METAPHOR AND IRONY 2 - Divadlo.cz

A FINAL THOUGHT
However, no matter what stylistic name observers like me have pinned on it
throughout time, Czech stage design from 1936 to 2003 has always adapted
and changed with the new realities of life in the nation. This exhibit is a record
of that change. The best theatre design, in any time and culture, is a reflection
of the social and political dynamics that surround it; and the best theatrical
designers are astute observers of, and adapt to, the time and culture they live
in. In a conversation with Jaroslav Malina in 2000 I asked him how his
philosophy of design had changed over the years. Malina was a student of
Tröster, a leader in the formation of the aesthetic of Action Design, a teacher
of the newest generation, and an internationally respected contemporary
designer. He responded immediately; “I believe now that stage design must
have fitness for purpose.” Fitness for purpose - speak to your audience - a
sophisticated philosophy and view of stage design that has always characterized
the ever-evolving work of the remarkable designers featured in Metaphor
and Irony 2.
Del Unruh
Professor of Theatre and Film
The University of Kansas
David Marek: The Artless, Josef B. Foerster; 2001
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