Maurice Merleau-Ponty: The World of Perception - Timothy R. Quigley

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face is how, in our time and with our own experience, to dowhat was done in the classical period, just as the problemfacing Cézanne was, as he put it, how ‘to make out <strong>of</strong>Impressionism something solid and lasting like the art <strong>of</strong> themuseums’. 4 113
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First published in French as Causer
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ForewordThe seven lectures collecte
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are preceded by a number. We have e
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draws and the anxieties which he ar
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shortly before the war. This second
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After his death Merleau-Ponty’s r
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empiricism is not of this kind. Thi
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The central theme of Merleau-Ponty
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acknowledgement of its special stat
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world of perception can be dismisse
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When Merleau-Ponty says that scienc
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Florentine Renaissance, or, in a Fr
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photograph in which the feet look a
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intrinsic properties which explain
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which our own life has been disturb
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only contingently connected to a ph
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imagining that our dependence upon
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Merleau-Ponty now extends this aest
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etter conception of reason (e.g. di
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The World of Perception
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The world of perception, or in othe
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explain the illusions of long- and
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provide all the answers at a time w
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exercise of a pure and unsituated i
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It has often been said that modern
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which effect certain changes in the
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along lines running from the painte
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In the footsteps of science and pai
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LECTURE 3Exploring the World of Per
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worlds of sight, smell, touch and s
Page 73 and 74: touch. 2 To say that honey is visco
Page 75 and 76: complexes. This is what Cézanne me
Page 77 and 78: us and above all in the found objec
Page 80 and 81: In the first three lectures, we arg
Page 82 and 83: children and the sick was held back
Page 84 and 85: person must remain open to these ab
Page 86 and 87: flow from the centre of the ‘body
Page 88: delegation to identify this monumen
Page 92 and 93: Thus far we have tried to look at s
Page 94 and 95: haunts a body and we seem to see a
Page 96 and 97: ack to the real experience of anger
Page 98 and 99: we have received from without and w
Page 100 and 101: which makes us crave their assent o
Page 102: LECTURE 6Art and the World of Perce
Page 105 and 106: world once more, as if in an exchan
Page 107 and 108: that the painter takes hold of a fr
Page 109 and 110: do explain why, hitherto, there hav
Page 111 and 112: looks at the things themselves with
Page 114: LECTURE 7Classical World, Modern Wo
Page 117 and 118: In modernity, we have a representat
Page 119 and 120: Proust himself who raises them. As
Page 121 and 122: works of intellectuals, then to see
Page 123: with a feeling of completion or per
Page 127 and 128: 5 I discuss it at greater length in
Page 129 and 130: 3 Paulhan, ‘La Peinture moderne o
Page 131 and 132: 5 MAN SEEN FROM THE OUTSIDE1 Descar
Page 134 and 135: Index‘a priori’ 8-10aesthetics
Page 136: perception 6-13; and art 93-101;of
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Maurice Merleau-Ponty: The World of Perception - Timothy R. Quigley

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