der des étrange it de va - Berlinale Talent Campus
der des étrange it de va - Berlinale Talent Campus
der des étrange it de va - Berlinale Talent Campus
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68<br />
Abe, TsuTomu<br />
Japanese director, he co-directed Kyoto Story which will be presented at the <strong>Berlinale</strong><br />
Forum this year. (p.61)<br />
AbrAm, Ido<br />
Director of Binger Filmlab, he is a consultant of the <strong>Berlinale</strong>’s European Film Market,<br />
the Producers Network of the Cannes Film Festi<strong>va</strong>l, and board member of the MEDIA<br />
Desk Netherlands. (p.37)<br />
AdAm, sIr Ken<br />
Br<strong>it</strong>ish-German production <strong><strong>de</strong>s</strong>igner and mastermind behind the sets of many<br />
James Bond films and Stanley Kubricks Dr. StrANGElovE, he is a monument in<br />
Br<strong>it</strong> ish cinema and won Aca<strong>de</strong>my Awards for thE MADNESS oF KING GEorGE and<br />
BArry lyNDoN. (p.56)<br />
AfolAyAn, Kunle<br />
Nigerian director and actor, he started out working as a banker and acted in the<br />
feature SAworoIDE. After studying dig<strong>it</strong>al fimmaking at the New york Film Aca<strong>de</strong>my,<br />
he shot his first award-wining film IrAPADA. his recent film thE FIGurINE received<br />
cr<strong>it</strong>ical acclaim worldwi<strong>de</strong>. (p.61)<br />
AllAmodA, beTTInA<br />
German artist working in the contextual field of visual arts in a transdisciplinary<br />
sense, her work reflects the arch<strong>it</strong>ectural inter<strong>de</strong>pen<strong>de</strong>ncies of urban public spaces/<br />
spheres and projective functions of the built environment. Performance, photo,<br />
collage, sculpture and vi<strong>de</strong>o serve as tools of her artistic practice. (p.35, 57)<br />
bAnnenberg, esTher<br />
In<strong>de</strong>pen<strong>de</strong>nt consultant for the international pos<strong>it</strong>ioning and scouting of in <strong>de</strong>pen<strong>de</strong>nt<br />
films, she has a solid background in worldwi<strong>de</strong> sales, distribution, acqui s<strong>it</strong>ion,<br />
marketing and promotion, festi<strong>va</strong>ls and markets. Esther Bannenberg is a jury<br />
member of the talent Project Market. (p.30)<br />
bär, sImone<br />
Foun<strong><strong>de</strong>r</strong> of the Simone Bär Casting, she has organised professional castings for films<br />
such as INGlourIouS BAStErDS and thE whItE rIBBoN, winning the German Casting<br />
Award at the Cologne Conference in 2002. (p.25, 51)<br />
bAss, JennA<br />
South African director, wr<strong>it</strong>er and <strong>Campus</strong> alumna, she is <strong>de</strong>veloping her first feature<br />
project 5.6 SECoNDS oF whItE NoISE. She has directed over ten short films and seven<br />
music vi<strong>de</strong>os. her film thE tuNNEl runs in this year‘s <strong>Berlinale</strong> Shorts. (p.14, 63)<br />
beerends, sAndrA<br />
Dutch dramaturg and producer, she was dramatic advisor of FAMIlIE in 2001 and<br />
DuNyA & DESIE which was screened at the 2008 <strong>Berlinale</strong> Generation. She produced<br />
NovEllEN: hollANDSE hElD and a tv series called Flow. (p.35)<br />
beheshT nedJAd, roshAnAK<br />
Producer and foun<strong><strong>de</strong>r</strong> of Flying Moon, the company focuses on features and documentaries<br />
w<strong>it</strong>h emphasis on international co-productions. w<strong>it</strong>h Flying Moon she<br />
produced 32 A, CoMrADES IN DrEAMS, Full MEtAl vIllAGE, FootBAll uNDEr CovEr,<br />
ovErSEAS AND uNDEr your SKIN and hoME FroM hoME. roshanak Behesht Nedjad is<br />
a jury member of the talent Project Market. (p.30)<br />
behrens, Alfred<br />
German wr<strong>it</strong>er, director and script consultant, he was professor for script wr<strong>it</strong>ing at the<br />
