Untitled - witz cultural

talked about nr*king oul nn the seniorpl*ygrcund equipment -- d€diceted h)thc memory of trro ela*smates runover by a chickenJieken deliverytruck k was s0 gld, I remember lheday rhey dedicated the playgroundequipment: "Now children, this$quipmfi1t shnuld rEmind us all of Benand Th*rese who ars now angel*. fupri,ol]palwondered wby nr: one {qwante{, r0 play therc mucb.Crade five girl* w{ruld pin b*ys dn&xlon lhelnseb*ll diamand_aad Frenchgis*then:. T*mmy $tvens s*w ills $nceaod told n* t }}le$ $othiilg sboutIove. Mr:stly the gr&de *ixes daredqach olher to g$ to ths liltls house atthe klp *f the slid* and meke out,Meking $ut reBlll m*a$t litiir&upl'our shin. ifJsu w*re * gilt. a*drlFigure 23. A Link-intensive Hyperfiction: Caitlin Fisher's Woves of Girls.In addition to the navigation links that appear at the left ofthe screen, the main text also contains frequent opportunities to follow links.at the end of a link to satisfy the intellectual and aesthetic needs of thereader?s Let's take as an example what happens when one comes upon linkedtext in the midst of the following sentence in a lexia from The Victoiqn Webabout the prose fantasies of William Morris: "Like fohn Ruskin, Morris createsprose fantasies perneated by his beliefs about political economics."What should one find atthe endof the link attached to thenameJohn Ruskin?For the reader of the present lexia, which discusses fantastic literature byMorris, the most useful link would produce a discussion of fantastic fictionby Ruskin, and in fact The Victorian Webhas such a relevant document, "fohnRuskin and the Literary Fairy Tale," one section of which explains the relationsof his early fantasy to his later political writings. One might even hopethat such a link would bring one to a comparison of the distinctive qualitiesof each author's writings in this mode, which this existing document does