der des étrange it de va - Berlinale Talent Campus
der des étrange it de va - Berlinale Talent Campus
der des étrange it de va - Berlinale Talent Campus
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54<br />
Sydney Levine (in the middle) gui<strong><strong>de</strong>s</strong> five tours<br />
through the european Film Market.<br />
The Indie Filmmakers Gui<strong>de</strong> to Cross Media I –<br />
extending the Story:<br />
An Introduction to Cross Media Storytelling<br />
Alexandre Brachet, Martin ericsson, Lance Weiler.<br />
Mo<strong><strong>de</strong>r</strong>ated by Liz Rosenthal.<br />
In cooperation w<strong>it</strong>h Skillset.<br />
14:00 / HAU 2<br />
For one hundred years of cinema, film stories have been<br />
restricted by running times, distribution formats and platforms.<br />
Technology is now impacting on the art and craft of storytelling. Now<br />
that audiences are engaging w<strong>it</strong>h media across multiple platforms and<br />
are moving from a passive viewing experience to active collaboration,<br />
how does the art of storytelling change? How does one <strong>de</strong>velop<br />
stories and characters that can travel across screens and <strong>de</strong>vices?<br />
experts in crossmedia and interactive / immersive storytelling<br />
will <strong><strong>de</strong>s</strong>cribe how to build story worlds that span across multiple<br />
platforms and engage audiences in powerful new ways.<br />
<strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong> #8<br />
<strong>Campus</strong> programme<br />
MONDAy, FeB 15<br />
excursion to european Film Market<br />
Sydney Levine.<br />
In cooperation w<strong>it</strong>h European Film Market.<br />
Meeting point: entrance to HAU 1,<br />
always 15 minutes prior to the start.<br />
“Meet the Docs”: Mon 15 at 16:00<br />
Tue 16 and Wed 17 at 10:00 & 16:00<br />
The european Film Market (eFM), the first major film market of<br />
the year, is a magnet for international film industry professionals and<br />
is seen as a barometer for the upcoming film year. The business centre<br />
of the <strong>Berlinale</strong>, the eFM is located in the magnificent renaissance<br />
exhib<strong>it</strong>ion hall of the MartinGropiusBau and in the official second<br />
location at the eFM Marriott Offices. It is vibrantly active during the<br />
nine days that <strong>it</strong> runs. every year, producers, distributors, buyers and<br />
sales agents converge at the eFM where both commercial arthouse<br />
and specialised mainstream films enjoy star status. This year over 400<br />
exhib<strong>it</strong>ors from 48 countries and over 600 films will be presented to<br />
professional vis<strong>it</strong>ors.<br />
Led by Sydney Levine, <strong>Talent</strong>s will be introduced to the format<br />
and the workings of the eFM. There will be a special tour for <strong>Talent</strong>s<br />
to “Meet the Docs”, a platform facil<strong>it</strong>ating the networking among<br />
buyers, sellers, directors and producers of documentary films, hosted<br />
in cooperation w<strong>it</strong>h the european Documentary Network.<br />
In the Limelight: Claire Denis<br />
Claire Denis.<br />
In cooperation w<strong>it</strong>h <strong>Berlinale</strong> Forum.<br />
17:00 / HAU 1<br />
In the films of Claire Denis one often feels that all is well even<br />
as worlds colli<strong>de</strong> and collapse or, conversely, that a serious challenge<br />
un<strong><strong>de</strong>r</strong>lies the seemingly calm moments. One of French cinema’s most<br />
distinctive and humanist storytellers, her films capture the emotional<br />
and social effects of crosscultural tensions and alienation. They<br />
<strong>de</strong>pict her <strong>de</strong>ep affection and solidar<strong>it</strong>y w<strong>it</strong>h marginalised characters<br />
– immigrants, exiles, alienated individuals, sexual transgressives – and<br />
are at the same time a contemplative examination of ambi<strong>va</strong>lent,<br />
sometimes un<strong>de</strong>cipherable postcolonial i<strong>de</strong>nt<strong>it</strong>ies. Following her<br />
outstanding début film CHOCOLAT, she has ma<strong>de</strong> films such as<br />
NéNeTTe eT BONI, TROUBLe eVeRY DAY, VeNDReDI SOIR, 35 RHUMS<br />
and WHITe MATeRIAL, establishing a reputation as one of the only<br />
current French filmmakers who “has been able to reconcile the<br />
lyricism of French cinema w<strong>it</strong>h the impulse to capture the often harsh<br />
face of contemporary France”. Claire Denis, whose BeAU TRAVAIL will<br />
