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13895 Wagner News 174 - Wagner Society of England

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MUNICH OPERA FESTIVAL WAGNERIN PROJECT<br />

Dame Gwyneth Jones as Cosima <strong>Wagner</strong> in <strong>Wagner</strong>in: Ein Haus der Kunstmusik<br />

Roger Lee<br />

Premiered at Bayerische Oper on 24th June as “an evening without gods or heroes” but<br />

featuring instead the characters <strong>of</strong> Cosima, Winifred, Gudrun and Katharina <strong>Wagner</strong> as<br />

well as many blue-clad maidens, a male choir and the Festival Orchestra’s “left-over”<br />

trumpets, the <strong>Wagner</strong>in production was devised as part <strong>of</strong> the Bavarian State Opera’s Ring<br />

Themes programme for the 2012 Munich Opera Festival. The first event <strong>of</strong> this series<br />

dealing with Der Ring was <strong>Wagner</strong>in – Ein Haus der Kunstmusik with Dame Gwyneth<br />

Jones in the role <strong>of</strong> Cosima <strong>Wagner</strong> in Sven Holm’s production.<br />

Holm presents the fates <strong>of</strong> female characters in Der Ring in contrast to the female<br />

succession strategies in the <strong>Wagner</strong> dynasty. In a surreal manner he gathers Cosima,<br />

Winifred, Gudrun and Katharina <strong>Wagner</strong> in a future Wahnfried which is threatened with<br />

destruction. He told <strong>Wagner</strong> <strong>News</strong>: “<strong>Wagner</strong>’s work also reflects current events and the<br />

family’s own history, and so this production is an attempt to shed light on the roles and<br />

actions <strong>of</strong> women in the <strong>Wagner</strong> dynasty.”<br />

The myth is updated to the present and the parallels <strong>of</strong> power, fate and mutual<br />

dependence are brought to light in this project. According to Nikolaus Bachler, Manager<br />

<strong>of</strong> the Bavarian State Opera: “It is precisely in Bayreuth’s present circumstances that this<br />

theme has a particular charm” Producer Sven Holm thus explained his approach: “It has<br />

always been the strong women who reigned in Bayreuth and who to some extent battled<br />

with each other to inherit the Bayreuth Festival.” The <strong>Wagner</strong>in project deals with the<br />

absurdity that <strong>Wagner</strong> basically anticipated the conflicts <strong>of</strong> his own descendants in Der<br />

Ring, but did so only in the male world <strong>of</strong> the struggle for gold.<br />

Götterdämmerung, which ended on 30th June with Andreas Kriegenburg’s new<br />

production plays a central role with its apocalyptic scenario as Sven Holm explains: “we<br />

are acting out as fiction an impending demise <strong>of</strong> the Bayreuth Festival in the near future.<br />

The orchestra and the heroes have departed and only the trumpets remain. In the house at<br />

Wahnfried four <strong>Wagner</strong> women are sitting and trying to save the <strong>Wagner</strong>ian idea. The<br />

entire house is one surreal scene where Katharina <strong>Wagner</strong> pulls the female role-players<br />

out <strong>of</strong> their graves and tries to make the myth interesting once again with the focus on the<br />

stories <strong>of</strong> the female figures in the <strong>Wagner</strong> family as well as the female figures in Der<br />

Ring.”<br />

According to Holm: “the dialectic between a Cosima and a Brünnhilde or a<br />

Katharina and a Sieglinde is crucial with particular regard to the deeply lonely feeling <strong>of</strong><br />

growing up in this self-centred atmosphere <strong>of</strong> the <strong>Wagner</strong> family and not being able to<br />

escape it.” In the role <strong>of</strong> Cosima <strong>Wagner</strong> Dame Gwyneth Jones sings fragments from Der<br />

Ring amongst other items<br />

The production also involves the singers Hanna Dóra Sturludottir as Katharina<br />

<strong>Wagner</strong> and Ceri Williams as Gudrun <strong>Wagner</strong> along with the actress Renate Jett as<br />

Winifred <strong>Wagner</strong> and members <strong>of</strong> the Bavarian State Opera ensemble. The music has<br />

been taken from the jazz ensemble Vertigo Trombone Quartet who improvise the<br />

<strong>Wagner</strong>ian motif system and whose frontman Nils Wogram was the 2011 winner <strong>of</strong> the<br />

BMW Jazz Award.<br />

– 45 –

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