Film and television Aca<strong>de</strong>my (hFF) “Konrad wolf” from 2004-2009. he is currently<br />
involved in the planning of a New Media Aca<strong>de</strong>my at hFF and the hochschule wismar<br />
<strong><strong>de</strong>s</strong>igning a bi-lingual workshop “Multi-Platform Project Development“. (p.64)<br />
belsITo, PeTer<br />
American producer, cinematographer and publisher, he is the executive vice<br />
pre si<strong>de</strong>nt of FilmFin<strong><strong>de</strong>r</strong>s. together w<strong>it</strong>h Sydney levine, he successfully merged Film-<br />
Fin<strong><strong>de</strong>r</strong>s w<strong>it</strong>h IMDb, IMDbPro and Amazon.com. he has also been involved in<br />
professional education w<strong>it</strong>h young filmmakers via festi<strong>va</strong>ls and forums. (p.37)<br />
berg, ChrIsTIne<br />
Former managing director of the Film Fund Schleswig-holstein, she is project<br />
direc tor of the German Fe<strong><strong>de</strong>r</strong>al Film Fund (DFFF) at the German Fe<strong><strong>de</strong>r</strong>al Film Board<br />
<strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong> #8<br />
In<strong>de</strong>x of<br />
experts<br />
(FFA). She also worked for the production and distribution company Kinowelt as a<br />
producer where she produced MoStly MArthA. (p.47)<br />
Berger, Christian<br />
Award-winning Austrian cinematographer and wr<strong>it</strong>er for numerous documentaries<br />
and tV features, he has worked for renowned directors such as Michael haneke, luc<br />
Bondy and Stephen Gaghan. he is the founding member of the lichtaka<strong>de</strong>mie<br />
Bartenbach where he <strong>de</strong>veloped a new aesthetic lighting system for cameras,<br />
employed in the PiAno teAcher, DiSenGAGeMent and the Wh<strong>it</strong>e riBBon. (p.57)<br />
Beyer, Klaus-Peter<br />
Artistic director of the German Film orchestra Babelsberg, he was the music producer<br />
of the 2001 version of lotte reiniger’s the ADVentureS oF Prince AchMeD, composer of<br />
conVerSAtionS W<strong>it</strong>h A BeASt and studio manager of the MuSKeteer. Jury member of<br />
the Score compet<strong>it</strong>ion 2010. (p.22)<br />
Bildhauer, Kathi<br />
See interview on p.31 (p.31, 64, 66)<br />
Bleis, Martina<br />
Member of the <strong>Berlinale</strong> co-Production Market team since <strong>it</strong>s inception, and<br />
mana ger of the selected official projects, she is also active as a consultant for co-production<br />
events w<strong>it</strong>h international inst<strong>it</strong>utions and festi<strong>va</strong>ls. (p.64)<br />
BluMenBerg, hans-ChristoPh<br />
German film cr<strong>it</strong>ic turned director and scriptwr<strong>it</strong>er, his 1996 film BeiM nächSten KuSS<br />
KnAll ich ihn nieDer won the German Film Award for Best Screenplay. his film trAce<br />
oF the BeArS features in the 2010 <strong>Berlinale</strong> Special. (p.65)<br />
BoereMa, Menno<br />
Award-winning Dutch ed<strong>it</strong>or, he has worked on numerous films such as cloSure,<br />
JunGle ruDy, PArADiSe GirlS, trAnS<strong>it</strong> DuBAi and lolAMoViolA. Since 1998 he has<br />
been teaching at the Dutch Film Aca<strong>de</strong>my and has lectured in many countries<br />
around the world. (p.24, 66)<br />
Böhler, Bettina<br />
German ed<strong>it</strong>or, she is one of the most experienced ed<strong>it</strong>ors in today’s German film<br />
industry, and has worked w<strong>it</strong>h directors such as Michael Klier, christian Petzold,<br />
christoph Schlingensief, oskar roehler and Valeska Grisebach, whose film Sehn<br />
Sucht screened at the 2008 <strong>Berlinale</strong> compet<strong>it</strong>ion. (p.24)<br />
BraChet, alexandre<br />
Paris-based e-producer and foun<strong><strong>de</strong>r</strong> of the cross-media production Studio upian, he<br />
