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The best of Chelsea by the people who know - Cadogan

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37 | THINGS TO DO | Film and <strong>the</strong>atre<br />

Notable Royal<br />

Court <strong>The</strong>atre<br />

productions<br />

Look Back in Anger <strong>by</strong> John Osborne<br />

(1956)<br />

<strong>The</strong> Chairs <strong>by</strong> Eugene Ionesco (1957)<br />

Endgame <strong>by</strong> Samuel Beckett (1958)<br />

Roots <strong>by</strong> Arnold Wesker (1959)<br />

<strong>The</strong> Knack <strong>by</strong> Ann Jellicoe (1962)<br />

Saved <strong>by</strong> Edward Bond (1965)<br />

<strong>The</strong> Lion and <strong>the</strong> Jewel <strong>by</strong> Wole<br />

Soyinka (1966)<br />

Over Gardens Out <strong>by</strong> Peter Gill<br />

(1969)<br />

<strong>The</strong> Contractor <strong>by</strong> David<br />

Storey (1969)<br />

As Time Goes By <strong>by</strong><br />

Mustapha Matura (1971)<br />

<strong>The</strong> Rocky Horror Show<br />

<strong>by</strong> Richard O Brien<br />

(1973)<br />

<strong>The</strong> Island <strong>by</strong><br />

Athol Fugard<br />

(1973)<br />

Cloud Nine<br />

From <strong>the</strong> original Royal<br />

Court <strong>The</strong>atre production <strong>of</strong><br />

<strong>The</strong> Rocky Horror Show<br />

<strong>by</strong> Caryl<br />

Churchill<br />

(1979)<br />

Bent <strong>by</strong> Martin<br />

black box studios opened <strong>by</strong> a mainstream<br />

<strong>the</strong>atre, launched in 1969.<br />

<strong>The</strong> Royal Court s building closed temporarily<br />

for redevelopment in 1996, with<br />

<strong>the</strong> company moving to <strong>the</strong> West End<br />

until it reopened in 2000. A book about<br />

<strong>the</strong> Royal Court s life — <strong>The</strong> Royal Court<br />

<strong>The</strong>atre: Inside Out <strong>by</strong> Ruth Little and<br />

Emily McLaughlin — is available in <strong>the</strong><br />

bookshop or from <strong>the</strong> online shop. Play<br />

texts are also available.<br />

Recent successes at <strong>the</strong> Royal Court<br />

have included Jez Butterworth s awardwinning<br />

Jerusalem, which transferred to<br />

Sherman (1979)<br />

Top Girls <strong>by</strong> Caryl Churchill (1982)<br />

Rita, Sue and Bob Too <strong>by</strong> Andrea<br />

Dunbar (1982)<br />

Rat in <strong>the</strong> Skull <strong>by</strong> Ron Hutchinson<br />

(1984)<br />

Road <strong>by</strong> Jim Cartwright (1986)<br />

Our Country’s Good <strong>by</strong> Timberlake<br />

Wertenbaker (1988)<br />

Death and <strong>the</strong> Maiden <strong>by</strong> Ariel Dorfman<br />

(1991)<br />

Blasted <strong>by</strong> Sarah Kane (1995)<br />

East is East <strong>by</strong> Ayub Khan-Din (1997,<br />

performed at <strong>the</strong> Ambassadors during<br />

<strong>the</strong> Royal Court building s redevelopment)<br />

Attempts On Her Life <strong>by</strong> Martin Crimp<br />

(1997, performed at <strong>the</strong> Ambassadors)<br />

<strong>The</strong> Weir <strong>by</strong> Conor McPherson (1997,<br />

performed at <strong>the</strong> Ambassadors)<br />

Plasticine <strong>by</strong> Vassily Sigarev (2002)<br />

A Number <strong>by</strong> Caryl Churchill (2002)<br />

Fallout <strong>by</strong> Roy Williams (2003)<br />

Motortown <strong>by</strong> Simon Stephens (2006)<br />

Gone Too Far! <strong>by</strong> Bola Agbaje (2007)<br />

That Face <strong>by</strong> Polly Stenham (2007)<br />

Shades <strong>by</strong> Alia Bano (2009)<br />

Enron <strong>by</strong> Lucy Prebble (2009)<br />

Jerusalem <strong>by</strong> Jez Butterworth (2009)<br />

Clybourne Park <strong>by</strong> Bruce Norris (2010)<br />

<strong>The</strong> Heretic <strong>by</strong> Richard Bean (2011)<br />

<strong>the</strong> West End and New York’s Broadway.<br />

<strong>The</strong> Royal Court s artistic director,<br />

Dominic Cooke, has announced that<br />

he will step down from <strong>the</strong> post in April<br />

2013 to focus on freelance work. His<br />

successor has not yet been announced.<br />

<strong>The</strong> Jerwood <strong>The</strong>atre Upstairs is <strong>the</strong><br />

studio <strong>the</strong>atre, while <strong>the</strong> Jerwood <strong>The</strong>atre<br />

