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13895 Wagner News 174 - Wagner Society of England

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It was abundantly clear that we could not use an existing orchestra. All orchestras<br />

in Israel are supported by public funds and thus would shun participation so as not to<br />

endanger their funding. For the same reason we could not hold the concert in a municipal<br />

hall. With private funds we scheduled a concert and over 100 contracts were signed by the<br />

<strong>Wagner</strong> <strong>Society</strong> with singers and with players <strong>of</strong> the best orchestras in Israel. We then<br />

went to the press with announcements and ads announcing the concert and all hell broke<br />

loose: hefty protests from holocaust survivors filled the radio waves and the press.<br />

Within 24 hours the President <strong>of</strong> Tel Aviv University cancelled our rental<br />

agreement citing our not having informed the University authorities <strong>of</strong> the nature <strong>of</strong> the<br />

concert. This was an outright fabrication <strong>of</strong> the facts. We had scheduled a symposium on<br />

<strong>Wagner</strong>'s music prior to the concert and had discussed the contents and venue with the<br />

heads <strong>of</strong> the University's music department. We then signed a contract with the Tel Aviv<br />

Hilton hotel to rent their convention hall, only to find that contracts do not count when it<br />

comes to a <strong>Wagner</strong> event. Amid an international furore <strong>of</strong> hundreds <strong>of</strong> letters to the<br />

editors <strong>of</strong> all Israeli newspapers as well as hundreds <strong>of</strong> talkbacks on the internet we were<br />

forced to call <strong>of</strong>f the concert for lack <strong>of</strong> venue.<br />

What did we learn from this affair? We learned that the time had come to lift the<br />

un<strong>of</strong>ficial ban on playing <strong>Wagner</strong>'s music. Hundreds <strong>of</strong> people who bought tickets for the<br />

concert in less than a week were ample pro<strong>of</strong> that there are people in Israel who vote to<br />

listen to the music. We learned that to crush a taboo and destroy the last remaining symbol<br />

<strong>of</strong> the boycott <strong>of</strong> Germany is much harder than just renting a hall. We are also determined<br />

to go on, to try again and again until we succeed. And succeed we shall. I am <strong>of</strong>ten asked<br />

why I don't wait for the last <strong>of</strong> the Holocaust survivors to die. I maintain that that will not<br />

serve any purpose. We live at a time when second generation and third generation<br />

children stick to their parents and we cannot afford to continue to boycott the works <strong>of</strong><br />

Richard <strong>Wagner</strong>. I hope that 2013 will bring another opportunity to play the music which<br />

so many <strong>of</strong> us love. For the music belongs to the world regardless to who its author was.<br />

GERMAN TUITION: FREE TRIAL<br />

Special <strong>of</strong>fer for <strong>Wagner</strong> <strong>Society</strong> Members<br />

Having recently discovered what she describes as “the great<br />

musical works <strong>of</strong> Richard <strong>Wagner</strong>” German language teacher Katja<br />

Wodzinski is <strong>of</strong>fering a free trial hour <strong>of</strong> tuition to members <strong>of</strong> the<br />

<strong>Wagner</strong> <strong>Society</strong>, either as individuals or in small groups.<br />

Graduating in French, German and Media Science from the<br />

University <strong>of</strong> Paderborn in her native Germany, she gained<br />

experience as an executive assistant in several European countries<br />

as well as in the United States.<br />

“Eventually I decided to turn my passion for languages into a career and I became<br />

a teacher. I have now been teaching German for various language institutes in <strong>England</strong><br />

and Germany to classes as well as private students. Dividing my time between the Goethe<br />

Institut London and business students from various industries, my aim is to make the<br />

German language and culture accessible for everyone.”<br />

Carefully planned and executed sessions include a variety <strong>of</strong> different exercises<br />

tailored to students’ needs. Challenging grammar is broken down into comprehensible<br />

and logical steps and vocabulary revision comes with games and multimedia aids.<br />

Reference is also made to contemporary language and to current affairs.<br />

Website: www.easy-german.com Email: katja@easy-german.com<br />

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