der des étrange it de va - Berlinale Talent Campus
der des étrange it de va - Berlinale Talent Campus
der des étrange it de va - Berlinale Talent Campus
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life and people <strong>de</strong>aling w<strong>it</strong>h everyday needs and problems. Russian<br />
filmmaker Alexei Popogrebsky has ma<strong>de</strong> the cr<strong>it</strong>ically acclaimed<br />
ROADS TO KOKTeBeL and SIMPLe THINGS, his latest film HOW I eNDeD<br />
THIS SUMMeR competes for the Gol<strong>de</strong>n Bear this year. Joining<br />
him on stage are Romanian director Florin Şerban, whose IF I WANT<br />
TO WHISTLe, I WHISTLe also enjoys <strong>it</strong>s world premiere in the 2010<br />
<strong>Berlinale</strong> Compet<strong>it</strong>ion, and Serbian director Vladimir Perišić, whose<br />
ORDINARY PeOPLe competed for the Caméra d’Or at the 2009 Cannes<br />
Film Festi<strong>va</strong>l and won the main award at the Sarajevo Film Festi<strong>va</strong>l.<br />
This panel explores fresh new cinema from Serbia, Russia and Romania<br />
and will have the filmmakers reflect on what <strong>it</strong> means to work as<br />
young filmmakers in eastern europe today, how they put togeth <br />
er their creative “dream teams” and found the right cast for their films.<br />
Where Things Come Together:<br />
<strong>Campus</strong> Post-Production Studio Presentation<br />
Stefan Ciupek, Dirk Meier.<br />
In cooperation w<strong>it</strong>h The Post Republic.<br />
14:00 / HAU 3, Top Floor<br />
The <strong>Campus</strong> PostProduction Studio, geared to equip <strong>Talent</strong>s<br />
to practical filmmaking techniques, focuses on dig<strong>it</strong>al workflows. This<br />
inclu<strong><strong>de</strong>s</strong> shooting w<strong>it</strong>h the ReD One and the eX3 camera, ed<strong>it</strong>ing on<br />
Avid, grading on the Nucoda Film Master and the final mastering.<br />
30 <strong>Talent</strong>s have been selected to work w<strong>it</strong>h expert pract<strong>it</strong>ioners in<br />
the Dig<strong>it</strong>al Workflow segment of this bustling postproduction hub.<br />
Prominent specialist for HD Camera, Stefan Ciupek and Dirk Meier will<br />
present the outcome of the Dig<strong>it</strong>al Workflows section.<br />
Cutting on the edge: <strong>Campus</strong> ed<strong>it</strong>ing<br />
Studio Presentation<br />
Menno Boerema, Katja Dringenberg.<br />
Mo<strong><strong>de</strong>r</strong>ated by Kevin Murphy.<br />
In cooperation w<strong>it</strong>h dffb and Pictorion das werk.<br />
14:00 / Cinema dffb<br />
ed<strong>it</strong>ing for weeks now but still stuck? That l<strong>it</strong>tle extra input is<br />
nee<strong>de</strong>d to finalise the film. Internationally renowned ed<strong>it</strong>ors join the<br />
<strong>Campus</strong> ed<strong>it</strong>ing Studio to give feedback and help filmmakers refine<br />
their roughcuts in a fullday, oneonone ed<strong>it</strong>ing session. Drawing on<br />
their experiences in the <strong>Campus</strong> ed<strong>it</strong>ing Studio, selected participants<br />
will present excerpts from their roughcuts and show how the oneday<br />
session acti<strong>va</strong>ted fresh approaches to the ed<strong>it</strong>ing process. In<br />
dialogue w<strong>it</strong>h Menno Boerema and Katja Dringenberg, the ed<strong>it</strong>orial<br />
teams will discuss the specific challenges they i<strong>de</strong>ntified w<strong>it</strong>hin their<br />
roughcuts, and the questions, experiments and solutions that were<br />
tested in the ed<strong>it</strong>ing Studio. What kinds of questions do ed<strong>it</strong>ors pose<br />
to directors and to themselves when confronted w<strong>it</strong>h a roughcut or<br />
uned<strong>it</strong>ed dailies?<br />
<strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong> #8<br />
<strong>Campus</strong> programme<br />