Downstairs is <strong>the</strong> main house. All seats<br />

are £10 on Mondays, available on <strong>the</strong><br />

day <strong>of</strong> performance from 9am online,<br />

10am in-person.<br />

Sloane Square, SW1W 8AS. T: 020 7565<br />

5000. www.royalcourt<strong>the</strong>atre.com<br />

Tuned in<br />

Whe<strong>the</strong>r you'd like to hear <strong>the</strong> Royal<br />

Philharmonic in a spectacular concert<br />

hall or enjoy live jazz with your jumbo<br />

shrimp, <strong>Chelsea</strong>'s many music venues<br />

should hit <strong>the</strong> right note<br />

606 Club<br />

<strong>The</strong> 606 Club is a jazz club restaurant<br />

which hosts live British-based music<br />

seven nights a week. Run <strong>by</strong> musician<br />

Steve Rubie, <strong>the</strong> club is set in a basement<br />

venue and has been hosting a variety<br />

<strong>of</strong> jazz, latin, soul, groove, R&B and<br />

blues acts since 1976. It moved to its<br />

current location to suit higher demand in<br />

1988.<br />

<strong>The</strong>re is a bar, but non-members can<br />

only be served alcohol with a substantial<br />

meal. Membership costs £95 per<br />

year and you must have visited <strong>the</strong> club<br />

at least three times before being accepted.<br />

<strong>The</strong>re is also a music charge <strong>of</strong> £10<br />

(Sunday to Thursday) or £12 (Friday and<br />

Saturday), which goes straight into <strong>the</strong><br />

band s pocket and is added on to your<br />

bill.<br />

Sunday-Thursday 7pm-12am, Friday-<br />

Saturday 8pm-2am.<br />

90 Lots Road, London SW10 0QD<br />

T: 020 7352 5953<br />

www.606club.com<br />

<strong>Cadogan</strong> Hall<br />

<strong>Cadogan</strong> Hall is <strong>the</strong> home <strong>of</strong> <strong>the</strong> Royal<br />

Philharmonic Orchestra and <strong>the</strong> grandest<br />

<strong>of</strong> <strong>Chelsea</strong> s music venues.<br />

It was designed <strong>by</strong> Robert Fellowes<br />

Chisholm as a New Christian Science<br />

Church in 1907 and could draw congregations<br />

<strong>of</strong> up to 1,600. Almost 90 years<br />

later, in 1996, <strong>the</strong> congregations were<br />

dwindling and change was needed. <strong>The</strong><br />

<strong>Cadogan</strong> Estate bought <strong>the</strong> hall in 2000<br />

606 Club<br />

and converted it into a music venue, with<br />

acoustics, atmosphere and technology<br />

high on <strong>the</strong> list.<br />

<strong>The</strong> hall can seat an audience <strong>of</strong><br />

around 900 and <strong>of</strong>fers an eclectic mix <strong>of</strong><br />

music including classical, opera, choral,<br />

jazz, rock, pop and world music. See <strong>the</strong><br />

website for listings.<br />

<strong>The</strong> box <strong>of</strong>fice is open Monday-<br />

Saturday 10am-6pm (8pm on performance<br />

days) and on Sundays (only on<br />

performance days) from 3pm-8pm.<br />

5 Sloane Terrace, London, SW1X 9DQ<br />

T: 020 7730 4500<br />

www.cadoganhall.com<br />

Caffé Concerto (see Cafés)<br />

<strong>Chelsea</strong> Old Church<br />

Classical concerts are held at <strong>Chelsea</strong><br />

Old Church most months (avoiding<br />

busier times in <strong>the</strong> church calendar such<br />

as Christmas and Easter).<br />

<strong>The</strong> singers and musicians for <strong>the</strong>

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