Sean: Who’s the abusive lady on youranswering machine and why does she wantyou to bring her a picture of a nakedmidget?Shawn: That would be my wonderful boss,Karen, who has been cool enough to let mework there as long as I have and consistentlybe late every fucking day. I don’t evenbother to set my alarm anymore. She justcalls to wake me up. And, one time, sheheard a story about me going to a strip cluband having a midget sit on my lap. SoKaren was very excited to see the midgetpicture. I had forgotten to bring the picturethe day before, so she was reminding me.Scott: Tell him how you earned the picture.Shawn: The midget – her name is LittleLacy – walked around with a cup betweenher legs, and you had to wad up a dollar billand throw it in there. Two dollars. That’sall it cost me.Sean: What do you do that the boss letsyou be late every day?Shawn: I work in a restaurant. I don’t domuch there. I show up late and bring picturesof midgets and get paid for it.Sean: How many karaoke bars have youguys been kicked out of with Tiltwheel?Russ: That was awesome. That was us andthe Dukes of Hillsborough and Tiltwheel. Itwas the first night we met up in SouthCarolina. I walked up to the bar and said,“What’s your best drink deal?” The bartendersaid, “Twenty-five-cent NaturalLights.” So I put a five on the bar and said,“Give me as many as I can get with this.”And this was a really nice place. Therewere customers wearing boating shoes andshit. It was so yuppie. They loved us.Especially Mike and his pick-up line.Mike: Yeah. That was when I was single.The waitress came by and she said, “Can Iget y’all anything?” and I looked at themenu and was like, “I don’t see you on themenu.” She tried to laugh it off, but I waslike, “I’m serious.” One thing lead toanother. There was some alley activity. Afew short moments. [laughs]Shawn: You’re just getting yourself introuble here, Mike.Mike: I’ll quit kidding. We got kicked outbecause our roadie wanted to sing“Brickhouse” on karaoke and they shutdown karaoke. So he made pretty big sceneabout it.Shawn: They thought we were gay men.There was this girl dancing with this guy,and we said, “Can we cut in?” and the girlsaid, “Sure. All right.” So we grabbed theguy and started dancing around him.Russ: This girl was acting like, “Oh, I’m sohot.” It was fun just to fuck with her. Shewas attractive, but she was taking too muchliberty with her attractiveness.Shawn: But, if anything happened to theair conditioning in the karaoke bar, wedon’t know anything about it.Sean: What happened to it?Russ: Our roadie cut all the belts andhoses. He was pissed.Mike: He was that upset that he couldn’tsing “Brickhouse.” He said, “Hey Mike, letme borrow your knife.” I was drunk, so Isaid, “Okay.” I gave him my knife. Heclimbed up there. It was so inconspicuous.Five guys climbed up there, and four morewere on the ground looking up. And he justtrashed it. We drove by the next day andthey had an air conditioning guy up thereworking on it. We did it on a Friday night.Apparently the next day, Saturday, wasreally busy and really hot. We never gotcaught.Sean: Who was Frank Provost?Russ: He’s our old bass player. He got meplaying in a band again. He’s my neighbornow.Sean: Why’d he leave the band?Russ: He wasn’t into touring. We wantedto tour. But it was no big deal. We’re allstill friends.Shawn: He’s in Hankshaw right now,which is really cool for him.Russ: It worked out because we got Mike,and he can parallel park a van. You’d thinkthat’s all he’s good for, but he’s a prettygood lay, too.Sean: And didn’t you once pass out whilerecording a song?Mike: I was in Russ’s bedroom. We wererecording our acoustic ten inch(Floribraska), and it was only for a second.You can’t notice it on the recording.Shawn: He was hunched over the wholetime. Just staring. It was an exercise inalcohol consumption.Mike: We were a little stewy.Russ: We recorded that ten inch, allacoustic songs, because we’re all into countrymusic – old stuff like Bill Monroe andHank Williams. We had some kinda countrysongs that we’d been practicing, so wedecided to do that dumb, stupid acousticrecord. We all got together on a Sunday andwatched the Bucs play. We had some beerswhile we watched the game. Then, we setup everything to record, which took anothercouple of hours, so we drank more whilewe were setting up. By the time we startedrecording, we were already drunk. I don’teven remember recording a couple ofsongs. I don’t remember doing 49
