The best of Chelsea by the people who know - Cadogan
The best of Chelsea by the people who know - Cadogan
The best of Chelsea by the people who know - Cadogan
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37 | THINGS TO DO | Film and <strong>the</strong>atre<br />
Notable Royal<br />
Court <strong>The</strong>atre<br />
productions<br />
Look Back in Anger <strong>by</strong> John Osborne<br />
(1956)<br />
<strong>The</strong> Chairs <strong>by</strong> Eugene Ionesco (1957)<br />
Endgame <strong>by</strong> Samuel Beckett (1958)<br />
Roots <strong>by</strong> Arnold Wesker (1959)<br />
<strong>The</strong> Knack <strong>by</strong> Ann Jellicoe (1962)<br />
Saved <strong>by</strong> Edward Bond (1965)<br />
<strong>The</strong> Lion and <strong>the</strong> Jewel <strong>by</strong> Wole<br />
Soyinka (1966)<br />
Over Gardens Out <strong>by</strong> Peter Gill<br />
(1969)<br />
<strong>The</strong> Contractor <strong>by</strong> David<br />
Storey (1969)<br />
As Time Goes By <strong>by</strong><br />
Mustapha Matura (1971)<br />
<strong>The</strong> Rocky Horror Show<br />
<strong>by</strong> Richard O Brien<br />
(1973)<br />
<strong>The</strong> Island <strong>by</strong><br />
Athol Fugard<br />
(1973)<br />
Cloud Nine<br />
From <strong>the</strong> original Royal<br />
Court <strong>The</strong>atre production <strong>of</strong><br />
<strong>The</strong> Rocky Horror Show<br />
<strong>by</strong> Caryl<br />
Churchill<br />
(1979)<br />
Bent <strong>by</strong> Martin<br />
black box studios opened <strong>by</strong> a mainstream<br />
<strong>the</strong>atre, launched in 1969.<br />
<strong>The</strong> Royal Court s building closed temporarily<br />
for redevelopment in 1996, with<br />
<strong>the</strong> company moving to <strong>the</strong> West End<br />
until it reopened in 2000. A book about<br />
<strong>the</strong> Royal Court s life — <strong>The</strong> Royal Court<br />
<strong>The</strong>atre: Inside Out <strong>by</strong> Ruth Little and<br />
Emily McLaughlin — is available in <strong>the</strong><br />
bookshop or from <strong>the</strong> online shop. Play<br />
texts are also available.<br />
Recent successes at <strong>the</strong> Royal Court<br />
have included Jez Butterworth s awardwinning<br />
Jerusalem, which transferred to<br />
Sherman (1979)<br />
Top Girls <strong>by</strong> Caryl Churchill (1982)<br />
Rita, Sue and Bob Too <strong>by</strong> Andrea<br />
Dunbar (1982)<br />
Rat in <strong>the</strong> Skull <strong>by</strong> Ron Hutchinson<br />
(1984)<br />
Road <strong>by</strong> Jim Cartwright (1986)<br />
Our Country’s Good <strong>by</strong> Timberlake<br />
Wertenbaker (1988)<br />
Death and <strong>the</strong> Maiden <strong>by</strong> Ariel Dorfman<br />
(1991)<br />
Blasted <strong>by</strong> Sarah Kane (1995)<br />
East is East <strong>by</strong> Ayub Khan-Din (1997,<br />
performed at <strong>the</strong> Ambassadors during<br />
<strong>the</strong> Royal Court building s redevelopment)<br />
Attempts On Her Life <strong>by</strong> Martin Crimp<br />
(1997, performed at <strong>the</strong> Ambassadors)<br />
<strong>The</strong> Weir <strong>by</strong> Conor McPherson (1997,<br />
performed at <strong>the</strong> Ambassadors)<br />
Plasticine <strong>by</strong> Vassily Sigarev (2002)<br />
A Number <strong>by</strong> Caryl Churchill (2002)<br />
Fallout <strong>by</strong> Roy Williams (2003)<br />
Motortown <strong>by</strong> Simon Stephens (2006)<br />
Gone Too Far! <strong>by</strong> Bola Agbaje (2007)<br />
That Face <strong>by</strong> Polly Stenham (2007)<br />
Shades <strong>by</strong> Alia Bano (2009)<br />
Enron <strong>by</strong> Lucy Prebble (2009)<br />
Jerusalem <strong>by</strong> Jez Butterworth (2009)<br />
Clybourne Park <strong>by</strong> Bruce Norris (2010)<br />
<strong>The</strong> Heretic <strong>by</strong> Richard Bean (2011)<br />
