Maurice Merleau-Ponty: The World of Perception - Timothy R. Quigley

Index‘a priori’ 8–10aesthetics 28–31, 95–7affective meaning 60ambiguity 28, 31–2, 88–9, 107–8anger 26–7, 83–5animals 22–5, 69–77anxiety 28, 88art 28–31; ‘classical’ art 17–19,51; modern art 12–13, 19, 49;and perception 93–101;see alsoaesthetics, paintingBachelard, G. 65, 76Balzac, H. 111Benda, J. 49, 110–11Berkeley, G. 7Blanchot, M. 89, 101body 26, 63; and mind 81–6; andperception 6–13, 62; relationto space 56brain damage 24Bremond, H. 100Breton, A. 66Burke, E. 32Camus, A. 2, 14; The Myth ofSisyphus 117n; Le Premier Homme115n; see also CombatCézanne, P. 13, 18–19, 32, 51–3,62, 64, 95–6, 111, 113children 70–3cinema 97–8Claudel, P. 63, 76–7Combat 4Descartes 25–7, 16, 81–6; onanimals 70–1, 77; on madness23; Meditations 23; mind/bodydualism 25–7, 81–6; primaryand secondary qualities 21; asrationalist 8; on the senses 14,41; wax example 41, 66dreams 63, 73, 76École Normale Supérieure 3Einstein, A. 18embodiment see bodyempiricism 7–9ethics 27–8fallibilism 32–3film 30, 97–8123