merges cutting-edge technology and trad<strong>it</strong>ional techniques to break new ground in<br />
ma<strong>de</strong>-for-broadband storytelling. in spring 2010, upian will launch PriSon VAlley,<br />
a new interactive documentary, co-produced by Arte. (p.54, 63)<br />
BrinKMann, Kathrin<br />
commissioning ed<strong>it</strong>or of Arte theme evenings, a <strong>de</strong>partment w<strong>it</strong>hin ZDF since<br />
2000, she was commissioning ed<strong>it</strong>or for ZDF’s “Das Kleine Fernsehspiel” from 1994-<br />
2000. She recently commissioned coMrADe couture, SuPer Art MArKet and A JihAD<br />
For loVe. (p.29)<br />
Bugno, VinCenzo<br />
Film cr<strong>it</strong>ic and journalist, he is advisor to film festi<strong>va</strong>ls and the in<strong>it</strong>iator and project<br />
manager of the <strong>Berlinale</strong>’s World cinema Fund. As a member of the programming<br />
comm<strong>it</strong>tee of the locarno Film Festi<strong>va</strong>l, he has been heading <strong>it</strong>s open Doors section<br />
since 2006. (p.52, 65)<br />
Bühler, urs orson<br />
Screenwr<strong>it</strong>er and script consultant for numerous Swiss, German and Austrian<br />
production companies, he teaches screenwr<strong>it</strong>ing, holds an MFA from the American<br />
Film inst<strong>it</strong>ute AFi and is a coach of the Berlin today Award 2011. (p.32)<br />
Buresi, Catherine<br />
Deputy director of the <strong>Berlinale</strong>’s european Film Market since 2008, she is the team<br />
lea<strong><strong>de</strong>r</strong> of the euromed Audiovisual technical assistance since 2006. Formerly chief<br />
executive at eAVe, a training programme for european producers and re la ted<br />
professionals. (p.59)<br />
In<strong>de</strong>x of experts<br />
Busch, stefan<br />
Award-wining sound <strong><strong>de</strong>s</strong>igner and composer, he was supervising sound ed<strong>it</strong>or for<br />
BArefoot, the Wh<strong>it</strong>e MAsAi, and the rABB<strong>it</strong> W<strong>it</strong>hout eArs i and ii. his recent sound<br />
ed<strong>it</strong>s inclu<strong>de</strong> the BAA<strong><strong>de</strong>r</strong>-Meinhof CoMplex and pope JoAn. he won a German film<br />
Award for best sound in perfuMe – the story of A Mur<strong><strong>de</strong>r</strong>er. (p.57)<br />
Büscher, Mareile<br />
Berlin-based lawyer at hogan & hartson raue llp, she focuses on intellectual property<br />
matters, media and entertainment law, as well as copyright l<strong>it</strong>igation and<br />
negotiation. she has lectured on the subject of art and copyright law for <strong>va</strong>rious<br />
inst<strong>it</strong>utions including the humboldt univers<strong>it</strong>y Berlin. (p.63)<br />
Byatt, andrew<br />
A professional actor for 45 years, he has co-starred w<strong>it</strong>h harvey Ke<strong>it</strong>el in doWn Where<br />
the BuffAlo Go and rAdio on. he ran the scottish Actors studio for 10 years till 2004.<br />
together w<strong>it</strong>h his brother Gregory Byatt, he started the scottish film Actors and<br />
Wr<strong>it</strong>ers Workshop, which also organises the Actors Cut. (p.25, 52)<br />
Byatt, GreGory<br />
foun<strong><strong>de</strong>r</strong> of the Actors Cut, a unique workshop for film actors, he is involved in large<br />
scale hd projection, event logistics, multimedia production and presentation and in<br />
exploring new ways of using dig<strong>it</strong>al presentation technology as a teaching tool in<br />
the medium of experiential learning. (p.25, 52)<br />
chenillo, Mariana<br />
Award-winning Mexican director, her <strong>de</strong>but feature CinCo diAs sin norA received<br />
numerous awards at festi<strong>va</strong>ls around the world such as the Best direction Award at<br />
