Maurice Merleau-Ponty: The World of Perception - Timothy R. Quigley

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are preceded by a number. We have endeavoured to go back tothe editions available to Merleau-Ponty and his contemporaries.Our research reveals just how scrupulously attentiveMerleau-Ponty was to recent and newly published work. Booksreferred to are listed in the bibliography at the end of thevolume.We would like to express our particular thanks to those atthe INA who have assisted us in our research into the broadcastingof these lectures.Stéphanie Ménaséix
Page 5 and 6: First published in French as Causer
Page 8 and 9: ForewordThe seven lectures collecte
Page 12 and 13: IntroductionTHOMAS BALDWINMAURICE M
Page 14 and 15: the sheltered atmosphere of the par
Page 16 and 17: After the publication of Phenomenol
Page 18 and 19: has been to allow us to rediscover
Page 20 and 21: famously moved the debate forward b
Page 22 and 23: the bodily contribution to the orga
Page 24 and 25: Reflection does not withdraw from t
Page 26 and 27: it is in itself ’. Instead, he ho
Page 28 and 29: seek to explain natural phenomena.
Page 30 and 31: perceived world is structured by a
Page 32 and 33: Merleau-Ponty, following Sartre, br
Page 34 and 35: to Merleau-Ponty classical thinkers
Page 36 and 37: egins by rejecting the Cartesian co
Page 38 and 39: adically misconstrues our experienc
Page 40 and 41: the way in which modern art (or, at
Page 42 and 43: is tenable; but the issue is clearl
Page 44: not have allowed himself to present
Page 48: LECTURE 1The World of Perception an
Page 51 and 52: This temptation is particularly str
Page 53 and 54: wax is not revealed to my senses al
Page 55 and 56: approximation. Science subjects the
Page 58: LECTURE 2Exploring the World of Per
Page 61 and 62:
of this approach, an idea which see
Page 63 and 64:
Cézanne strives to give birth to t
Page 65 and 66:
landscape. They have been reluctant
Page 67 and 68:
plane. This is most likely to be be
Page 70 and 71:
Let us turn now from our examinatio
Page 72 and 73:
particular shape and, what is more,
Page 74 and 75:
color, the undulating restlessness
Page 76 and 77:
form, tends only to self-humiliatio
Page 78:
LECTURE 4Exploring the World of Per
Page 81 and 82:
or space that stands before it. Rat
Page 83 and 84:
just those of nature in its physica
Page 85 and 86:
preordained to accommodate our atte
Page 87 and 88:
Centred on the animal is what might
Page 90:
LECTURE 5Man Seen from the Outside
Page 93 and 94:
matter, or smoke, or breath (consis
Page 95 and 96:
mouth. Yet anger inhabits him and i
Page 97 and 98:
eing mixed together in this way. It
Page 99 and 100:
eing myself, which allows me to not
Page 101 and 102:
makes the mind self-critical and ke
Page 104 and 105:
The preceding lectures have tried t
Page 106 and 107:
‘details’ which embody its pres
Page 108 and 109:
what is said and the way in which i
Page 110 and 111:
works and to inspire other reasonab
Page 112:
the poem, as in the perceived objec
Page 116 and 117:
In this, the last lecture, I would
Page 118 and 119:
seek to add to the enigmas which al
Page 120 and 121:
consider freedom, socialism, democr
Page 122 and 123:
crave the eternal when we are begin
Page 124:
face is how, in our time and with o
Page 127 and 128:
5 I discuss it at greater length in
Page 129 and 130:
3 Paulhan, ‘La Peinture moderne o
Page 131 and 132:
5 MAN SEEN FROM THE OUTSIDE1 Descar
Page 134 and 135:
Index‘a priori’ 8-10aesthetics
Page 136:
perception 6-13; and art 93-101;of
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Maurice Merleau-Ponty: The World of Perception - Timothy R. Quigley

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