <strong>and</strong> served as Conference<br />
Chairman <strong>for</strong> the 10 th WASBE Conference in Lucerne in 2001,<br />
Board member from 1998 – 2004 <strong>and</strong> conference mentor <strong>and</strong><br />
member of the APC <strong>for</strong> the Taiwan <strong>2011</strong> conference, he is head of<br />
the Kreis Musikschule Hägendorf <strong>and</strong> copartner from PICO Kinderinstrumente<br />
GmbH.<br />
Vision Statement<br />
I am interested in serving on the WASBE Board <strong>for</strong> the second time<br />
in order that I may contribute to the following areas of interest:<br />
a) help conferences to take place in countries where wind music is<br />
neglected <strong>and</strong> thus a win-win situation <strong>for</strong> WASBE <strong>and</strong> <strong>for</strong> the<br />
region<br />
b) work to create future conferences that are more attractive <strong>for</strong><br />
younger conductors <strong>and</strong> composers<br />
c) that the on-site planning of conferences is very well organized<br />
WASBE <strong>World</strong> 7