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PART 3: The Acadia Audio System34 Opcode Systems, Inc.
CHAPTER 6:Acadia: Audio Instruments &Routings WindowThis chapter discusses the items containedin the Audio Instruments &Routings Window. To open this window,choose Windows>Audio Instruments.Figure 6.1: Audio Instruments & Routings WIndowTIP: If a track contains only audio data,you can open the Audio Instruments &Routings Window directly from either theList or Graphic Window by clicking theInstruments button ( ).As can be seen in Figure 6.1, the AudioInstruments & Routings Window containssections for the following items:• Audio Instruments are assigned toaudio events (residing in tracks), anddetermine how the events areoutputted.• Inputs correspond to the physicalinputs of your audio hardware. Inputsappear as input sources in the ConsoleWindow and record sources inthe Record Monitor.• Outputs correspond to the physicaloutputs of your audio hardware. Outputsare assigned as destinations forAudio Instruments, Audio Sends, busses,and even hardware inputs.Outputs can also be used as inputsources in the Console Window orrecord sources in the RecordMonitor.The Acadia audio system supports amaximum of 24 hardware outputs.• Busses (up to 16) act as mono orstereo destinations for groups of consolechannels (via sends), they canalso be assigned as outputs. Bussesare useful for creating auxiliary sendsto shared plug-ins, submixes, andmaster faders.Any of these items (which we will oftenrefer to as audio channels) can act asinput sources in the Console Window orRecord Monitor.Vision & Studio Vision Pro — Audio Reference Manual 35
Page 1 and 2: Audio Reference Manualfor Vision an
Page 3 and 4: Table of ContentsTABLE OF CONTENTSP
Page 5 and 6: Table of ContentsCHAPTER 8: Acadia:
Page 7 and 8: Table of ContentsSetting Audio Inst
Page 9 and 10: Table of ContentsPART FIVE: Advance
Page 11 and 12: Table of ContentsCapturing a Mix ..
Page 13 and 14: Table of ContentsTime Scale........
Page 15 and 16: Introduction to Digital Audio 12345
Page 17 and 18: CHAPTER 1:IntroductionVision is rec
Page 19 and 20: CHAPTER 1: Introductionand record a
Page 21 and 22: CHAPTER 2:Basic TerminologyOUTPUTS,
Page 23 and 24: CHAPTER 2: Basic TerminologyEach Au
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Page 27 and 28: CHAPTER 3:Acadia: Hardware SetupThi
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Page 35 and 36: CHAPTER 4:Acadia: Record Monitor Wi
Page 37 and 38: CHAPTER 4: Acadia: Record Monitor W
Page 39 and 40: CHAPTER 5:Acadia: Recording AudioTh
Page 42 and 43: PART 3: The Acadia Audio System0 dB
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Page 51 and 52: CHAPTER 6: Acadia: Audio Instrument
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Page 77 and 78: CHAPTER 8:Acadia: Plug-In Edit Wind
Page 79 and 80: CHAPTER 8: Acadia: Plug-In Edit Win
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Page 83 and 84: CHAPTER 9:Acadia: EQ WindowEDITING
Page 85 and 86: CHAPTER 9: Acadia: EQ WindowEQ PANE
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Page 89 and 90: CHAPTER 10: Acadia: Bussing, Routin
Page 97 and 98: CHAPTER 11: Acadia: Optimizing forD
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CHAPTER 11: Acadia: Optimizing for
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1Digidesign DAE:Configuration & Rec
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CHAPTER 12: DAE: Hardware SetupRead
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CHAPTER 12: DAE: Hardware SetupAUDI
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CHAPTER 12: DAE: Hardware SetupHARD
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PART 4: Digidesign DAE: Configurati
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CHAPTER 14: DAE: Recording AudioMon
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CHAPTER 14: DAE: Recording AudioPla
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PART 5: Basic Audio Editing & Playb
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CHAPTER 20: Import/Export Cornucopi
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PART 6: Advanced Audio Techniques23
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RECORDING AUTOMATIONEVENTSBasic Rec
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The Plug-in Parameter submenu appea
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pencil tool is not displayed when T
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For example, when the Maximum Fader
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Press the Stop button and open theL
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• Phase InvertPhase Invert events
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After you select a plug-in in the L
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In addition, the Copy Faders comman
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CONFIGURING YOUR SYSTEMFOR REWIREFo
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Press Play in either Vision or ReBi
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Open the Audio Instruments window,a
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However, if you wish to control Vis
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PART 6: Advanced Audio TechniquesSc
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PART 7: Menus342 Opcode Systems, In
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PART 7: Menuswithin a single Audio
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PART 7: MenusNOTE: As with other ed
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PART 7: MenusEDIT EVENT SOUNDFILECh
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PART 7: MenusDon’t perform any op
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PART 7: MenusTo learn more about se
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PART 7: MenusWAVEFORM DISPLAYUse th
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PART 7: MenusMIXUse this command to
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PART 7: MenusTo use the Reverse com
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PART 7: MenusClick Save.Vision crea
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PART 7: Menus• Audio>Conversion O
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PART 7: MenusEQChoose this command
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PART 7: MenusSlope—Use this pop-u
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PART 7: MenusFile Length OptionIf t
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PART 7: MenusFrom the top pop-up me
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PART 7: MenusCreating CrossfadesCro
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PART 7: MenusCreating Crossfades -
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PART 7: MenusPITCH SHIFTUse this co
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PART 7: MenusClick Save.Vision crea
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PART 7: MenusEnter the number of ha
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PART 7: MenusFaster takes less time
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PART 7: MenusFrom the Display pop-u
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PART 7: MenusDraw an accelerando in
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PART 7: MenusAdjusting Audio To A N
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PART 7: MenusAUDIO-TO-MIDINOTE: Thi
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PART 7: Menusmatch the pitch bend r
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PART 7: MenusPitch Bend option—If
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PART 7: Menusfigure your synthesize
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PART 7: MenusTo convert this type o
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PART 7: MenusDeleting an Audio Temp
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PART 7: MenusPitch Shift Quality po
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PART 7: MenusStabilizing Pitch Fluc
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PART 7: MenusIn the MIDI track that
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PART 7: MenusEnter a new length for
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PART 7: MenusNow, if you perform a
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PART 7: Menuslittle breath that the
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PART 7: MenusPREMIERE PLUG-INSVisio
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PART 7: MenusWhen you modify audio,
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PART 7: MenusDialogsThese options l
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CHAPTER 37: DSP Menu: Premiere Plug
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CHAPTER 37: DSP Menu: Premiere Plug
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123456Index7Vision & Studio Vision
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IndexINDEXSymbolsµ-law 2-1in Audio
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IndexSampleCell TDM 166Sends column
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Indexrecording from 81recording fro
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IndexDone buttonImport Audio dialog
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IndexFaders window 259audio volume
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Indeximporting audioAcadia 207DAE 2
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IndexNNameAudio Instruments window
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IndexAudio Instruments (DAE) 138pop
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IndexReset All RoutingsAudio Instru
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IndexAcadia 90DAE 174SMPTETime Scal
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IndexUse Selected MIDI Notes 407Use
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