<strong>the</strong> West End and New York’s Broadway.<br />
<strong>The</strong> Royal Court s artistic director,<br />
Dominic Cooke, has announced that<br />
he will step down from <strong>the</strong> post in April<br />
2013 to focus on freelance work. His<br />
successor has not yet been announced.<br />
<strong>The</strong> Jerwood <strong>The</strong>atre Upstairs is <strong>the</strong><br />
studio <strong>the</strong>atre, while <strong>the</strong> Jerwood <strong>The</strong>atre<br />
Downstairs is <strong>the</strong> main house. All seats<br />
are £10 on Mondays, available on <strong>the</strong><br />
day <strong>of</strong> performance from 9am online,<br />
10am in-person.<br />
Sloane Square, SW1W 8AS. T: 020 7565<br />
5000. www.royalcourt<strong>the</strong>atre.com<br />
Tuned in<br />
Whe<strong>the</strong>r you'd like to hear <strong>the</strong> Royal<br />
Philharmonic in a spectacular concert<br />
hall or enjoy live jazz with your jumbo<br />
shrimp, <strong>Chelsea</strong>'s many music venues<br />
should hit <strong>the</strong> right note<br />
606 Club<br />
<strong>The</strong> 606 Club is a jazz club restaurant<br />
which hosts live British-based music<br />
seven nights a week. Run <strong>by</strong> musician<br />
Steve Rubie, <strong>the</strong> club is set in a basement<br />
venue and has been hosting a variety<br />
<strong>of</strong> jazz, latin, soul, groove, R&B and<br />
blues acts since 1976. It moved to its<br />
current location to suit higher demand in<br />
1988.<br />
<strong>The</strong>re is a bar, but non-members can<br />
only be served alcohol with a substantial<br />
meal. Membership costs £95 per<br />
year and you must have visited <strong>the</strong> club<br />
at least three times before being accepted.<br />
<strong>The</strong>re is also a music charge <strong>of</strong> £10<br />
(Sunday to Thursday) or £12 (Friday and<br />
Saturday), which goes straight into <strong>the</strong><br />
band s pocket and is added on to your<br />
bill.<br />
Sunday-Thursday 7pm-12am, Friday-<br />
Saturday 8pm-2am.<br />
90 Lots Road, London SW10 0QD<br />
T: 020 7352 5953<br />
www.606club.com<br />
<strong>Cadogan</strong> Hall<br />
<strong>Cadogan</strong> Hall is <strong>the</strong> home <strong>of</strong> <strong>the</strong> Royal<br />
Philharmonic Orchestra and <strong>the</strong> grandest<br />
<strong>of</strong> <strong>Chelsea</strong> s music venues.<br />
It was designed <strong>by</strong> Robert Fellowes<br />
Chisholm as a New Christian Science<br />
Church in 1907 and could draw congregations<br />
<strong>of</strong> up to 1,600. Almost 90 years<br />
later, in 1996, <strong>the</strong> congregations were<br />
dwindling and change was needed. <strong>The</strong><br />
<strong>Cadogan</strong> Estate bought <strong>the</strong> hall in 2000<br />
606 Club<br />
and converted it into a music venue, with<br />
acoustics, atmosphere and technology<br />
high on <strong>the</strong> list.<br />
<strong>The</strong> hall can seat an audience <strong>of</strong><br />
around 900 and <strong>of</strong>fers an eclectic mix <strong>of</strong><br />
music including classical, opera, choral,<br />
jazz, rock, pop and world music. See <strong>the</strong><br />
website for listings.<br />
<strong>The</strong> box <strong>of</strong>fice is open Monday-<br />
Saturday 10am-6pm (8pm on performance<br />
days) and on Sundays (only on<br />
performance days) from 3pm-8pm.<br />
5 Sloane Terrace, London, SW1X 9DQ<br />
T: 020 7730 4500<br />
www.cadoganhall.com<br />
Caffé Concerto (see Cafés)<br />
<strong>Chelsea</strong> Old Church<br />
Classical concerts are held at <strong>Chelsea</strong><br />
Old Church most months (avoiding<br />
busier times in <strong>the</strong> church calendar such<br />
as Christmas and Easter).<br />
<strong>The</strong> singers and musicians for <strong>the</strong>