the Moscow international film festi<strong>va</strong>l. she is one of the directors of the omnibus<br />
film revoluCión which premieres at the 2010 <strong>Berlinale</strong> special. (p.58)<br />
ciMent, Michel<br />
Cr<strong>it</strong>ic and chief ed<strong>it</strong>or of the french film magazine “pos<strong>it</strong>if“ and honorary presi<strong>de</strong>nt<br />
of fipresCi, he was <strong>Berlinale</strong> <strong>de</strong>legate for many years and has worked in juries at the<br />
world’s most prominent film festi<strong>va</strong>ls including Cannes, Berlin, venice and locarno.<br />
(p.65)<br />
ciupek, stefan<br />
renowned German cinematographer and dig<strong>it</strong>al colorist, he is a specialist for hdcameras<br />
and dig<strong>it</strong>al post-production. he has worked on cr<strong>it</strong>ically acclaimed films<br />
such as Alexan<strong><strong>de</strong>r</strong> sokurov’s russiAn ArK, danny Boyle’s sluMdoG MillionAire and<br />
lars von trier’s MAn<strong><strong>de</strong>r</strong>lAy and AntiChrist. (p.24, 49, 66)<br />
coixet, isaBel<br />
spanish director and wr<strong>it</strong>er, she has directed My life W<strong>it</strong>hout Me (<strong>Berlinale</strong> Compet<strong>it</strong>ion<br />
2003), the seCret life of Words, and eleGy (<strong>Berlinale</strong> Compet<strong>it</strong>ion 2008).<br />
her MAp of sounds of toKyo won the 2009 vulcain prix for best sound <strong><strong>de</strong>s</strong>ign at<br />
Cannes. she was a member of the <strong>Berlinale</strong> international Jury in 2009. (p.47, 48)<br />
cowie, peter<br />
film historian and long-time international publishing director of <strong>va</strong>riety magazine,<br />
he has wr<strong>it</strong>ten some 30 books on film. in 1963, he foun<strong>de</strong>d the international film<br />
Gui<strong>de</strong>, which he ed<strong>it</strong>ed for over 40 years. for the 60th anniversary of the <strong>Berlinale</strong>,<br />
he presents his new book “the <strong>Berlinale</strong>. the festi<strong>va</strong>l”. (p.57, 62, 65)<br />
crossinGhaM, Merlin<br />
Br<strong>it</strong>ish animation director, he worked at Aardman Animations for the last 12 years on<br />
films such as ChiCKen run and WAllACe And GroM<strong>it</strong>: in Curse of the Were-rABB<strong>it</strong>.<br />
he was nominated for an emmy for CreAture CoMforts in 2007. (p.53)<br />
cruz, paBlo<br />
Mexican producer, he was involved in films such as Just WAlKinG, W<strong>it</strong>hout nAMe,<br />
and ABel. he is the producer of the omnibus film revoluCión which premieres at the<br />
2010 <strong>Berlinale</strong> special. (p.58)<br />
daldry, stephen<br />
Br<strong>it</strong>ish director, three-time oscar-nominee for the films the reA<strong><strong>de</strong>r</strong>, the hours and<br />
Billy elliot, he is also a multi award-winning theatre director. his production of<br />
“Billy elliot the Musical” is currently running on Broadway and in london w<strong>it</strong>h further<br />
productions opening this spring in Chicago, Korea and Japan. (p.33, 48, 51)<br />
Deckert, Heino<br />
Producer and Managing director of MA.JA.DE Film Production, he foun<strong>de</strong>d d.net in<br />
1995, an informal union of seven European producers. In 2003 he established the<br />
world sales agency Deckert Distribution. He lectures on documentary production<br />
and distribution for organisations such as EDN and the Sundance Inst<strong>it</strong>ute. (p.29)<br />
DeDet, Yann<br />
Eminent ed<strong>it</strong>or, he ed<strong>it</strong>ed Truffaut’s THE AMErIcAN NIgHT and claire Denis’ NéNETTE ET<br />
BoNI as well as, more recently, Pascale Ferran’s LADy cHATTErLEy. He has worked w<strong>it</strong>h<br />
many well-known directors including Dušan Makavejev, Philippe garrel and Laet<strong>it</strong>ia<br />
