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March 2011 - World Association for Symphonic Bands and Ensembles

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Vision Statement<br />

General aspects of the functioning of WASBE in 32 years of existence:<br />

• Open the communication between composers, b<strong>and</strong> directors <strong>and</strong><br />

institutions.<br />

• Promote international Wind B<strong>and</strong> repertoire more than any other<br />

organization in the world.<br />

• Emphasize the need <strong>for</strong> high artistic level on the repertoire of Wind<br />

B<strong>and</strong>.<br />

Using an organizational <strong>for</strong>mat that worked well at the beginning,<br />

WASBE has lost drastically number of members. WASBE should work<br />

now to reverse this tendency, so that the organization will have<br />

conditions to keep its activity.<br />

It reflects the need <strong>for</strong> innovation, to be able to react to the current<br />

Wind B<strong>and</strong> world, offering more than written material about music,<br />

events <strong>and</strong> etc.<br />

Proposals:<br />

• Establish partnership with strong institutions around the world: The<br />

Americas – North <strong>and</strong> Latin, Europe – West <strong>and</strong> East, Asia, Middle<br />

East <strong>and</strong> Africa, which may become WASBE “houses”.<br />

• Change the WASBE annual board meeting from Chicago to one of<br />

those “houses” of the world, so that the board also has the chance<br />

to learn about the regional situation of the Wind <strong>B<strong>and</strong>s</strong> <strong>and</strong> also use<br />

the expertise of WASBE board member of the region. The Midwest<br />

Clinic is a wonderful conference, but WASBE board needs more<br />

than one day to define bureaucratic matters.<br />

• Establish partnership with publishing companies: special prices <strong>for</strong><br />

members.<br />

• Establish a WASBE publication of the repertoire not commercially<br />

published on digital <strong>for</strong>mat, still respecting international<br />

copywriters.<br />

• Establish regional conferences amidst the big international one.<br />

• WASBE needs to “sell” more the expertise of the Board to several<br />

regions of the world in order to have the Board members doing<br />

what they do better: teaching music <strong>and</strong> learning about the local<br />

needs, in conjunction with the “houses”.<br />

• Through regional conferences enable members’ active participation.<br />

• Participations on the conferences: free <strong>for</strong> members.<br />

• Recruiting process: what WASBE can offer distinctively the member<br />

can find on the internet or other national associations.<br />

• Evaluate what WASBE has offered to the regions of the world that<br />

have the number of Wind <strong>B<strong>and</strong>s</strong> increasing more: Latin America<br />

<strong>and</strong> Asia.<br />

CANDIDATES FOR THE WASBE BOARD<br />

Serge Bubisutti<br />

I started to play the trumpet at<br />

the age of nine, <strong>and</strong> two years<br />

later joined the Conservatory of<br />

Music in Mulhouse (Alsace,<br />

France). During this period, I took<br />

lessons simultaneously in Paris with<br />

Andre Presle, <strong>and</strong> completed my<br />

degree in Mulhouse after a decade<br />

of study.<br />

I also trained as a conductor at<br />

the CDMC (where I work now),<br />

<strong>and</strong> led three b<strong>and</strong>s <strong>for</strong> twelve<br />

years. Today, I am dedicated to my instrument again <strong>and</strong> play in<br />

various organizations in my area regularly.<br />

Vision Statement<br />

For 40 years now, our association, the CDMC (Conseil Departemental<br />

pour la Musique et la Culture de Haute-Alsace) has actively<br />

promoted Wind <strong>B<strong>and</strong>s</strong>.<br />

In 2001 we created the multimedia library, in which there are now<br />

over 100 000 references, scores <strong>and</strong> recordings, about Wind <strong>B<strong>and</strong>s</strong>.<br />

Today, I want to enter the WASBE Board to extend this work <strong>for</strong><br />

Wind B<strong>and</strong> literature, but also to manage funds that we have been<br />

bequeathed by composers <strong>and</strong> international federations, as well as to<br />

catalog <strong>and</strong> manage the funds <strong>and</strong> records of WASBE, which will<br />

come to Guebwiller very soon.<br />

I will also be available to translate in<strong>for</strong>mation <strong>for</strong> the website <strong>and</strong><br />

documents issued by the WASBE into French.<br />

Aware of the WASBE’s major role, particularly regarding contacts<br />

between members, it seems to me that I could be an important link<br />

with regard to the directory, <strong>and</strong> networking with potential libraries.<br />

Peter Bucher<br />

Highly experienced musician <strong>and</strong><br />

conductor from Lucerne who<br />

studied in Switzerl<strong>and</strong> <strong>and</strong> the<br />

USA, awarded with first prices at<br />

solo competitions in Basel <strong>and</strong><br />

Riddes. With his b<strong>and</strong>s he won<br />

several first <strong>and</strong> second prices at<br />

national <strong>and</strong> regional b<strong>and</strong> competitions,<br />

his own Wind <strong>Ensembles</strong><br />

“Kantonales Jugendblasorchester<br />

Luzern” <strong>and</strong> “Festival Wind B<strong>and</strong>”<br />

gave more than 30 Swiss first<br />

per<strong>for</strong>mances, Peter Bucher is WASBE no 44 <strong>and</strong> served as Conference<br />

Chairman <strong>for</strong> the 10 th WASBE Conference in Lucerne in 2001,<br />

Board member from 1998 – 2004 <strong>and</strong> conference mentor <strong>and</strong><br />

member of the APC <strong>for</strong> the Taiwan <strong>2011</strong> conference, he is head of<br />

the Kreis Musikschule Hägendorf <strong>and</strong> copartner from PICO Kinderinstrumente<br />

GmbH.<br />

Vision Statement<br />

I am interested in serving on the WASBE Board <strong>for</strong> the second time<br />

in order that I may contribute to the following areas of interest:<br />

a) help conferences to take place in countries where wind music is<br />

neglected <strong>and</strong> thus a win-win situation <strong>for</strong> WASBE <strong>and</strong> <strong>for</strong> the<br />

region<br />

b) work to create future conferences that are more attractive <strong>for</strong><br />

younger conductors <strong>and</strong> composers<br />

c) that the on-site planning of conferences is very well organized<br />

WASBE <strong>World</strong> 7

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