THURSDAy, FeB 18<br />
Things to Take Home<br />
Marjorie Ben<strong>de</strong>ck, Kathi Bildhauer, Marcus Forchner,<br />
Matthijs Wouter Knol and Christine Tröstrum.<br />
16:00 / HAU 2<br />
The eighth ed<strong>it</strong>ion of the <strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong> comes to<br />
a close this evening. Is this really the end? Not qu<strong>it</strong>e! Before we send<br />
you off, we offer things to take home: opportun<strong>it</strong>ies and activ<strong>it</strong>ies that<br />
you can a<strong>va</strong>il of from your home base. Comprising members of the<br />
<strong>Campus</strong> team, this panel provi<strong><strong>de</strong>s</strong> an overview of all the extra<strong>Campus</strong><br />
services that may be useful to you in <strong>de</strong>veloping current and future<br />
film projects. Information related to the <strong>Campus</strong> Abroad ed<strong>it</strong>ions and<br />
the <strong>Campus</strong> online database will be presented.<br />
Say It W<strong>it</strong>h A Score:<br />
Score Compet<strong>it</strong>ion Presentation<br />
Vladimir Cháb, Alexan<strong><strong>de</strong>r</strong> Komlew, David OReilly,<br />
Camilo Sanabria. Mo<strong><strong>de</strong>r</strong>ated by Annette Gentz.<br />
17:00 / HAU 3, Top Floor<br />
Today, more than ever, music fulfills a v<strong>it</strong>al role in feature films.<br />
What music does in film is to make up for the emotion that is lost on<br />
camera. It creates the right mood and an emotional pull that directs<br />
your feelings. If <strong>it</strong>’s done well, you won’t even notice <strong>it</strong>s presence. What<br />
film composers add, what they enhance, begins w<strong>it</strong>h what's on the<br />
screen. At the nerve center of practice and theory, the <strong>Berlinale</strong> <strong>Talent</strong><br />
<strong>Campus</strong>’ Score Compet<strong>it</strong>ion has gui<strong>de</strong>d three young film composers<br />
through the process of creating original music to accompany the visual<br />
medium and to synchronising <strong>it</strong> seamlessly to visual events. each<br />
of the final three scores presented at this event will tell a story of <strong>it</strong>s<br />
own. The three finalist will converse w<strong>it</strong>h filmmaker David OReilly,<br />
whose short film PLeASe SAY SOMeTHING they scored for the Score<br />
Compet<strong>it</strong>ion, about their work and strategies in the music studio, the<br />
preparation and the recording of their scores and the challenges they<br />
faced during the film scoring process.<br />
Closing and Award Ceremony of the Score Compet<strong>it</strong>ion<br />
Alexandre Desplat, Hubert Henle, Martin Steyer.<br />
Mo<strong><strong>de</strong>r</strong>ated by Thomas Heinze and Matthijs Wouter Knol.<br />
20:00 / HAU 1<br />
Six days of highspir<strong>it</strong>ed action, of sharing, <strong>de</strong>veloping film<br />
i<strong>de</strong>as, networking, getting inspired and moti<strong>va</strong>ted come to a close. The<br />
8th ed<strong>it</strong>ion of the <strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong> ends w<strong>it</strong>h a farewell from<br />
the <strong>Campus</strong> team and the announcement of the winner of the Score<br />
Compet<strong>it</strong>ion. The winning contestant will be awar<strong>de</strong>d a trip to the<br />
best sound studios in Los Angeles, sponsored by Dolby Laboratories.<br />
In celebration of an exhilarating <strong>Campus</strong> week, we inv<strong>it</strong>e all of<br />
you to the Closing Party in HAU 2. Come prepared to expend the last<br />
b<strong>it</strong> of your reserve energy w<strong>it</strong>h us!<br />
Chapter<br />
05<br />
INDex<br />
p.68 In<strong>de</strong>x of experts<br />
p.75 In<strong>de</strong>x of <strong>Talent</strong>s / p.77 Note of thanks<br />
p.78 Team and Imprint / p.79 Partners