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Thich Nhat Hanh Healing in Vietnam The Wonderful World of Gathas

Thich Nhat Hanh Healing in Vietnam The Wonderful World of Gathas

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ook REVIEWSFirst BuddhistWomenPoems and Stories <strong>of</strong>Awaken<strong>in</strong>gBy Susan MurcottParallax Press, 2006Reviewed by Phillip Toy“Why has Gautama come here? To take away our sons andmake our daughters widows!” — <strong>The</strong> MahavaggaThis masterful re-issue <strong>of</strong> a 1991 orig<strong>in</strong>al — ten years<strong>in</strong> the mak<strong>in</strong>g, five <strong>of</strong> which it took to write — showcasesSusan Murcott’s scholarship, coupled with considerable poeticsensitivities. This marriage <strong>of</strong> talents seamlessly br<strong>in</strong>gs tolife a pivotal period for buddhadharma <strong>in</strong> general, but morespecifically, the religious, social, and political context forBuddhism’s first enlightened women. <strong>The</strong> common threads<strong>of</strong> loss, estrangement, marg<strong>in</strong>alization, madness and, f<strong>in</strong>ally,liberation are eloquently and simply woven and illustrated <strong>in</strong>the enlightenment poetry (the <strong>The</strong>rigatha) <strong>of</strong> eight <strong>of</strong> the mostimportant groups <strong>of</strong> women <strong>of</strong> that day.Pajapati, the Buddha’s aunt and foster mother who raisedhim, and consequently lost him to “the homeless life,” becamethe first orda<strong>in</strong>ed woman and the first woman teacher. Shefounded the first order <strong>of</strong> nuns. She writes: “I have reached thestate where everyth<strong>in</strong>g stops.” Early <strong>in</strong> her nunhood she challengedher famed foster son, via his chief disciple, Ananda, onthe first <strong>of</strong> <strong>The</strong> Eight Special Rules: even the most senior nunmust bow down before the most novice monk.<strong>The</strong> privileged Patacara (mean<strong>in</strong>g “cloak walker”) hav<strong>in</strong>glost her son and entire prom<strong>in</strong>ent family <strong>in</strong> a fire, went mad andwandered <strong>in</strong> circles dragg<strong>in</strong>g her clothes to ribbons till they fell<strong>of</strong>f her body. Townsfolk drove her <strong>of</strong>f with sticks and rubbish.Gautama tracked her down: “Sister, recover your presence <strong>of</strong>m<strong>in</strong>d!” She says, “I concentrated my m<strong>in</strong>d the way you tra<strong>in</strong>(Cont<strong>in</strong>ued)When our beloved says someth<strong>in</strong>g that hurts us, <strong>Thich</strong><strong>Nhat</strong> <strong>Hanh</strong> <strong>in</strong>vites us to practice by clos<strong>in</strong>g our eyes, breath<strong>in</strong>gm<strong>in</strong>dfully <strong>in</strong> and out, and imag<strong>in</strong><strong>in</strong>g the two <strong>of</strong> us onehundred years from now. After three breaths, when we openour eyes, we’ll no longer feel hurt; <strong>in</strong>stead, we’ll want to hugour beloved. What I f<strong>in</strong>d cont<strong>in</strong>ually amaz<strong>in</strong>g is <strong>Thich</strong> <strong>Nhat</strong><strong>Hanh</strong>’s ability to br<strong>in</strong>g liberation <strong>in</strong>to daily life. When we g<strong>of</strong>rom be<strong>in</strong>g hurt to be<strong>in</strong>g m<strong>in</strong>dful and lov<strong>in</strong>g, he tells us weare touch<strong>in</strong>g nirvana!“Samsara [the endless cycle <strong>of</strong> birth and death and its<strong>in</strong>herent suffer<strong>in</strong>g] and suchness [the nature <strong>of</strong> nirvana] arenot two; they are one and the same.” Once we realize this, wecan smile “the smile <strong>of</strong> non-fear.” Even <strong>in</strong> pa<strong>in</strong>, when we arecentered, we can give ourselves fully to peace.a good horse.” Eventually Patacara’s follow<strong>in</strong>g was secondonly to Pajapati’s.<strong>The</strong> pabbajita, or wander<strong>in</strong>g heretics and disciples, some<strong>of</strong> whom were forest-dwellers, write a curious mix <strong>of</strong> diligenceand desperation. Frequently, as with the other groups portrayed,traumatic personal events were spr<strong>in</strong>gboards for deepreligious experiences and new beg<strong>in</strong>n<strong>in</strong>gs — even, <strong>in</strong>deed,enlightenment: “I have ended the hunger <strong>of</strong> gods and humans,and I will not wander from birth to birth. I have no thought<strong>of</strong> becom<strong>in</strong>g.”Whether wise woman and teacher, mother, wife, oldwoman, prostitute, courtesan or beautiful woman — each role’spoetry describes its unique path to yet a common dest<strong>in</strong>ation.Murcott’s ardent, scholarly grasp <strong>of</strong> her material is polishedby an unspoken, <strong>in</strong>tensely personal treatment that h<strong>in</strong>ts at herown journey — obviously similar <strong>in</strong> many ways to her book’ssubjects’.Supported as it is throughout by copious notes and footnotes,by an exhaustive bibliography <strong>in</strong>clud<strong>in</strong>g unpublishedtheses, an <strong>in</strong>dex <strong>of</strong> poems and poets, a pithy glossary, and astrik<strong>in</strong>g appendix <strong>of</strong> “<strong>The</strong> Rules <strong>of</strong> the Nun’s Sangha,” thisvolume belongs on every serious Buddhist student’s bookshelf.A compact and artful explication <strong>of</strong> the <strong>The</strong>rigatha, sixth centuryB.C.E. enlightenment poetry <strong>of</strong> the Buddhist nuns andthe earliest known collection <strong>of</strong> women’s religious poetry, itdel<strong>in</strong>eates the way so many <strong>of</strong> us come to the Dharma — out<strong>of</strong> brokenness, irretrievable loss, confusion and sorrow.<strong>The</strong>se eloquent l<strong>in</strong>es, which appear <strong>in</strong> some form <strong>in</strong> almostevery poem, express it poignantly: “I remove my shoes/wash my feet/ sit down beside the Buddha/ I am quenched, Iam cool.”the M<strong>in</strong>dfulness Bell 45

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