the acoustic version of “March 22.” It got recorded,though. That’s the bottom line. It didn’t comeout too bad, I guess.Sean: What’s the drinking song for Davey Quinn(lead singer of Tiltwheel, founder of the TV seriesCop Boat) about?Russ: It’s just about drinking and playing records.In South Dakota, I think it was – somewhere ontour, anyway – Davey had these chords that heshowed us. He was like, “I have this song. I wantwords for this.” So he showed them to me. I don’teven think I got them right. I played it for himlater, and he said, “Oh, you made it better.”Which means we fucked it up. But, we wrote it acouple of months after tour. We put some wordsto it.Shawn: If there’s anyone who needs their owndrinking song, it’s probably Davey.Sean: Is it true that Wesley Willis (a schitzophrenic,Alternative Tentacles recording artist)wrote a song about you guys?Mike: He did it when we played with him inChicago. The song was something like [Shawnsings the keyboard parts; Mike sings the song],“This a test song. This a test song: TheTimVersion. The TimVersion. All right. All right.We whip a mule’s ass with they belt.”Shawn: “They rock. They rock like Dokken.”That’s a Wesley Willis quote.Mike: Then we took him home and carried hiskeyboard upstairs. It was surreal. He said hisaddress like sixty-five times.Shawn: We said, “Wesley, where do you live?”And he was like, “All right, you go left here. Yougo right here.” We drove all around Chicago, circlingin on his house. It was like going into a vortex.He showed us pictures of his artwork andeverything. He told me that he was gonna come toTampa on tour and he needed a place to stay so Igave him my phone number. He said he wasgonna stay with me for [in a bold, Wesley Willisvoice] “Three weeks.”Scott: He had a nice apartment. We went upstairsand we heard a woman’s voice say, “Wesley, yougot some friends with you? How was your show?”[Also in a Wesley Willis voice] “There were athousand people there. I rocked.” And there werelike thirty people there. It was awesome.Sean: Who is OMS?Russ: That was Old Man Scotty. He goes byScroty now.Sean: Why was he written about in a Tampanewspaper as being “your biggest fan”?Russ: Because we opened for Fear at the BrassMug. It’s a shitty dive bar in Tampa. And this girlfrom University of South Florida newspaper... Hewas kinda fucking with her. He was like, “If youwrite about them, you have to put me in the article.I’m their biggest fan.” He was just joking, butshe put that in her article. He’s been around forever.He was at our first show in Gainesville, andhe’s been at almost every one since. He’s got kidsnow, though, so it’s kinda hard for him to get outand about.Sean: Mike, when was the last time you stole beerfrom a frat house?Mike: Son of a bitch. Where’d you get all thisinformation? Dave Disorder?Sean: Russ wrote about you in ADD.Mike: Bastard. We were in50Cincinnati, Ohio. We played our show,then went to a house where we werestaying. The people there told us thatthey were going to a party. Russ and Iwere running late. They all went to theparty and we figured, we’ll find it. It’sgotta be up the street somewhere. So wewalked up the road and saw this buildingwith lights on and doors open.There was an entire bar downstairs. Ithad a bunch of empty liquor bottles. Wewere thinking, this is weird. We heardsome people upstairs, so we went upthere and passed a couple of people onthe stairs. There was an apartment witha door open. Russ and I walked in andthere were four frat dudes playing videogames. I was like, “Hey. What’s goingon?” They were like, “Nothing.” Theylooked at us like we were crazy. Wejust said, “All right. See you later,”because, obviously, we weren’t in theright place. We went back downstairs.We were drunk and out of beer, so wedecided to look behind the bar and seeif there was anything we could salvage.There was just a bottle of grenadine.Then, Russ cracked open the fridge andsaid, “Oh shit. There’s Natty Lights inhere.” So we took it and took off. Goodtimes.Sean: Russ, when was the last time youpassed out on stage?Scott: Why is everything about alcoholwith us?Sean: I have questions about music.We’ll get to those later.Shawn: Fuck music. Let’s talk aboutRuss being an idiot.Russ: We played a New Year’s Eveshow – we don’t play holidays anymore;it’s a band policy – but we playedon New Year’s Eve at the old ADDhouse. I don’t know why, but I was like,I’m gonna get a bottle of gin. So I got abottle of gin from the liquor store. Istarted mixing drinks. I was makingthem pretty strong. They were so good.I was like, “Ummmm, delicious.”Shawn: You gotta skip all that shit andShawn: One of our friends drove off with theguitar duct taped to the front of his van. Itlooked like a unicorn. It was very majestic.Mike: It was a big van boner.
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- Page 22 and 23: THE AMAZING SNOX BOXBy Brian Gage,
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