be screened in this year‘s “4 Deca<strong><strong>de</strong>s</strong> of the Forum” programme, will<br />
talk about her nonconformative, highly individualistic style of making<br />
films and her profound interest in exploring the themes of belonging<br />
and otherness, the grav<strong>it</strong>y and the gift of foreignness.<br />
<strong>Campus</strong> programme<br />
MONDAy, FeB 15<br />
Paul Wright‘s PHOTOS OF GOD (above)<br />
and Paul Negoescu‘s DeRBY (below) compete in the <strong>Berlinale</strong> Shorts.<br />
Shorts Have More to Say<br />
Paul Negoescu, Paul Wright. Mo<strong><strong>de</strong>r</strong>ated by Maike Mia Höhne.<br />
In cooperation w<strong>it</strong>h <strong>Berlinale</strong> Shorts and Robert Bosch Stiftung.<br />
17:00 / HAU 2<br />
Short films are big time. Massive changes in film technology<br />
and the internet have seen an explosion in short filmmaking and <strong>it</strong>s<br />
creative possibil<strong>it</strong>ies. They const<strong>it</strong>ute a form and are a medium in<br />
their own right. In fact, short films are increasingly (re)establishing<br />
themselves as ad<strong>va</strong>nced cinema brought back to <strong>it</strong>s pure form.<br />
On this panel, we look at narratives that provi<strong>de</strong> the perfect<br />
synergy of inspiring, ground breaking and creative new talent. Maike<br />
Mia Höhne will converse w<strong>it</strong>h awardwinning Romanian director and<br />
scriptwr<strong>it</strong>er of twelve short films, Paul Negoescu, whose latest film<br />
DeRBY screens at the 2010 <strong>Berlinale</strong> Shorts, and Br<strong>it</strong>ish filmmaker Paul<br />
Wright, whose PHOTOS OF GOD also features in this year’s <strong>Berlinale</strong><br />
Shorts. His previous film BeLIeVe won the Leopards of Tomorrow Short<br />
Film Compet<strong>it</strong>ion at the 62nd Locarno Film Festi<strong>va</strong>l in Sw<strong>it</strong>zerland.<br />
The three short films proponents look at how short film concepts are<br />
translated to great visual films, w<strong>it</strong>hout losing the basic concept after<br />
having spent long months working on the script and on <strong>de</strong>veloping<br />
the film. Towards the end of the panel, short film industy experts will<br />
be introduced to the audience.<br />
Short encounters<br />
In cooperation w<strong>it</strong>h <strong>Berlinale</strong> Shorts.<br />
18:30 / HAU 2<br />
Immediately following the aforementioned panel, HAU 2 will<br />
open <strong>it</strong>s door to <strong>Talent</strong>s and experts to mingle and explore possibil<strong>it</strong>ies<br />
of producing, distributing and showcasing short films. This session will<br />
inclu<strong>de</strong> short film industry professionals – broadcasters, distributors,<br />
sales agent, producers, festi<strong>va</strong>l programmers and short film marketing<br />
inst<strong>it</strong>utions. <strong>Talent</strong>s can network and get information pertinent to<br />
their own short film projects w<strong>it</strong>h regard to opportun<strong>it</strong>ies, possible<br />
partners and fun<strong><strong>de</strong>r</strong>s, as well as familiarising themselves w<strong>it</strong>h the<br />
market of alternative venues. Add<strong>it</strong>ional industry experts from w<strong>it</strong>hin<br />
Germany and abroad will be inv<strong>it</strong>ed to this mini “marketplace“.<br />
Be Kind, Rewind: Directors Comment Live<br />
Mo<strong><strong>de</strong>r</strong>ated by Maike Mia Höhne and David M. Thompson.<br />
In cooperation w<strong>it</strong>h <strong>Berlinale</strong> Shorts and <strong>Berlinale</strong> Generation.<br />
20:00 / HAU 1<br />
Four short films of the 2010 <strong>Berlinale</strong> Shorts and <strong>Berlinale</strong><br />
Ge ne r ation programme will be screened at the last event of this short<br />
film evening. Following the first viewing of each film, the directors will<br />
be inv<strong>it</strong>ed on stage by mo<strong><strong>de</strong>r</strong>ator of the evening, David M. Thompson,<br />
to give a live audio commentary on the film as <strong>it</strong> is played for a second<br />
time. The concept behind “Be Kind, Rewind“ is the rewinding to specific<br />
scenes so as to enable a second look, comments and discussion, and<br />
to make the audience aware of the process of producing these films,<br />
the hurdles encountered, the choices that were ma<strong>de</strong>, and finally the<br />
collaboration that helped finalising these films.