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SEVEN PAPERS ON EXISTENTIAL ANALYSIS ... - Wagner College

SEVEN PAPERS ON EXISTENTIAL ANALYSIS ... - Wagner College

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But what of the more and more commonly seen individual who tells us about not being<br />

sure what “is the matter” with her? Vague feelings of content, ambivalently held goals, anomie,<br />

flat affect dominate her life-world. Her complaint is global, inchoate and nonspecific, but often<br />

tinged with anger or a general irritable uneasiness. We are tempted to say she is looking for<br />

something to be “the matter,” since often such an individual is adequately positioned in a family<br />

and has a job at which she is successful. Just as she “has work” and “has what she needs,” she<br />

may also “have a boyfriend (or girlfriend)” and regularly “have sex.” She may even “have a<br />

family” or “have a child.” Overall, however, she finds little ballast and stability in what she has.<br />

In fact, the more she has, the less she is. Most in this group typically have chronic doubts about<br />

what they “want to be” (often, “when they grow up”) that are not assuaged by acquiring<br />

academic degrees or licenses, being hired into positions with “potential for advancement,” or<br />

achieving recognition within their field.<br />

By way of relating freedom as a philosophical problem to authenticity in existential<br />

analysis, I will close with a case example and a few suggestions for further discussion.<br />

IV. The Story of “B”<br />

This is the story of B. It illustrates how a therapeutic partnership might allow the possibility of<br />

increased existential authenticity to appear in this person’s life-world.<br />

B is a 25-year-old only child who three before we first met had earned her first graduate<br />

degree at an American ivy-league university. Encouraged by her college teachers to<br />

pursue the terminal degree in her field and eventually teach at the undergraduate level,<br />

she had completed the master’s with distinction (as she had her bachelor’s degree) but<br />

then dropped out of the program. She worked for an advertising firm for a year and<br />

then pursued a career as an actor in Los Angeles and New York while living at home and<br />

earning money as a cocktail waitress.<br />

She complains of a variety of minor obsessions and “feeling stressed all the time.”<br />

Her narrative of harried activity and excessive demands made on her time are<br />

accompanied by light-hearted laughter. B. seems to be talking about someone else (let<br />

us call her “B”), not herself.<br />

She says that “B” tolerates inadequate men, whom she nevertheless prefers to<br />

men who want to “look after” her and “take care of” her. “B” sees herself as “taking<br />

care of” the immature boys she dates.<br />

B’s life is a production, a melodrama or soap opera in which “B” has the lead. In<br />

a sense, B already has the “part” she is pursuing with her portfolio, through contacts with<br />

talent agents, and in showcases on both coasts. Her life is something B experiences as<br />

something “B” “has.” She does not see that she is her life, nor does she see that the<br />

source of her dilemma about “what she wants to be” is a search for authenticity.<br />

“Having” to be something, she is not free to “be” someone.<br />

Although she is still quite young, B is a candidate for a preliminary primary<br />

diagnosis of histrionic personality disorder (DSM-IV-TR) for which pharmacotherapy might<br />

be the indicated treatment. In fact, her mother had suggested that B seek psychiatric<br />

help to “find out” what she “wants to do with” her life. To her credit, B senses that her<br />

mother’s readiness to have her daughter treated with medications is a direct route to<br />

forgetting that something is “the matter.” She relates that her mother has long since<br />

forgotten just that and has resigned herself to an indifference in her own life that B<br />

cannot tolerate, let alone embrace. B is puzzled and sees what is “the matter” as a way<br />

into her existence, not a blockade to further movement.<br />

At the outset, B sees our therapeutic partnership as yet another episode in her<br />

“daytime drama” life, the life of “B”. To be able to take the partnership seriously, B would<br />

have to be able to take herself seriously as a question and as a horizon of possibilities, not

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