Maurice Merleau-Ponty: The World of Perception - Timothy R. Quigley

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ForewordThe seven lectures collected in this volume were commissionedby French national radio and broadcast on its NationalProgramme at the end of 1948. Copies have been kept at theInstitut National de l’Audiovisuel for use by researchers andother professionals alike.These seven talks were written by Maurice Merleau-Ponty fora series of radio broadcasts and delivered by him in 1948. 1According to the official radio listings, six were broadcast onthe French national station, one each week, between Saturday9 October and Saturday 13 November 1948. The lectureswere recorded for a programme called ‘The French CultureHour’ and were read continuously, without interruption.Copies of the recordings have been kept at the InstitutNational de l’Audiovisuel (INA).vii
On Saturdays, the general theme of this programme was‘The development of ideas’. Merleau-Ponty’s lectures werebroadcast on the same day as others by Georges Davy (on thepsychology of primitive peoples), Emmanuel Mounier (onthe psychology of character), Maxime Laignel-Lavastine (onpsychoanalysis) and Emile Henriot of the Académie Française(on psychological themes in literature). The INA’s archivessuggest that there is no surviving record of the preamble introducingthe speakers and specifying the precise topic of eachbroadcast.The lectures were devised by Merleau-Ponty to form aseries and it was he who decided on their order and individualtitles: (1) The World of Perception and the World of Science;(2) Exploring the World of Perception: Space; (3) Exploringthe World of Perception: Sensory Objects; (4) Exploring theWorld of Perception: Animal Life; (5) Man Seen from theOutside; (6) Art and the World of Perception; (7) ClassicalWorld, Modern World.This edition is based on the typewritten text prepared byMerleau-Ponty from his written plan. These papers (which arepart of a private collection) carry corrections in the author’sown hand.The recording is, for the most part, a faithful rendition byMerleau-Ponty of his written text. Bibliographical referencesforeword
Page 5 and 6: First published in French as Causer
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Page 13 and 14: draws and the anxieties which he ar
Page 15 and 16: shortly before the war. This second
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Page 19 and 20: empiricism is not of this kind. Thi
Page 21 and 22: The central theme of Merleau-Ponty
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It has often been said that modern
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which effect certain changes in the
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along lines running from the painte
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In the footsteps of science and pai
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LECTURE 3Exploring the World of Per
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worlds of sight, smell, touch and s
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touch. 2 To say that honey is visco
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complexes. This is what Cézanne me
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us and above all in the found objec
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In the first three lectures, we arg
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children and the sick was held back
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person must remain open to these ab
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flow from the centre of the ‘body
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delegation to identify this monumen
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Thus far we have tried to look at s
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haunts a body and we seem to see a
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ack to the real experience of anger
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we have received from without and w
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which makes us crave their assent o
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LECTURE 6Art and the World of Perce
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world once more, as if in an exchan
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that the painter takes hold of a fr
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do explain why, hitherto, there hav
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looks at the things themselves with
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LECTURE 7Classical World, Modern Wo
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In modernity, we have a representat
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Proust himself who raises them. As
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works of intellectuals, then to see
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with a feeling of completion or per
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NotesFOREWORD1 Merleau-Ponty’s te
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20 Although Merleau-Ponty usually t
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6 Sartre, ‘L’Homme et les Chose
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5 Paul Valéry, passim. See, for ex
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freedom 27-8Freud 76Galileo 21geome
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Maurice Merleau-Ponty: The World of Perception - Timothy R. Quigley

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