Masson. He also teaches at the famous Parisian film school La Fémis. (p.24, 51)<br />
Denis, claire<br />
renowned Paris-based filmmaker, her <strong>de</strong>but film cHocoLAT brought her straight to<br />
cannes. She has also directed the award-winning NENETTE ET BoNI, gooD Work,<br />
TrouBLE EvEry DAy and ToWArDS MATHILDE which was screened at the 2005<br />
<strong>Berlinale</strong> Forum. Her 1999 film BEAu TrAvAIL will be screened in this year‘s “4 Deca<strong><strong>de</strong>s</strong><br />
of the Forum” programme. (p.54)<br />
Desplat, alexanDre<br />
See interview on p.23. (p.22-23, 47, 62, 66)<br />
Diaz Diaz, roDrigo<br />
Brazilian director and 2009 <strong>Talent</strong> alumnus, he directed the short film AFTEr LuNcH<br />
of the series FuckINg DIFFErENT Såo PAuLo, which features in the 2010 <strong>Berlinale</strong><br />
Panorama. (p.14, 63)<br />
Dringenberg, katja<br />
She belongs to germany’s finest film ed<strong>it</strong>ors and won the german camera Award for<br />
BLAck Box BrD and DIE TöDLIcHE MArIA. She has worked for New german cinema<br />
veteran Peter Schamoni, award-winning documentarians romuald karmakar and<br />
Andres veiel, as well as for most Tom Tykwer films of the 90s. (p.24, 66)<br />
Dutta, MaDHusree<br />
Indian filmmaker, curator, researcher, producer and activist, she is the foun<strong><strong>de</strong>r</strong> and<br />
executive director of Majlis, a centre for rights discourse and multicultural art in<strong>it</strong>iatives<br />
in Mumbai. Her installation project “cinema c<strong>it</strong>y“ will be displayed in several cinema<br />
foyers as part of the 2010 <strong>Berlinale</strong> Forum expan<strong>de</strong>d programme. (p.52)<br />
eDer, klaus<br />
general Secretary of FIPrEScI, he is a film cr<strong>it</strong>ic and contributes to film magazines<br />
and public radio stations such as the Bayerischer rundfunk. He also curates film<br />
programmes for the goethe-Inst<strong>it</strong>ut. He has supported the <strong>Talent</strong> Press since <strong>it</strong>s<br />
inception in 2004. (p.37)<br />
eiMbcke, FernanDo<br />
Mexican director, his feature <strong>de</strong>but TEMPorADA DE PAToS won the Ariel Award for<br />
Best Film, and LAkE TAHoE was screened in the 2008 <strong>Berlinale</strong> compet<strong>it</strong>ion, winning<br />
among others the FIPrEScI award. The campus alumnus is one of the directors of the<br />
omnibus film rEvoLucIóN which runs in the 2010 <strong>Berlinale</strong> Special. (p.14, 58)<br />
eisenHauer, Hans-robert<br />
Former head of the Berlin Film Fund, he was responsible for founding the European<br />
Film Aca<strong>de</strong>my and later became <strong>de</strong>puty programme director of the german-French<br />
Tv channel ArTE. Now head of ZDF/ArTE Theme Evenings, he has worked on more<br />
than 2,000 theme evenings. (p.29, 61)<br />
ericsson, Martin<br />
Senior <strong><strong>de</strong>s</strong>igner and creative director of The company P in Swe<strong>de</strong>n, he has in<strong>it</strong>iated,<br />
wr<strong>it</strong>ten and <strong><strong>de</strong>s</strong>igned more than twenty pieces of participative art ranging from<br />
real<strong>it</strong>y games, pedagogical games and Shakespeare adaptations to massive Sci-Fi<br />
and Fantasy-LArPs. In cooperation w<strong>it</strong>h the Swedish Television, he created THE TruTH<br />
ABouT MArIkA, which won an Emmy Award in 2008. (p.54, 63)<br />
escalante, aMat<br />
Mexican filmmaker, his first feature SANgrE premiered at the cannes Film Festi<strong>va</strong>l<br />
in 2005, where <strong>it</strong> received the FIPrEScI Prize. His second feature LoS BASTArDoS<br />
also premiered at cannes and won a number of awards. He is one of the directors of<br />
the omnibus film rEvoLucIóN which runs in the 2010 <strong>Berlinale</strong> Special. (p.14, 58)