Untitled - witz cultural

235Patchurork 6irl| 8m like Uou in most waus. Ng introductorg p8rogr€ph comesat the beginning and I bsve a g00d hesd on mg shoulders. Ihave muscle, fat, and 6 skeleton th8t keeps me fromcollEpsing into suet. Eut mg re8l skeleton is m8de of scErs:s web th6t troverses me in three-dimensions. WhEt holds metogether is wh6t m8rks mU disperssl. I am most mgself inthe g8ps between mg psrts, though if theg sdiled 6!yEU in 6lldirections in s grislg regstt8 there would be n0 thing lefthere !n mU pl€ce.For that reason, though, I Em h8rd t0 do in. The links cEnstretch veru tar before theu breEk, 6nd if I Em the queen ofdispersal then hoviever far Uou t8ke mU separEte p8rts(wrapped in burlap and greEsg fish-wrsppers, in woodenc€rts and wherries, burging me and burning me 6nd returningme to the f8milies from which I sprung unl0ved End bastard)Uou onlU conflrm mU reign.Figure 28. The Storyspace Reader: Shelley Jackson's Potchwork Girl. Readers can navigate the web (l ) by simultaneously pressingoption and t (or the command key in Windows) to discover linked text and then double clicking on it, 121 by mousing down on thedouble-headed arrow on the moveable palette (for default links), or (3) by exploring the Storyspace view, which consists of a folderlikearrangement ofthe web that authors can arrange as they wish. Unlike the Page Reader, which derives from the tiny size oforiginal Macintosh screens, this form of Storyspace does not restrict documents to a cardlike format and permits scrollable textthat readers can reconfigure. (Courtesy ofEastgate Systems.)and Jacques Denida) as she tells us about the female companion to Frankenstein'smonster whose "birth takes place more than once. In the plea of a bygonemonster; from a muddy hole by corpse-light; under the needle, and underthe pen."One form of collage in Patchwork Girl appears in *re thirty-lexia sectionentitled "Crazy Quiltl' As Karyn Raz explains in her section of "PatchworkGirl Comments," a student-created portion of the Cyberspace, Hyperkrt, andCitical Theory Web, "Each patch in fackson's quilt is composed of variousother patches, various other texts, from theoretical to fictional, from popcultural to hearsay, sewn together to form either a sentence or paragraph"("Patches"). The lexia entitled "seam'd" thus combines sentences from GettingStartedwith Storyspace, Frank L. Baum's Patchwork Girl of Oz, and Barbara