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13895 Wagner News 174 - Wagner Society of England

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at his bedside. Judging from the previous gestation <strong>of</strong> <strong>Wagner</strong>’s masterpieces we can<br />

assume that what <strong>Wagner</strong> needed was another muse to compose his last intended opera.<br />

But what the long-suffering Minna had endured, more or less with resignation, was<br />

unbearable to Cosima and it prompted her outburst with tragic consequences.<br />

I saw Harvey’s Inquest <strong>of</strong> Love in 1993 and I felt that there were some elements <strong>of</strong><br />

spirituality in his music which remotely reminded me by its mood <strong>of</strong> Scriabin and I quite<br />

enjoyed it despite David Pountney’s inept production. This time I was less affected by the<br />

music which apparently owes a lot to electronic treatment, while the vocal parts seemed<br />

to me not much more than intoned speech. The libretto, which was well presented by<br />

surtitles, seemed to me rather pedestrian. One misses <strong>Wagner</strong>’s superb poetry which<br />

sometimes comes through even in translations on surtitles. Nevertheless, the opera was<br />

an interesting experience and I would advise every <strong>Wagner</strong>ite not to miss it if another<br />

opportunity presents itself. The audience showed in sufficient measure its appreciation,<br />

enhanced no doubt by the presence <strong>of</strong> the composer.<br />

WAGNERJOBS<br />

At www.wagnersociety.org you will find the <strong>Wagner</strong> <strong>News</strong> Forward Planning list <strong>of</strong> the<br />

events we intend to cover in the next half dozen issues <strong>of</strong> the magazine. You will see<br />

which reports still require volunteers to provide the words or the pictures. For example<br />

we need a reviewer for the Opus Arte DVD <strong>of</strong> Lohengrin from the 2011 Bayreuth Festival.<br />

We also need someone who can use music-writing s<strong>of</strong>tware to provide the graphic<br />

examples in pieces such as the “Essential <strong>Wagner</strong>” item on pages 46 and 47 <strong>of</strong> this issue.<br />

Whether it is to join the team reporting the Presteigne weekend for the January<br />

2013 issue <strong>of</strong> the magazine, to photograph the “Great <strong>Wagner</strong> Choruses” event for the<br />

January 2014 <strong>Wagner</strong> <strong>News</strong> or to try your hand at any <strong>of</strong> the other dozen or so jobs which<br />

are on <strong>of</strong>fer, we would be delighted to hear from you. The Forward Planning list is<br />

updated on the <strong>Wagner</strong> <strong>Society</strong> website as our future programme <strong>of</strong> events unfolds.<br />

WAGNER AT THE PROMS<br />

August is a relatively <strong>Wagner</strong>-rich month at the Proms with five concert performances.<br />

Siegfried Idyll will be played by an 18 musician ensemble as it was at Tribschen on<br />

Christmas morning in 1870 instead <strong>of</strong> the full orchestra versions which we usually hear.<br />

3rd August Prom 27 Siegfried Idyll BBC Scottish Symphony Orchestra<br />

Donald Runnicles 18 mins<br />

5th August Prom 31 Meistersinger Overture Nat. Youth Orchestra <strong>of</strong> Scotland<br />

Donald Runnicles 12 mins<br />

7th August Prom 33 Tristan und Isolde BBC Philharmonic Orchestra<br />

Prelude to Act I Juanjo Mena 9 mins<br />

26th August Prom 57 Parsifal Prelude to Act III Gustav Mahler Jugendorchester<br />

and Good Friday Music Danielle Gatti 20 mins<br />

30th August Prom 63 Lohengrin Prelude to Act I Berlin Phil /Simon Rattle 7 mins<br />

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